Is this what’s in store?June 12, 2030 started out like any other day in memory—and by then, memories were long.  Since cancer had been cured fifteen years before, America’s population was aging rapidly.  That sounds like good news, but consider this: millions of baby boomers, with a big natural predator picked off, were sucking dry benefits and resources that were never meant to hold them into their eighties and beyond.  Young people around the country simmered with resentment toward “the olds” and anger at the treadmill they could never get off of just to maintain their parents’ entitlement programs.But on that June 12th, everything changed: a massive earthquake devastated Los Angeles, and the government, always teetering on the edge of bankruptcy, was unable to respond. The fallout from the earthquake sets in motion a sweeping novel of ideas that pits national hope for the future against assurances from the past and is peopled by a memorable cast of refugees and billionaires, presidents and revolutionaries, all struggling to find their way.  In 2030, the author’s all-too-believable imagining of where today’s challenges could lead us tomorrow makes gripping and thought-provoking reading.

    She remains hopeful that a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans.In Klara and the Sun, Kazuo Ishiguro looks at our rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?

    If you're living in Germany in the 1930s, it probably isn't. But that's no consolation to Egon Loeser, whose carnal misfortunes will push him from the experimental theatres of Berlin to the absinthe bars of Paris to the physics laboratories of Los Angeles, trying all the while to solve two mysteries: whether it was really a deal with Satan that claimed the life of his hero, the great Renaissance stage designer Adriano Lavicini; and why a handsome, clever, charming, modest guy like him can't, just once in a while, get himself laid. From the author of the acclaimed Boxer, Beetle comes a historical novel that doesn't know what year it is; a noir novel that turns all the lights on; a romance novel that arrives drunk to dinner; a science fiction novel that can't remember what 'isotope' means; a stunningly inventive, exceptionally funny, dangerously unsteady and (largely) coherent novel about sex, violence, space, time, and how the best way to deal with history is to ignore it. LET'S HOPE THE PARTY WAS WORTH IT

    . . through quantum space–time.  Minor Universe 31 is a vast story-space on the outskirts of fiction, where paradox fluctuates like the stock market, lonely sexbots beckon failed protagonists, and time travel is serious business. Every day, people get into time machines and try to do the one thing they should never do: change the past. That’s where Charles Yu, time travel technician—part counselor, part gadget repair man—steps in. He helps save people from themselves. Literally. When he’s not taking client calls or consoling his boss, Phil, who could really use an upgrade, Yu visits his mother (stuck in a one-hour cycle of time, she makes dinner over and over and over) and searches for his father, who invented time travel and then vanished. Accompanied by TAMMY, an operating system with low self-esteem, and Ed, a nonexistent but ontologically valid dog, Yu sets out, and back, and beyond, in order to find the one day where he and his father can meet in memory. He learns that the key may be found in a book he got from his future self. It’s called How to Live Safely in a Science Fictional Universe, and he’s the author. And somewhere inside it is the information that could help him—in fact it may even save his life.

    Needing to pay elder care for his mother, Victor has devised an ingenious scam: he pretends to choke on pieces of food while dining in upscale restaurants. He then allows himself to be “saved” by fellow patrons who, feeling responsible for Victor’s life, go on to send checks to support him. When he’s not pulling this stunt, Victor cruises sexual addiction recovery workshops for action, visits his addled mom, and spends his days working at a colonial theme park. His creator, Chuck Palahniuk, is the visionary we need and the satirist we deserve.

    Every day, she provides customers with personalized recommendations for greater contentment. She's good at her job, her office manager tells her, successful. But how does one measure an emotion?Meanwhile, there's Pearl's teenage son, Rhett. A sensitive kid who has forged an unconventional path through adolescence, Rhett seems to find greater satisfaction in being unhappy. The very rejection of joy is his own kind of "pursuit of happiness." As his mother, Pearl wants nothing more than to help Rhett—but is it for his sake or for hers? Certainly it would make Pearl happier. Regardless, her son is one person whose emotional life does not fall under the parameters of her job—not as happiness technician, and not as mother, either.Told from an alternating cast of endearing characters from within Pearl and Rhett's world, Tell the Machine Goodnight delivers a smartly moving and entertaining story about relationships and the ways that they can most surprise and define us. Along the way, Katie Williams playfully illuminates our national obsession with positive psychology, our reliance on quick fixes and technology. What happens when these obsessions begin to overlap? With warmth, humor, and a clever touch, Williams taps into our collective unease about the modern world and allows us see it a little more clearly.

