He is a compulsive liar, a sickly weakling in a town famous for begetting brutish giants. Then Lucy accepts employment assisting the majordomo of the remote, foreboding Castle Von Aux. While tending to his new post as undermajordomo, he soon discovers the place harbours many dark secrets, not least of which is the whereabouts of the castle's master, Baron Von Aux. Thus begins a tale of polite theft, bitter heartbreak, domestic mystery, and cold-blooded murder.Undermajordomo Minor is an ink-black comedy of manners, an adventure, and a mystery, and a searing portrayal of rural Alpine bad behaviour, but above all it is a love story. And Lucy must be careful, for love is a violent thing.

    When Eve falls for the secretive, charming Dom in Switzerland, their whirlwind relationship leads them to Les Genévriers, an abandoned house set among the fragrant lavender fields of the South of France. Each enchanting day delivers happy discoveries: hidden chambers, secret vaults, a beautiful wrought-iron lantern. Deeply in love and surrounded by music, books, and the heady summer scents of the French countryside, Eve has never felt more alive.But with autumn’s arrival the days begin to cool, and so, too, does Dom. Though Eve knows he bears the emotional scars of a failed marriage—one he refuses to talk about—his silence arouses suspicion and uncertainty. The more reticent Dom is to explain, the more Eve becomes obsessed with finding answers—and with unraveling the mystery of his absent, beautiful ex-wife, Rachel.Like its owner, Les Genévriers is also changing. Bright, warm rooms have turned cold and uninviting; shadows now fall unexpectedly; and Eve senses a presence moving through the garden. Is it a ghost from the past or a manifestation of her current troubles with Dom? Can she trust Dom, or could her life be in danger?Eve does not know that Les Genévriers has been haunted before. Bénédicte Lincel, the house’s former owner, thrived as a young girl within the rich elements of the landscape: the violets hidden in the woodland, the warm wind through the almond trees. She knew the bitter taste of heartbreak and tragedy—long-buried family secrets and evil deeds that, once unearthed, will hold shocking and unexpected consequences for Eve.

    It was a time when publishing was still a private affair - a scattered family of small houses here and in Europe - a time of gatherings in fabled apartments, parties into the night. It is a world in which to immerse himself, a world of intimate connections and surprising triumphs. But the deal that Philip cannot seem to close is love: one marriage goes bad; another fails to happen; and, finally, he meets a woman who enthralls, then betrays him, setting him on a course he could never have imagined for himself. Written with Salter's signature economy of prose, All That Is fiercely, fluidly explores a life unfolding in a world on the brink of change: a dazzling, sometimes devastating labyrinth of love and ambition, of the small shocks and grand pleasures of being alive.

    Opposites in many ways, they have grown together and made their relationship work. But when they learn that Daniel's twin brother and sister-in-law have been killed in a bombing in Jerusalem, their lives are suddenly, utterly transformed.In dealing with their families and the need to make a decision about who will raise the deceased couple's two children, both Matthew and Daniel are confronted with challenges that strike at the very heart of their relationship. What is Matthew's place in an extended family that does not completely accept him or the commitment he and Daniel have made? How do Daniel's questions about his identity as a Jewish man affect his life as a gay American? Tensions only intensify when they learn that the deceased parents wanted Matthew and Daniel to adopt the children-six year old Gal, and baby Noam.The impact this instant new family has on Matthew, Daniel, and their relationship is subtle and heartbreaking, yet not without glimmers of hope. They must learn to reinvent and redefine their bond in profound, sometimes painful ways. What kind of parents can these two men really be? How does a family become strong enough to stay together and endure? And are there limits to honesty or commitment-or love?

    Across the ocean, in the leafy suburbs of London, a man caring for his dying wife discovers, among her papers, a lock of hair that unravels a terrible secret. In Jerusalem, an antiques dealer slowly reassembles his father's study, plundered by the Nazis in Budapest in 1944.Connecting these stories is a desk of many drawers that exerts a power over those who possess it or have given it away. As the narrators of Great House make their confessions, the desk takes on more and more meaning, and comes finally to stand for all that has been taken from them, and all that binds them to what has disappeared.Great House is a story haunted by questions: What do we pass on to our children and how do they absorb our dreams and losses? How do we respond to disappearance, destruction, and change?Nicole Krauss has written a soaring, powerful novel about memory struggling to creat a meaningful permanence in the face of inevitable loss.(front flap)

