When Arthur Jones cocreated a reading series centered around ubiquitous Post-Its(r), the series struck a chord. It grew in popularity and was ultimately featured on a This American Life live simulcast broadcast across the nation.Inspired by the series and spanning a wide and weird range of topics from an A-list roster of contributors, Post-It(r) Note Diaries captures everyday occurrences from a job interview gone hilariously awry and a nude run-in with a neighbor to hair-raising events like an overnight encounter at Nicholas Cage's house (it's not what you think!), and nearly drowning while trying to paddle across the East River in a homemade canoe. Post-It(r) Note Diaries is perfect for NPR addicts and fans of unique graphic favorites like Postsecret and Blankets.Diarists include: John Hodgman, David Rakoff, Hanna Tinti, Arthur Bradford, Chuck Klosterman, Andrew Solomon, Starlee Kine, Kristen Schaal, Mary Roach and Andrew Bird.

    In “Rivers,” a free Jim meets up decades later with his former raftmate Huckleberry Finn; “An Outtake” chronicles an escaped slave’s fate in the American Revolution; “On Brazil, or Dénouement” burrows deep into slavery and sorcery in early colonial South America; and in “Blues” the great poets Langston Hughes and Xavier Villaurrutia meet in Depression-era New York and share more than secrets.

    For the centennial celebration of this beloved annual series, master of the form Lorrie Moore selects forty stories from the more than two thousand that were published in previous editions. Series editor Heidi Pitlor recounts behind-the-scenes anecdotes and examines, decade by decade, the trends captured over a hundred years. Together, the stories and commentary offer an extraordinary guided tour through a century of literature with what Moore calls “all its wildnesses of character and voice.” These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.

    An online forum for cancer support turns into a love triangle for an English professor, a Canadian fisherman, and an elementary school teacher living in Japan. A deer and a polar bear flirt via Skype. In The Hypothetical Girl a menagerie of characters graze and jockey, play and hook up in the online dating world with mixed and sometimes dark results. Flirting and communicating in chat rooms, through texts, e-mails, and IMs, they grope their way through a virtual maze of potential mates, falling in and out of what they think and hope may be true love.   With levity and high style, Cohen takes her readers into a world where screen and keyboard meet the heart, with consequences that range from wonderful to weird. The Hypothetical Girl captures all the mystery, misery, and magic of the eternal search for human connection.

    White himself, the essays in this volume span a lifetime of writing and a body of work without peer.  "I have chosen the ones that have amused me in the rereading," he writes in the Foreword, "alone with a few that seemed to have the odor of durability clinging to them." These essays are incomparable; this is a volume to treasure and savor at one's leisure.

    Free. Like Unfettered before it, the contributing writers of Unbound were allowed to submit the tales they wished fans of genre to read—without the constraints of a shackling theme. The result is magical. Twenty-three all-original stories are sure to captivate you—some will move you to tears while others will keep you turning the pages long into the night. The power of Unbound lies in its variety of tales and the voices behind them. If you are a fan of discovering new writers or reading the works of beloved authors, Unbound is for you. Return to Landover with Terry Brooks. Go to trial with Harry Dresden and Jim Butcher. Enter the Citadel and become remade with Rachel Caine. Survive a plague with John Marco and his robot companion Echo. Be painted among the stars by Mary Robinette Kowal. These tales and the others that comprise the anthology are only bound by how enchanting and enthralling they are. Unbound is filled with spectacularly wonderful stories, each one as diverse as its creator. You will be changed upon finishing it. And that is the point. Like Unfettered before it, the contributing writers of Unbound were allowed to submit the tales they wished fans of genre to read—without the constraints of a theme. It is an anthology filled some spectacularly wonderful stories, each one as diverse as its creator.Here is the Unbound line-up: Terry Brooks (intro) | Kristen Britain | Jim Butcher | Rachel Caine | Harry Connolly | Delilah S. Dawson | David Anthony Durham | Jason M. Hough | Mary Robinette Kowal | Mark Lawrence | John Marco | Tim Marquitz | Seanan McGuire | Peter Orullian | Kat Richardson | Anthony Ryan | Shawn Speakman | Brian Staveley | Michael J. Sullivan | Sam Sykes | Mazarkis Williams“Madwalls” by Rachel Caine“Stories Are Gods” by Peter Orullian“River and Echo” by John Marco“A Dichotomy of Paradigms” by Mary Robinette Kowal“Son of Crimea” by Jason M. Hough“An Unfortunate Influx of Filipians” by Terry Brooks“The Way into Oblivion” by Harry Connolly“Uncharming” by Delilah S. Dawson“A Good Name” by Mark Lawrence“All in a Night’s Work” by David Anthony Durham“Seven Tongues” by Tim Marquitz“Fiber” by Seanan McGuire“The Hall of the Diamond Queen” by Anthony Ryan“The Farmboy Prince” by Brian Staveley“Heart’s Desire” by Kat Richardson“The Game” by Michael J. Sullivan“The Ethical Heresy” by Sam Sykes.“Small Kindnesses” by Joe Abercrombie“The Rat” by Mazarkis Williams“The Siege of Tilpur” by Brian McClellan“Mr. Island” by Kristen Britain“Jury Duty” by Jim Butcher“The Dead’s Revenant” by Shawn Speakman

