With his unflinching attention to emotional detail, Redhill proves once again to be "a writer of considerable humanity and insight" (A.L. Kennedy) .

    Unable to commit suicide, she hires a professional killer and contracts him to kill her, by her choice and on her terms. In an effort to dissuade her from death, her killer elicits from her stories about her travels. In this reversal of Sheherazade, who saves her life through a continuous story, Restlessness becomes a story about how to avoid story, a travel book about how to evade travel, a manual for how to stay put.

    Between jobs and marriages, states of sobriety, joy and anguish; between who they are and who they want to be. Kris Bertin's unforgettable debut introduces us to people at the tenuous moment before everything in their lives changes, for better or worse.Kris Bertin's stories have appeared in the Walrus, the Malahat Review, the New Quarterly, PRISM International, and other magazines. He lives and writes in Halifax, Nova Scotia.

    Here is the familiar outer world of family summers at remote lakes, winters of political activism, and seasons of exotic friends, mundane lives, and unexpected loves. But here too is the inner world of hidden places and all that emerges from them-the intimately personal, the fantastic, the shockingly real...whether it's what lives in a mysterious locked room or the secret feelings we all conceal. In this dramatic and far-ranging collection, Margaret Atwood proves why she is a true master of the genre.

    A formidable debut, it is a profound and unforgettable depiction of today’s doctors, patients, and hospitals.Provocative, heartbreaking, and darkly humorous, Bloodletting & Miraculous Cures introduces readers to a masterful new voice in fiction. A practicing ER physician, Vincent Lam delivers a precise and intimate portrait of the medical profession in his fiction debut. These twelve interwoven stories follow a group of young doctors as they move from the challenges of medical school to the intense world of emergency rooms, evacuation missions, and terrifying new viruses. Winner of the prestigious Giller Prize, Bloodletting & Miraculous Cures marks the arrival of a deeply humane and preternaturally gifted writer. Fitz, Ming, Chen, and Sri are the four ambitious protagonists of Bloodletting & Miraculous Cures. They fall in love as they study for their exams, face moral dilemmas as they split open cadavers, confront police who rough up their patients, and treat schizophrenics with pathologies similar to their own. In one harrowing story set amidst the 2003 SARS crisis, which the author witnessed firsthand, two of these doctors suddenly become the patients. Bloodletting & Miraculous Cures invites us into a world where the ordinary becomes the critical in a matter of seconds. A formidable debut, it is a profound and unforgettable depiction of today’s doctors, patients, and hospitals.

    A disgruntled follower of a self-esteem blog posts a rambling critical comment. On the hunt for the perfect coffee table, a pregnant woman and her husband stop to visit his terminally ill ex-wife. The office cat lady reluctantly joins her fellow employees' crusade to cheer up their dying co-worker. A man grieving his wife's miscarriages follows his deluded friend on a stealth photo-taking mission at the Auto Show. A shoplifter creates her own narrative with stolen anecdotes and a kidnapped baby. In this collection, society's misfits and losers are portrayed sympathetically, and sometimes even heroically. As desperately as these characters long to fit in, they also take pride in what sets them apart.

    He has chosen 49 stories by a wide array of writers including Alistair MacLeod, Margaret Laurence, Carol Shields, Dionne Brand, Mavis Gallant, Stephen Leacock, Glenn Gould, Alice Munro, Rohinton Mistry, David Adams Richards and many more. Full of diversity and surprise, these writings reveal the geographical, emotional and literary range of the country. Above all, Michael Ondaatje's personal selection offers good reading and great entertainment.

    Quietly, precisely, he has created a body of work that is among the greatest to appear in English in the last fifty years.A book-besotted patriarch releases his only son from the obligations of the sea. A father provokes his young son to violence when he reluctantly sells the family horse. A passionate girl who grows up on a nearly deserted island turns into an ever-wistful woman when her one true love is felled by a logging accident. A dying young man listens to his grandmother play the old Gaelic songs on her ancient violin as they both fend off the inevitable. The events that propel MacLeod's stories convince us of the importance of tradition, the beauty of the landscape, and the necessity of memory.