    Nora is the responsible sister; she’s shy and serious and engaged to a man she isn’t sure that she loves. Theresa is gregarious; she is thrilled by their new life in Boston and besotted with the fashionable dresses and dance halls on Dudley Street. But when Theresa ends up pregnant, Nora is forced to come up with a plan—a decision with repercussions they are both far too young to understand. Fifty years later, Nora is the matriarch of a big Catholic family with four grown children: John, a successful, if opportunistic, political consultant; Bridget, privately preparing to have a baby with her girlfriend; Brian, at loose ends after a failed baseball career; and Patrick, Nora’s favorite, the beautiful boy who gives her no end of heartache. Estranged from her sister and cut off from the world, Theresa is a cloistered nun, living in an abbey in rural Vermont. Until, after decades of silence, a sudden death forces Nora and Theresa to confront the choices they made so long ago. A graceful, supremely moving novel from one of our most beloved writers, Saints for All Occasions explores the fascinating, funny, and sometimes achingly sad ways a secret at the heart of one family both breaks them and binds them together.

    When he refuses to back down from a contrary but principled stand regarding the West Bank settlements, his political opponents expose his affair with a mistress decades his junior. He and the fierce young Leora flee the scandal for Yalta, where, in an unexpected turn of events, he comes face-to-face with the former friend who denounced him to the KGB almost 40 years earlier.In a mere 24 hours, Kotler must face the ultimate reckoning, both with those who have betrayed him and with those whom he has betrayed, including a teenage daughter, a son facing his own ethical dilemmas in the Israeli army, and the wife who stood by his side through so much.In prose that is elegant, sly, precise, and devastating, David Bezmozgis has rendered a story for the ages, an inquest into the nature of fate and consequence, love and forgiveness.

    People thirst for it; the entire country is mad with desire for it...” A dying man’s cryptic letter to an enigmatic professor launches student Steven Roberts on an unwitting quest, shrouded in mystery, into the war-torn labyrinth of a disintegrating Eastern European country. Steven plunges into the maelstrom to unearth long-forgotten documents holding clues to an ancient Emperor’s deeply buried secret, an inconceivable and long-forgotten evil that has slumbered for centuries. Steven’s perilous journey stretches from Southern California’s sunny beaches, to the exotically dystopian city-scapes of Budapest, Belgrade, and Bosnia, as it plays out against a backdrop of events that occurred centuries before in the Balkans.Kirkus Reviews wrote: “In the glut of vampire-themed novels now on the market, Lyon’s debut stands out… skillful… authentic… fascinating… inspired… Lyon executes it perfectly... vivid... engaging... highly promising... sophisticated...”Meticulously researched and set against the background of collapsing Yugoslavia, “Kiss of the Butterfly” weaves Balkan folklore together with intricate historical threads from the 15th, 18th and 20th centuries to create a rich phantasmagorical tapestry of allegory and reality. It is about passion and betrayal, obsession and desire, the thirst for life and the hunger for death. And vampires – which have formed an integral part of Balkan folklore for over a thousand years – are portrayed in their original folkloric form, which differs dramatically from today’s pop culture creations.“Kiss of the Butterfly” is based on true historical events. In the year of his death, 1476, the Prince of Wallachia -- Vlad III (Dracula) -- committed atrocities under the cloak of medieval Bosnia’s forested mountains, culminating in a bloody massacre in the mining town of Srebrenica. A little over 500 years later, in July 1995, history repeated itself in Srebrenica, when nearly 8,000 people were slaughtered, making it the worst massacre Europe had seen since the Second World War. For most people, the two events seemed unconnected…From Kirkus ReviewsAs Yugoslavia disintegrates, an American bent on investigating Balkan vampire folklore becomes caught up in evils both supernatural and political.In Yugoslavia on a scholarship to study Balkan ethnography, graduate student Steven Roberts finds his research being directed toward vampires, which have a rich folkloric history in the region. Vampires, he learns, aren’t what Bram Stoker, Anne Rice and Hollywood said they were. For example, the folklore suggests that only newly made vampires are nocturnal, meaning that older ones should be harder to spot—though one of Steven’s professors notes that in 1992 Yugoslavia, it might be hard to tell the vampires from the thugs: “Haven’t you seen all the black jeeps and limousines with darkened windows? If I were a vampire, that would be the ideal way to travel around during daytime.” As Steven delves further into crumbling archives and into an underground labyrinth hiding vampiric secrets, he and his friends get caught up in a perilous confluence of events. Steven must confront his past, his loss of faith and how he might regain it, and his attraction to a mysterious, dangerous woman. He learns the truth about his professor Slatina, who in turn faces a crucial decision that will affect not just vampires but all of the Balkans. In the glut of vampire-themed novels now on the market, Lyon’s debut stands out for its skillful integration of authentic, fascinating myth with the political events of the early 1990s. Linking the horror of the supernatural with the horror of human violence is an inspired idea, and Lyon executes it perfectly. He evidently knows the area, its history and its languages, giving the reader vivid details not just of long-ago history but of the 1990s Balkans: socialist-chic shabbiness, ever-present cigarette smoke, the way every Serb that Steven meets has a cousin in Chicago, and the corrupt Milosevic government. “Slobo keeps prices low so people won’t complain,” a character nicknamed Bear says. “It’s okay if we don’t have gas, just so the gas we don’t have is cheap.” Steven can be irritatingly slow on the uptake, and the ending is less satisfying than it could be, since Lyon is apparently leaving room for sequels. Still, it’s a highly promising start with an engaging cast of characters.No capes, no glitter: a vampire novel for readers who value sturdy mythology and a sophisticated understanding of history, along with warmblooded, human connections.ReviewPublishers Weekly"A fast-pacedadventure into a modern heart of Balkan darkness... A truly original take on theblood-sucking undead." -Publishers Weekly "In the glut ofvampire-themed novels now on the market, Lyon's debut stands out... skillful... authentic...fascinating... inspired... Lyon executes it perfectly... vivid... engaging... sophisticated.... No capes, no glitter: a vampire novel for readers who value sturdymythology and a sophisticated understanding of history, along withwarmblooded, human connections." -Kirkus Reviews "A wonderfulsurprise...the modern day vampire mythos is completely shattered and restructuredas a truth, backed by historical fact...My heart and spirit stirred." -Horror-Web "A denouement ofaction and heart-pounding resolution... It was a wild ride to the ending,... If youliked "The Historian", you'll love Kiss of the Butterfly." -Vampire Romance Books"Immediately gratifying...a worthy addition to any vampire enthusiast's collection." -Vampires.com