    There, a bore is "a person who talks when you wish him to listen," and happiness is "an agreeable sensation arising from contemplating the misery of another." This is the most comprehensive, authoritative edition ever of Ambrose Bierce’s satiric masterpiece. It renders obsolete all other versions that have appeared in the book’s ninety-year history.A virtual onslaught of acerbic, confrontational wordplay, The Unabridged Devil’s Dictionary offers some 1,600 wickedly clever definitions to the vocabulary of everyday life. Little is sacred and few are safe, for Bierce targets just about any pursuit, from matrimony to immortality, that allows our willful failings and excesses to shine forth.This new edition is based on David E. Schultz and S. T. Joshi’s exhaustive investigation into the book’s writing and publishing history. All of Bierce’s known satiric definitions are here, including previously uncollected, unpublished, and alternative entries. Definitions dropped from previous editions have been restored while nearly two hundred wrongly attributed to Bierce have been excised. For dedicated Bierce readers, an introduction and notes are also included.Ambrose Bierce’s Devil’s Dictionary is a classic that stands alongside the best work of satirists such as Twain, Mencken, and Thurber. This unabridged edition will be celebrated by humor fans and word lovers everywhere.

     Contents: Loveliness Like a Shadow An Infestation of Stars Corporautolysis No One is Sleeping in this World Making Snakes The Ocean is Eating Our Graves This Fragmented Body Tellurian Façade Film Maudit A Plague of Naked Movie Stars Scarcely Have They Been Planted Intaglios Alectryomancer

    But for many years Maeve was a journalist, writing for The Irish Times.From 'The Student Train' to 'Plane Bores', 'Bathroom Joggers' to 'When Beckett met Binchy', these articles have all the warmth, wit and humanity of her fiction. Arranged in decades, from the 1960s to the 2000s, and including Maeve's first and last ever piece of writing for The Irish Times, the columns also give a fascinating insight into the author herself.With an introduction written by her husband, the writer Gordon Snell, this collection of timeless writing reminds us of why the leading Irish writer was so universally loved.

     Selected by five hundred writers, English professors, and creative writing teachers from across the country, this collection includes only the most highly regarded nonfiction work published since 1970. Contents:The fourth state of matter by Jo Ann BeardGetting along with nature by Wendell BerryThe pain scale by Eula BissThe unwanted child by Mary Clearman BlewTorch song by Charles BowdenEmbalming Mom by Janet BurrowayPhysical evidence by Kelly Grey CarlisleThe glass essay by Anne CarsonBurl's by Bernard CooperVisitor by Michael W. CoxLiving like weasels by Annie DillardReturn to sender by Mark DotyLeap by Brian DoyleSomehow form a family by Tony EarleyKissing by Anthony FarringtonThe beautiful city of Tirzah by Harrison Candelaria FletcherSun dance by Diane GlancyMirrorings by Lucy GrealyPresent tense Africa by William HarrisonReading history to my mother by Robin HemleyWorld on a hilltop by Adam HochschildA small place by Jamaica KincaidHigh tide in Tucson by Barbara KingsolverSmall rooms in time by Ted KooserThe essayist is sorry for your loss by Sara LevineMastering the art of French cooking by E. J. LevyPortrait of my body by Phillip LopateFlight by Barry LopezThe undertaking by Thomas LynchSorry by Lee MartinInterstellar by Rebecca McClanahanBad eyes by Erin McGrawThe search for Marvin Gardens by John McPheeThe date by Brenda MillerSon of Mr. Green Jeans by Dinty W. MooreCelibate passion by Kathleen NorrisThis is not who we are by Naomi Shihab NyeAutopsy report by Lia PurpuraWatching the animals by Richard RhodesShitdiggers, mudflats, and the worm men of Maine by Bill RoorbachRepeat after me by David SedarisImelda by Richard SelzerThe Pat Boone Fan Club by Sue William SilvermanA measure of acceptance by Floyd SklootBlack swans by Lauren SlaterThe love of my life by Cheryl StrayedMother tongue by Amy TanIf you knew then what I know now by Ryan Van MeterConsider the lobster by David Foster WallaceHawk by Joy Williams

