For the most part, it concerns itself with the mercurial and irresponsible moods of a girl called Sally Bowles. When we first meet her, she is a creature of extravagant attitudes, given to parading her vices, enormously confident that she is going to take life in her stride. She is fond of describing herself as an 'extraordinary interesting person,' and she is vaguely disturbing. As we get to know her, as we watch her make frightened arrangements for an illegal operation, seize at the tinseled escape offered by a rich and worthless American playboy, attempt to rehabilitate herself and fail ludicrously, we are more and more moved, more and more caught up in the complete and almost unbearable reality of this girl. [The author has] placed a character named Mr. Isherwood on the stage He serves both as narrator and as principal confidant to Sally Bowles. He is the camera eye of the title, attracted to Sally, yet dispassionate about her." Though Sally is the chief point of interest, the plight of the Jew in Germany in the early '30s is brought within focus in a few touching scenes.

    Set in Louis XIII's reign, it is the moving and exciting drama of one of the finest swordsmen in France, gallant soldier, brilliant wit, tragic poet-lover with the face of a clown. Rostand's extraordinary lyric powers gave birth to a universal hero--Cyrano De Bergerac--and ensured his own reputation as author of one of the best-loved plays in the literature of the stage.This translation, by the American poet Brian Hooker, is nearly as famous as the original play itself, and is generally considered to be one of the finest English verse translations ever written.

    His struggle to succeed and his conquest of Henrietta, the spirited daughter of a rich manufacturer, drive a richly woven tale that takes the reader from the dusty plains of India to the teeming slums of nineteenth-century London, from the chaos of the great industrial cities to the age of the peaceful certainties of the English countryside. Filled with epic scenes and memorable characters, God is an Englishman triumphs in its portrayal of human strength and weakness, and in its revelations of the power of love.

    Puck of Pook's Hill is a fantasy book by Rudyard Kipling, published in 1906, containing a series of short stories set in different periods of English history.

    As the country celebrates, the new monarch must face one of the most difficult challenges he has ever encountered: the dreaded BBC Radio Broadcast to the Nation. Only one man can prepare the terrified King for his ordeal at the microphone – Australian speech therapist Lionel Logue. With his unconventional methods such as tongue-twisters, breathing exercises, and Shakespearean quotations, and a variety of teaching styles ranging from empathy to bullying, Logue aims to give George VI the confidence to navigate the minefield ahead. As the two men wrestle with the intricacies of the speech, their conversation ranges from the Abdication Crisis to the King's childhood and his uneasy relationship with his father - and the King's dependence on and deep friendship with Logue becomes apparent.Starring Alex Jennings as George VI and Trevor Littledale as Logue, this is a riveting portrait of a prominent man at a pivotal moment in his own life and in the history of the 20th century. Running time 45 minutes.

    The vivid translations, which combine elegance and modernity, are remarkable for their lucidity and accuracy, and are equally suitable for reading for pleasure, study, or theatrical performance. The selection of Antigone, Oedipus the King, and Electra not only offers the reader the most influential and famous of Sophocles' works, it also presents in one volume the two plays dominated by a female heroic figure, and the experience of the two great dynasties featured in Greek tragedy--the houses of Oedipus and Agamemnon.

    Set in gossipy late 18th-century England, with a fresh female voice, the play is full of humor, emotional depth, and bold theatricality. SENSE AND SENSIBILITY examines our reactions, both reasonable and ridiculous, to societal pressures. When reputation is everything, how do you follow your heart?

    When his father, a crony of Prince Regent, is killed in the hunting field, Adam becomes the 6th Viscount Lynton of Fontley Priory, Lincolnshire. But he returns from the Peninsular War to find his magnificent home in disrepair and his family on the brink of ruin, with the broad acres of his ancestral home mortgaged to the hilt. He is madly in love with the beautiful Julia Oversley but soon realises that the drastic measure of a marriage of convenience is the only answer. Enter Mr Jonathan Chawleigh, a City man of apparently unlimited wealth with no social ambitions for himself, but with his eyes firmly fixed on a suitable match for his one and only daughter, the quiet and decidedly plain Jenny Chawleigh. A marriage is arranged.Adam chafes under Mr. Chawleigh's generosity, and Julia's jealous behavior upon hearing of the betrothal nearly brings them all into a scandal. But Adam didn't reckon with the Jenny nobody knew, or the unknown quality that lay hidden behind her demure and plain facade, who bring him comfort and eventually more....