    When a whale beaches itself on the shore of the remote coastal town of Paradise Deep, the last thing any of the townspeople expect to find inside it is a man, silent and reeking of fish, but remarkably alive. The discovery of this mysterious person, soon christened Judah, sets the town scrambling for answers as its most prominent citizens weigh in on whether he is man or beast, blessing or curse, miracle or demon. Though Judah is a shocking addition, the town of Paradise Deep is already full of unusual characters. King-me Sellers, self-appointed patriarch, has it in for an inscrutable woman known only as Devine’s Widow, with whom he has a decades-old feud. Her granddaughter, Mary Tryphena, is just a child when Judah washes ashore, but finds herself tied to him all her life in ways she never expects. Galore is the story of the saga that develops between these families, full of bitterness and love, spanning two centuries. With Paradise Deep, award-winning novelist Michael Crummey imagines a realm where the line between the everyday and the otherworldly is impossible to discern. Sprawling and intimate, stark and fantastical, Galore is a novel about the power of stories to shape and sustain us.

    Motherless, she lives with her father, Jules, who takes better care of his heroin habit than he does of his daughter. Baby's gift is a genius for spinning stories and for cherishing the small crumbs of happiness that fall into her lap. But her blossoming beauty has captured the attention of a charismatic and dangerous local pimp who runs an army of sad, slavishly devoted girls—a volatile situation even the normally oblivious Jules cannot ignore. And when an escape disguised as betrayal threatens to crush Baby's spirit, she will ultimately realize that the power of salvation rests in her hands alone.

    Hours later, the world as we know it begins to dissolve. Moving back and forth in time—from the actor's early days as a film star to fifteen years in the future, when a theater troupe known as the Traveling Symphony roams the wasteland of what remains—this suspenseful, elegiac, spellbinding novel charts the strange twists of fate that connect five people: the actor, the man who tried to save him, the actor's first wife, his oldest friend, and a young actress with the Traveling Symphony, caught in the crosshairs of a dangerous self-proclaimed prophet.

    When Swiv is expelled from school, Grandma takes on the role of teacher and gives her the task of writing to Swiv's absent father about life in the household during the last trimester of the pregnancy. In turn, Swiv gives Grandma an assignment: to write a letter to "Gord," her unborn grandchild (and Swiv's soon-to-be brother or sister). "You’re a small thing," Grandma writes to Gord, "and you must learn to fight."As Swiv records her thoughts and observations, Fight Night unspools the pain, love, laughter, and above all, will to live a good life across three generations of women in a close-knit family. But it is Swiv’s exasperating, wise and irrepressible Grandma who is at the heart of this novel: someone who knows intimately what it costs to survive in this world, yet has found a way—painfully, joyously, ferociously—to love and fight to the end, on her own terms.

    She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled. As Aomame’s and Tengo’s narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell’s — 1Q84 is Haruki Murakami’s most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.

    Life was absurd, and nobody truly understood anybody else. Even his friends tend to agree that Barney is a 'wife-abuser, an intellectual fraud, a purveyor of pap, a drunk with a penchant for violence and probably a murderer'. But when his sworn enemy threatens to publish this calumny, Barney is driven to write his own memoirs, rewinding the spool of his life, editing, selecting and plagiarising, as his memory plays tricks on him - and on the reader. Ebullient and perverse, he has seen off 3 wives - the enigmatic Clara, whom he drove to suicide in Paris in 1952; the garrulous Second Mrs Panofsky; and finally Miriam who stayed married to him for decades before running off with a sober academic. Houdini-like, Barney slides from crisis to success, from lowlife to highlife in Montreal, Paris and London, his outrageous expolits culminating in the scandal he carries around like a humpback - the murder charge that he goes on denying to the end.

    Born into the lowest class of her society, Flora 717 is a sanitation bee, only fit to clean her orchard hive. Living to accept, obey and serve, she is prepared to sacrifice everything for her beloved holy mother, the Queen. Yet Flora has talents that are not typical of her kin. And while mutant bees are usually instantly destroyed, Flora is reassigned to feed the newborns, before becoming a forager, collecting pollen on the wing. Then she finds her way into the Queen's inner sanctum, where she discovers secrets both sublime and ominous. Enemies roam everywhere, from the fearsome fertility police to the high priestesses who jealously guard the Hive Mind. But Flora cannot help but break the most sacred law of all, and her instinct to serve is overshadowed by a desire, as overwhelming as it is forbidden...Laline Paull's chilling yet ultimately triumphant novel creates a luminous world both alien and uncannily familiar. Thrilling and imaginative, The Bees is the story of a heroine who changes her destiny and her world.

    The novel centres upon the hapless members of a love triangle united by their sexual obsessions and by their fascination with Catherine Tekakwitha, the 17th-century Mohawk saint. By turns vulgar, rhapsodic, and viciously witty, Beautiful Losers explores each character’s attainment of a state of self-abandonment, in which the sensualist cannot be distinguished from the saint.

    Walter tells the story of Matt Prior, who’s losing his job, his wife, his house, and his mind—until, all of a sudden, he discovers a way that he might just possibly be able to save it all . . . and have a pretty damn great time doing it.