Evoking the sights and sounds of fifteenth-century London, acclaimed author Denise Giardina artfully illuminates the double-edged sword of power--and the momentous events that unfold in the making of a king. . . .A contemplative soul imbued with a compassion and mental agility beyond his years, young Harry, Prince of Wales--the future King Henry V--is marked early as the object of his father's scorn. For in the eyes of Lord Bolingbroke, his son is but a weak link in the House of Lancaster with a dangerous loyalty to the rebellious Welsh that must be broken. As Harry reaches maturity, the battle within his heart grows fierce. Torn between the sensitivities of his soul and the uncompromising king he must become, Harry embarks on an odyssey rife with political agendas, sexual intrigue, and military combat--ultimately transforming into the accomplished monarch a volatile England so urgently demands.

    Hela has powers too strong for a child – both to feel the pain of those around her and to heal them. But when she is given a mysterious cup by a slave woman, its powers overtake her life, forcing her into a vow she cannot hope to keep. Trapped by her vow, Hela loses one chance after another to love and be loved. Meanwhile in her household a child is growing into a woman who will become famous throughout the Muslim world. So begins a quartet of historical novels set in Morocco as the Almoravid Dynasty sweeps across Northern Africa and Spain, creating a Muslim Empire that endured for generations.

    On her twelfth birthday, Bess of Hardwick receives the news that she is to be a waiting gentlewoman in the household of Lady Zouche. Armed with nothing but her razor-sharp wit and fetching looks, Bess is terrified of leaving home. But as her family has neither the money nor the connections to find her a good husband, she must go to facilitate her rise in society. When Bess arrives at the glamorous court of King Henry VIII, she is thrust into a treacherous world of politics and intrigue, a world she must quickly learn to navigate. The gruesome fates of Henry’s wives convince Bess that marrying is a dangerous business. Even so, she finds the courage to wed not once, but four times. Bess outlives one husband, then another, securing her status as a woman of property. But it is when she is widowed a third time that she is left with a large fortune and even larger decisions—discovering that, for a woman of substance, the power and the possibilities are endless . . .

    Thrust into an unfamiliar and treacherous court, with a husband who mistrusts her, stepsons who resent her and a bewitching rival who covets her crown, Emma must defend herself against her enemies and secure her status as queen by bearing a son. Determined to outmaneuver her adversaries, Emma forges alliances with influential men at court and wins the affection of the English people. But her growing love for a man who is not her husband and the imminent threat of a Viking invasion jeopardize both her crown and her life. Based on real events recorded in the "Anglo-Saxon Chronicle," "Shadow on the Crown" introduces readers to a fascinating, overlooked period of history and an unforgettable heroine whose quest to find her place in the world will resonate with modern readers.

    In The Sisters of Henry VIII, Maria Perry brings history alive by examining the lives of these extraordinary women and their influence on Europe in the Tudor Age. Margaret became queen of Scotland at age thirteen; family members arranged beautiful Mary's betrothal to the aging king of France when she was twelve. But both women chose their second husbands for love: Margaret married and divorced twice after Henry's advancing armies slaughtered her first husband and kidnapped her children; Mary risked execution by proposing to the handsome duke of Suffolk. Groundbreaking in both depth and scope, Perry's work rescues two remarkable princesses from the shadows of history and offers a fresh interpretation of a royal family and an era sure to fascinate readers of Alison Weir and Antonia Fraser.

    A glimmer of initiative swells into blind desire, and minor hurts, nursed with jealousy, fester into a malignant hatred. When a bitter feud is born the price for this wild and beautiful piece of ground will take more than three generations to settle.Richard Lanyon answers to no one save the aristocratic Sweetwater family, owners of the land he farms. His bitter resentment is legend within the bounds of their tiny Exmoor community, but as their tenant, Richard Lanyon must do their bidding. Still, even noblemen do not have the power to contain ruthless ambition, and the Sweetwaters are no exception. Driven to succeed, Richard is prepared to take what is not his, and to forfeit the happiness of his family to claim the entitlements he lusts for.But no family can grow and succeed without the nurturing hand of a woman, and even Richard Lanyon knows this. Better still if the woman is clever and hardworking and can bear many sons, and with this in mind Richard arranges a marriage for his only son, Peter. But matches based on pragmatism often hide a multitude of sins, and so it is within the house of Lanyon. Although Peter and his bride, Liza Weaver, settle into marriage, each harbors a broken heart, lost dreams and unspoken secrets. And should their secrets ever be revealed, all that Richard has worked for will be destroyed.Surviving the betrayals of the past means keeping one foot in the present, and an eye to the future. For it is the next generation that holds the power to achieve in one moment what eluded Richard Lanyon for a lifetime.

    Stephen de Lacey is a cold and bitter widower, long accustomed to the sovereign's capricious and malicious whims. He regards his new bride as utterly inconvenient...though undeniably fetching.But Juliana Romanov is no ordinary thief—she is a Russian princess forced into hiding by the traitorous cabal who slaughtered her family. One day she hopes to return to Muscovy to seek vengeance.What begins as a mockery of a marriage ultimately blossoms into deepest love.