    Elizabeth Jenkins's artistry, however, transforms the bare facts of this case from the annals of Victorian England's Old Bailey into an absolutely spine-chilling exploration of the depths of human depravity.

    Written in the 1380s, it presents Troilus, son of Priam and younger brother of Hector as a Trojan warrior of renown who sees, and falls deeply in love with the beautiful Cressida. Cressida is the daughter of Calchas, a Trojan priest and seer who, having divined the eventual fall of Troy, has deserted to Agamemnon’s camp, leaving his daughter in the besieged city, With the help of Pander, friend to Troilus and uncle to Cressida, the young couple meet and merge – but with unhappy consequences. Chaucer’s long poem is cast in seven-line rhymed stanzas, and is eased out of Middle English to be presented here in a lively modern verse translation by George Philip Krapp, who has retained not only the structure, but its spirit. Emotions run high, the love is intense, the story unfolds with a dramatic urgency that draws the listener ever onwards; yet Chaucer is Chaucer, and there are times when a deft line, a light insinuation, suggests the smile, the benevolence and the immediacy of the author of The Canterbury Tales. Troilus and Cressida, though often overshadowed by the Tales and time (and even Shakespeare who took up the story) is a monument in its own right in the canon of English literature. Once read it will never be forgotten.

    Yeats, Lady Gregory, J.M. Synge, Bernard Shaw, Sean O'Casey, Brendan Behan, Samuel Beckett, and Brian Friel. The texts are fully annotated with explanatory notes on Anglo-Irish usage, place names, historical figures, and literary allusions. "Backgrounds and Criticism" contains almost fifty texts relevant to the twelve plays represented. Included are prefaces by the authors, reports by spectators on original productions, memoirs concerning playwrights and performances, and recent critical assessments by American, British, and Irish scholars. From its collection of documents relevant to the origin of the Irish Literary Revival in the midst of Ireland's republican revolution to the recent formation of the Field Day Company in Northern Ireland, Modern Irish Drama charts the rise and development of one of the most powerful national dramas of the twentieth century. A Chronology and Selected Bibliography are also included.

    The opening novel in Anthony Powell's brilliant twelve-novel sequence, A Dance to the Music of Time.Discover the extraordinary life of Anthony Powell – captured by acclaimed biographer Hilary Spurling in Anthony Powell: Dancing to the Music of Time

    This engaging and beautiful book includes the complete Academy Award-winning script and Thompson's own diaries detailing the production of the film, reviewed by Stanley Kauffmann in The New Republic as "vivid, funny, and gamy"

    John Howard, a 70-year-old Englishman vacationing in France, cuts shorts his tour and heads for home. He agrees to take two children with him.But war closes in. Trains fail, roads clog with refugees. And if things were not difficult enough, other children join in Howard's little band. At last they reach the coast and find not deliverance but desperation. The old Englishman's greatest test lies ahead of him.

    Her family just called her Vicky…smart, pretty, and self-assured, she changed the course of the world.Young Vicky imagines she'll inherit the throne of England. Why not? She's the eldest child of Queen Victoria and Prince Albert, and her little brother Bertie is sweet but lazy - she'll make a far better heir.When her father tells her that males will always take precedence, the precocious princess sets her sights on marrying a powerful prince who will also be the love of her life.January 1858: Vicky glides down the aisle of St. James Chapel into the waiting arms of her beloved, Prince Frederich, heir to the kingdom of Prussia. Vicky is determined they will lead by example, just as her parents had done, while bringing about a liberal, united Germany.Brought up to believe in herself, Vicky struggles in the narrow-minded Prussian court, where her status as Queen Victoria's daughter fuels the resentment she faces as an outsider. Frowned upon by her in-laws and criticized in the press, each day she seems to take a wrong step.But handsome Fritz is always by her side as they navigate court intrigue and challenge the cunning Chancellor Otto von Bismarck while fighting for principle—and the soul of a nation. At home they endure tragedy, including their son, Wilhelm, rejecting all they stand for.This is the dramatic story of an indomitable English princess, undoubtedly royal and completely human, from her younger years as the apple of her father's eyes, through her rise to power, to the final months of her life.