    Along the way he's followed by Manitous, spirits of the forest who comment on his plight, cajoling, taunting, and ultimately offering him a type of comfort on his difficult journey back to the place he was so brutally removed from.Written by Scotiabank Giller Prize-winning author Joseph Boyden and beautifully illustrated by acclaimed artist Kent Monkman, Wenjack is a powerful and poignant look into the world of a residential school runaway trying to find his way home.

    Sorry. Yours, Sheb Woolly Ledoux. Asshole.” Eugenia is nine years old, a synaesthesiac and a tightrope walker. She adores her father and his lunatic charms; she loves that he takes her fishing in the middle of the night and calls her Stunt. Sheb has always promised he’ll one day take her to the moonscape of northern Ontario, where astronauts train; instead he writes a note, blows up a shoulder-pad factory, and leaves. His heartbroken daughter is left behind with her mother, the sharp-edged former ingenue Mink, and her sister, the death-obsessed and hauntingly beautiful Immaculata.After a fake funeral for Sheb, Mink vanishes too. Eugenia and Immaculata, left alone, double in age overnight. Immaculata becomes a swan-like giantess, and soon finds her calling caring for Leopold, a diseased and irresistible malcontent down the street. Eugenia, however, stays the same: dark and diminutive, and bereft. She finds herself a bicycle and sets off to track down her father, encountering an astronaut and a waitress named Cupid along the way.Stunt is the first novel by one of Canada’s most acclaimed playwrights. Like synaesthetic Eugenia, your senses will be addled as Dey’s words take on colours, tastes, and smells, somehow coming to mean more than you thought they did; they depict, with compassionate hilarity and luminous heartbreak, the love between a girl and her father.

    The exploration of starvation and consumption is at the core of each character; what does our hunger reveal about the state of our soft hearts? Ellen jumps rope on rooftops in the searing Korean sun. She has sworn off carbohydrates until she can find pants that fit. Damon resents his two dollar chow mein bought on a Montreal curb. There are half-eaten poutines on living room floors and greasy corn kernels stuck to chins. There are weak cocktails, cheap coffees, white plastic forks, and cigarettes. Everywhere.These interwoven stories are propulsive. They pull back the blast shield to reveal blinding interior voices; unrepentant and raw. Coles' irreverent characters scorch, and strangely comfort us, as they struggle to process the permeable nature of their thoughts. Such are the sardonically complex and humourous Eating Habits Of The Chronically Lonesome.

    When she begins spending more time in town, she is surrounded by women -- her mother, an agnostic, opinionated woman who sells encyclopedias to local farmers; her mother's boarder, the lusty Fern Dogherty; and her best friend, Naomi, with whom she shares the frustrations and unbridled glee of adolescence.Through these unwitting mentors and in her own encounters with sex, birth, and death, Del explores the dark and bright sides of womanhood. All along she remains a wise, witty observer and recorder of truths in small-town life. The result is a powerful, moving, and humorous demonstration of Alice Munro's unparalleled awareness of the lives of girls and women.

    She only took a couple of valium washed down with a cocktail, but now she's locked away in suspended animation, oblivious to the passage of time. What if she were to wake up decades later - a 17-year-old girl in a distant future, a future where the world has gone dark?

    Yann Martel's title story (described as "unforgettable...a truly stunning piece of fiction"*), won the 1991 Journey Prize to universal acclaim. The intensely human tragedy that lies at its heart is told with a spare, careful elegance that resonates long after it has ended--and is matched through all the stories by an immediacy an dazzling freshness.

    literally, from dust to dust. Readers will remember Vanessa Van Home, the elderly detective from The Telling of Lies, now involved in a murder mystery where a corpse confounds the line between the magical and the mundane. And the unforgettable Rosedale couple from Findleys "Minna and Bragg" stories, who reappear in two more haunting tales. In the stories that make up "All Must Come to Dust," we are taken into the ancient cultures of Europe, and there confronted by our preconceived notions of what constitutes history and memory.Each work in Dust to Dust is a beautifully rendered showcase for Timothy Findley's immense talent in evoking a time, a place and a mood. With their European settings, these stories render a territory formerly unexplored by Findley in his Short Fiction repertoire.