A hunting ban on the Powhatan is about to expire. The environmentalists want to protect the wildlife; the hunters are oiling their guns. Then someone completely unexpected comes forward to spearhead the conservation effort--the weirdo. Includes a reader's guide.

    The play explores her fight to retain her independence and the subsequent effect of her decline on her family, especially her grandson. Inspired by Lonergan's own grandmother, it's an ode to an extraordinary woman, and to the humor and strength of a family in crisis. Kenneth Lonergan once again shows himself to have one of the keenest ears of any working playwright. Also the screenwirter of the deeply funny Analyze This, he's known for his incisive humor and brilliant knack for capturing the heart and soul of human interaction.

    Bass grew up in the suburban sprawl of Houston, and after attending college in Utah he spent eight years working in Mississippi as a geologist, until one day he packed up and went in search of something visceral, true, and real. He found it in the remote Yaak Valley of northwestern Montana, where despite extensive logging not a single species has gone extinct since the last Ice Age. Bass has lived in “the Yaak” ever since, and in Why I Came West he chronicles his transformation into the writer, hunter, and environmental activist that he is today. He explains how the rugged, wild landscape smoothed out his own rough edges; attempts to define the appeal of the West that so transfixed him as a boy, a place of mountains and outlaws and continual rebirth; and tells of his own role as a reluctant activist—sometimes at odds with his own neighbors—unwilling to stand idly by and watch this treasured place disappear.Rick Bass is the author of many acclaimed books of nonfiction and fiction, including The Lives of Rocks, The Diezmo, and Winter.

    Some kill out of boredom, others because they’ve developed a taste for death. The motives that drive people to perpetrate the most terrible acts are many and various, and so are the crimes they commit. From the Acid Bath Murders and the Birmingham Church Bombing to the Voodoo Killings and the Woman in a Box, every category of crime is covered as our intrepid author sifts through the evidence to present a grisly but compelling history of the worst crimes ever.

    “The Amateur” features a cafe encounter with a terrible artist who carries a mind-blowing secret. In the long, beautifully brutal title story, a man numbed by life finds himself flirting with and mourning lost souls in the purgatory of sex chatrooms. The result is both unflinching and hilarious, heartbreaking and life-affirming.

      On a warm spring evening in 1982, thirty-seven-year-old accountant Margaret Barbera left work in New York City and walked to the West Side parking lot where she kept her BMW. Finding the lock on the driver’s side door jammed, she went to the passenger’s side and inserted her key. A man leaned through the open window of a van parked in the next spot, pressed a silenced pistol to the back of Margaret’s head, and fired. She was dead before she hit the pavement.   It was a professional hit, meticulously planned—but the killer didn’t expect three employees of the nearby CBS television studios to stumble onto the scene of the crime. “You didn’t see nothin’, did you?” he demanded, before shooting the first eyewitness in the head. After chasing down and executing the other two men, the murderer sped out of the parking lot with Margaret’s lifeless body in the back of his van.   Thirty minutes later, the first detectives arrived on the scene. Veterans of Midtown North, a sprawling precinct stretching from the exclusive shops of Fifth Avenue to the flophouses of Hell’s Kitchen, they thought they’d seen it all. But a bloodbath in the heart of Manhattan was a shocking new level of depravity, and the investigation would unfold under intense media coverage. Setting out on the trail of an assassin, the NYPD uncovered one of the most diabolical criminal conspiracies in the city’s history.   Richard Hammer’s blow-by-blow account of “the CBS Murders” is a thrilling tale of greed, violence, and betrayal, and a fascinating portrait of how a big-city police department solved the toughest of cases.

    Tales spread of rape, mutilation, and murder, and the police set out on a relentless mission to bring someone to justice. Six months later, two local men—Tommy Ward and Karl Fontenot—were arrested and brought to trial, even though they repudiated their “confessions,” no body had been found, no weapon had been produced, and no eyewitnesses had come forward. The Dreams of Ada is a story of politics and morality, of fear and obsession. It is also a moving, compelling portrait of one small town living through a nightmare.

    Who is he? Why has he come here now, during the off-season when there is nothing to do but get into trouble? What is it he wants? Everyone has an opinion of him, and only a few of them are favorable. For everyone he helps, there are two who question his motives, who see danger to themselves and their way of life in his continual presence in their town. And then, when a beautiful, lonely woman is brutally slaughtered after spending time with him, Faith is the prime and logical suspect. Discovering the identity of the killer becomes as important to Faith as to anyone else, except the murderer.

    As was well known at the time, Richter had spent several years in the Southwest, where he collected the material for his first successful book, Early Americans and Other Stories, but by 1933, he had returned to live in his hometown, Pine Grove, Pennsylvania. John Donner, the main protagonist in The Waters of Kronos, traces a similar route from west to east, although he finds that his family home and native town have been submerged under the deep waters of a lake formed by the construction of a hydroelectric dam. As Richter narrates his alter ego's efforts to salvage his past, he moves beyond "semi-autobiography" to offer what are widely recognized as his most haunting reflections upon the power of family history, the fragility of human memory, and art's role in structuring the communal ethos. David McCullough, a fellow Pulitzer Prize winner, met and befriended Richter in the 1960s and has called him "an American master," praising The Waters of Kronos as "his most beautiful book."

    Photos throughout.

    A very fine read.

    His parents suddenly leave town, and he's whisked away to stay with Serena and Agnes on Moaning Marsh, where they run the world's most mysterious beauty salon.

    B&W photos.

    Defying the patronising concern of officials, she ventures deep into the jungle, striding ever closer to the horrifying heart of the mystery

    Half-Japanese, adopted by African American parents, she returns to Tokyo, ostensibly to research her thesis on Japan's "sad, brutal reign of conformity." When she vanishes, Tom Hurley, who is half-Korean and half-white, is assigned to her case at the American embassy, as is local cop Kenzo Ota, who is 100 percent Japanese but deemed an outsider.