    In his 100th novel, master historian Paul Doherty weaves his magic in an epic tale of murderous schemes and a bloody political order.King Henry VIII, a fearsome figure of power and stature, lies upon upon his deathbed diminished by sickness and haunted by ghosts from his past. Only Will Somers, long-serving jester and confidant, sees all. While Henry is confined to his chamber, Will begins a journal that will document his king's last turbulent days.The country is fraught with tension. The king's son and heir just nine years old, there are many power-hungry councillors who will stop at nothing to better themselves. Now as the king's health falls, rebellion threatens amidst widespread rumours of plots against him. With few allies remaining, will Henry himself become the final victim of his reckless, bloody reign?'

    A deadly enemy. A clash of intrigue, deception, and desire. . . . 1525: Artist Susanna Horenbout is sent from Belgium to be Henry VIII’s personal illuminator inside the royal palace. But her new homeland greets her with an attempt on her life, and the King’s most lethal courtier, John Parker, is charged with keeping her safe. As further attacks are made, Susanna and Parker realize that she unknowingly carries the key to a bloody plot against the throne. For while Richard de la Pole amasses troops in France for a Yorkist invasion, a traitor prepares to trample the kingdom from within.Who is the mastermind? Why are men vying to kill the woman Parker protects with his life? With a motley gang of urchins, Susanna’s wits, and Parker’s fierce instincts, honed on the streets and in palace chambers, the two slash through deadly layers of deceit in a race against time. For in the court of Henry VIII, secrets are the last to die. . . .Brilliantly revealing a little-known historical figure who lived among the Tudors, Michelle Diener makes a smashing historical fiction debut.

     This is the story of a passionate romance and a secret marriage which gave its name to the most famous royal dynasty in the history of Great Britain: the Tudors. When King Henry V and his bride, Catherine de Valois, are blessed with the birth of a son, their happiness is short-lived. Henry’s unexpected death leaves Catherine a widow at the age of twenty-one. Then her father, King Charles of France, also dies, and her son inherits both crowns. Henry VI, King of England and France, is just ten months old and needs all his mother’s watchful care to protect him from political intrigue. The queen, an attractive young widow, is a foreigner at the English court and now finds herself regarded with suspicion, particularly by the Duke of Gloucester, who will seemingly stop at nothing to protect his own claim to the throne. But lonely, vulnerable Catherine has found true friendship with another foreigner at court, a young Welshman named Owen. Their friendship deepens, but their liaisons must be kept secret at all costs, because Catherine, Queen of England and forbidden to remarry, is in love with a servant …

    It was fought by two badly matched armies that met in atrocious conditions on St Crispin's Day 1415, and resulted in an extraordinary victory that was celebrated in England long before Shakespeare immortalised it in Henry V. It has always been held to be the triumph of the longbow against the armoured knight, and of the common man against the feudal aristocrat, but those are history's myths. Bernard Cornwell, who has long wanted to write this story, depicts the reality behind the myths.Nicholas Hook is an English archer. He seems born to trouble and, when his lord orders him to London as part of a force sent to quell an expected Lollard uprising, Nick's headstrong behaviour leads to him being proscribed an outlaw. He finds refuge across the Channel, part of an English mercenary force protecting the town of Soissons against the French. What happened at the Siege of Soissons shocked all Europe, and propels Nick back to England where he is enrolled in the archer companyof the doughty Sir John Cornwaille, a leader of Henry V's army. The army was superb, but sickness and the unexpected French defiance at Harfleur, reduce it to near-shambolic condition. Henry stubbornly refuses to accept defeat and, in appalling weather, leads his shrunken force to what appears to be inevitable disaster.Azincourt culminates in the battle. Seen from several points of view on the English side, but also from the French ranks, the scene is vivid, convincing and compelling. Bernard Cornwell has a great understanding of men at war and battlefields and this is his masterpiece. This is what it must have been like to fight at Agincourt.

     MacFARLAND'S LASS by Glynnis Campbell - writing as Kira Morgan (formerly Captured by Desire) A woman on the run…a man on the hunt. He has forty days to earn her trust. She has forty days to win his heart. They have forty days to outwit their enemies. When Florie Gilder, the once-respected jeweler to Queen Mary, claims sanctuary in an abandoned church for a crime she didn't commit, huntsman Rane MacFarland, a local hero of the common folk, vows to protect her. But when his overlord charges him with preventing the fugitive lass's escape, Rane finds himself torn between duty and desire when he begins to fall for his spirited captive. And when powerful foes conspire to turn Rane and Florie against each other, they need courage, wits, and, most of all, love, to survive.

    This is the story of Elfrida, who would become the first crowned queen of England.

    Hers was certainly a dramatic life with dizzying reversals of fortune; from poverty in 1461 to queenship in 1464, followed by deposition, restoration, and conflicts with Richard III and Henry VII before spending her final years in religious seclusion. There is also the issue of her two sons, the infamous 'Princes in the Tower', and the controversy surrounding their disappearance.

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.