    I write poetry... I believe poetry is a primal impulse within all of us. I believe we are all capable of it and furthermore that a small, often ignored corner of us positively yearns to try it. —Stephen Fry, The Ode Less Travelled Stephen Fry believes that if one can speak and read English, one can write poetry. Many of us have never been taught to read or write poetry and think of it as a mysterious and intimidating form. Or, if we have been taught, we remember uncomfortable silence when an English teacher invited the class to "respond" to a poem. In The Ode Less Travelled, Fry sets out to correct this problem by giving aspiring poets the tools and confidence they need to write poetry for pleasure. Fry is a wonderfully engaging teacher and writer of poetry himself, and he explains the various elements of poetry in simple terms, without condescension. His enjoyable exercises and witty insights introduce the concepts of Metre, Rhyme, Form, Diction, and Poetics. Aspiring poets will learn to write a sonnet, on ode, a villanelle, a ballad, and a haiku, among others. Along the way, he introduces us to poets we've heard of, but never read. The Ode Less Travelled is a lively celebration of poetry that makes even the most reluctant reader want to pick up a pencil and give it a try. BACKCOVER: Advanced Praise: “Delightfully erudite, charming and soundly pedagogical guide to poetic form… Fry has created an invaluable and highly enjoyable reference book.” —Publishers Weekly “A smart, sane and entertaining return to the basics… If you like Fry’s comic manner… this book has a lot of charm… People entirely fresh to the subject could do worse than stick with his cheerful leadership.” —The Telegraph (UK) “…intelligent and informative, a worthy enterprise well executed.” —Observer (UK) "If you learn how to write a sonnet, and Fry shows you how, you may or may not make a poem. But you will unlock the stored wisdom of the form itself." —Grey Gowrie, The Spectator (UK) “…intelligent and informative, a worthy enterprise well executed.” —Observer (UK)

    Some are mousers, like Princess, a black cat who works at Mill Ridge Farm's stables. Some are circus performers, like Tuna and her furry friends in The Amazing Acro-Cats. And some are even politicians, like Mayor Stubbs, an orange tabby who holds office in Talkeetna, Alaska.In Cats on the Job, we meet these and other whiskered workers who keep their human colleagues company from 9 to 5—with the occasional break for a nap or a belly rub—and make every day at the office better.

    Now, at a veritable fairy-tale moment—witness the popular television shows Grimm and Once Upon a Time and this year’s two movie adaptations of “Snow White”—Philip Pullman, one of the most popular authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.From much-loved stories like “Cinderella” and “Rumpelstiltskin,” “Rapunzel” and “Hansel and Gretel” to lesser-known treasures like “Briar-Rose,” “Thousandfurs,” and “The Girl with No Hands,” Pullman retells his fifty favorites, paying homage to the tales that inspired his unique creative vision—and that continue to cast their spell on the Western imagination.

    It washes away the pains of the day and wraps you in the warmness of the womb where nothing hurts and every dream is possible. Yet soon enough, this warm state of bliss becomes a cold shiver, the ecstasy and dreams become nightmares, yet we can't stop listening to the lullaby. We crave to hear the siren song as it rips us apart.Six stories: three novellas, three novelettes, written by a powerful list of talent, all featuring the insidious nature of addiction--damaged humans craving for highs and wholeness but finding something more tragic and horrific on the other side.FEATURING:Caroline Kepnes author of You and Hidden BodiesKealan Patrick Burke, author of Sour Candy and KinMercedes M. Yardley, author of Pretty Little Dead GirlsJohn F.D. Taff, author of The FearingMark Matthews, author of Milk-BloodGabino Iglesias, author of Coyote Songs

     Her story begins in the one-bedroom, Upper East Side apartment she shared with her overly protective mother, where, as a little girl, she passed the time gnawing on strawberry-scented erasers, breaking up arguments between her imaginary friends, and being subjected to cut-throat nursery school applications. Eventually, Wendy broke out on her own - but continued to be admonished by her mother for not having enough quality orgasms. After a stint of door-to-door knife-selling, she began her first (and last) office job, where she formed an unusual relationship with her big-time executive boss - one that involved as much pot smoking and gold glitter as it did mentoring. Now, a comedian living in L.A., Wendy grapples with such grown-up issues as trying to kick her addiction to eating candy in bed, parenting dozens of high-maintenance stuffed animals, and finally learning how to drive. Sure to be loved by fans of David Sedaris and Laurie Notaro, this hilarious, offbeat, and, at times, touching book marks the debut of a fresh, new nonfiction voice, and one that won't soon be forgotten.