But to the Martin family, their household robot NDR-113 is more than a trusted friend, a confidant, a member of the family. For through some unknown manufacturing glitch, Andrew has been blessed with a capacity for love and a drive toward self-awareness and devlopment that are almost...human.But almost is not enough. Andrew's dream is to become fully human. Facing human prejudice, the laws of robotics, and his own mechanical limitations, Andrew will use science and law in his quest for the impossible, arriving at last at a terrifying choice: to make his dream a reality, he must pay the ultimate price.

    Daniel Lowell and his partner, Dr. Stephanie D'Agostino, discover a new cloning procedure that utilizes stem cells to treat otherwise incurable and degenerative diseases, they know they've hit the medical jackpot. But with their cutting-edge method pending approval, they run into a roadblock by the name of Senator Ashley Butler, who views their technique as an attack on traditional American values. Then Butler is diagnosed with rapidly progressing Parkinson's disease, and he must make a Faustian pact with the very doctors whose groundbreaking technology he is trying to destroy: treatment in exchange for unwavering support.But the DNA transference procedure has never been tested before, and working under less than favorable conditions to keep the premature trial under wraps, the doctors place their careers--and their patient's life--at risk, all in the name of scientific progress. Once they hit the point of no return, they feel invincible, but when Butler starts experiencing violent, horrifying seizures, they realize their luck may have run out...

    Small, dark-haired, shy but tough, a Wisconsin farm girl on the streets of Los Angeles, she roams the city with her small band of video free-lancers in their truck from ten to dawn, looking for news: accidents, robberies, murders, demonstrations — anything they can shoot and sell to the local stations or the networks. It's an exhilarating life . . . until the day two deaths shake their world.The first is the jumper. Five stories up, perched on the ledge of a hotel window, dark pants, white shirt, just standing there — and then he's gone, falling through the air towards the cameras. The second is Jason, one of Anna's cameramen. Strangely affected by the jumper, he quits the scene early that night, not to be seen again until his body turns up on the beach several hours later, shot in the head. The police wonder if it's drug-related, but Anna isn't so sure, and the more she looks into it on her own, the more the ghosts of the past — hers, Jason's, and finally the jumper's — begin to emerge, until her whole world turns as dark and dangerous as the night itself.

    Enterprise, Commander William Riker and ship's counselor Deanna Troi had a tempestuous love affair on her home planet of Betazed. Now, their passions have cooled and they serve together as friends. Yet the memories of that time linger and Riker and Troi remain "Imzadi"—a powerful Betazoid term that describes the enduring bond they still share. During delicate negotiations with an aggressive race called the Sindareen, Deanna Troi mysteriously falls ill... and dies. But her death is only the beginning of the adventure for Commander Riker—an adventure that will take him across time, pit him against one of his closest friends, and force him to choose between Starfleet's strictest rule and the one he calls "Imzadi."

    The only one not worried about this mess is Carter's cat, which acts like she's in charge of the planet.

    A day later the object is gone and everyone awakens unharmed—except that all the women in the village are discovered to be pregnant.

    But instead of acclaim, Grady’s lab is locked down by a covert organization known as the Bureau of Technology Control.The bureau’s mission: suppress the truth of sudden technological progress and prevent the social upheaval it would trigger. Because the future is already here. And it’s rewards are only for a select few.When Grady refuses to join the BTC, he’s thrown into a nightmarish high-tech prison housing other doomed rebel intellects. Now, as the only hope to usher humanity out of its artificial dark age, Grady and his fellow prisoners must try to expose the secrets of an unimaginable enemy—one that wields a technological advantage half a century in the making.

    As Bilbo Baggins takes his final voyage to the Undying Lands, he must say goodbye to Middle-earth. Poignant and lyrical, the song is both a longing to set forth on his ultimate journey and a tender farewell to friends left behind. Pauline Baynes’s jewel-like illustrations lushly depict both this final voyage and scenes from The Hobbit, as Bilbo remembers his first journey while he prepares for his last.