    Time falls away as she confronts perils far beyond mortal comprehension and must finally make the decision she has been avoiding for almost a millennium.

    H. White’s The Sword in the Stone.

    One night in Waterloo, Iowa, with young policeman Virgil Holt watching from the audience, she swaps her trademark saw for a fire ax. Is it a new version of the illusion, or an all-too-real murder? When Arden’s husband is found lifeless beneath the stage later that night, the answer seems clear.But when Virgil happens upon the fleeing magician and takes her into custody, she has a very different story to tell. Even handcuffed and alone, Arden is far from powerless—and what she reveals is as unbelievable as it is spellbinding. Over the course of one eerie night, Virgil must decide whether to turn Arden in or set her free… and it will take all he has to see through the smoke and mirrors.

    In 1986 in Easter, a small Florida Space Coast town, her dreams seem almost within reach—if she can just grow up fast enough. Theo, the scientist father she idolizes, is consumed by his own obsessions. Laid off from his job at NASA and still reeling from the loss of Nedda’s newborn brother several years before, Theo turns to the dangerous dream of extending his living daughter's childhood just a little longer. The result is an invention that alters the fabric of time.Amidst the chaos that erupts, Nedda must confront her father and his secrets, the ramifications of which will irrevocably change her life, her community, and the entire world. But she finds an unexpected ally in Betheen, the mother she’s never quite understood, who surprises Nedda by seeing her more clearly than anyone else. Decades later, Nedda has achieved her long-held dream, and as she floats in antigravity, far from earth, she and her crewmates face a serious crisis. Nedda may hold the key to the solution, if she can come to terms with her past and the future that awaits her. Light from Other Stars is about fathers and daughters, women and the forces that hold them back, and the cost of meaningful work. It questions how our lives have changed, what progress looks like, and what it really means to sacrifice for the greater good.

    Peter Byerly isn't sure what drew him into this particular bookshop. Nine months earlier, the death of his beloved wife, Amanda, had left him shattered. The young antiquarian bookseller relocated from North Carolina to the English countryside, hoping to rediscover the joy he once took in collecting and restoring rare books. But upon opening an eighteenth-century study of Shakespeare forgeries, Peter is shocked when a portrait of Amanda tumbles out of its pages. Of course, it isn't really her. The watercolor is clearly Victorian. Yet the resemblance is uncanny, and Peter becomes obsessed with learning the picture's origins. As he follows the trail back first to the Victorian era and then to Shakespeare's time, Peter communes with Amanda's spirit, learns the truth about his own past, and discovers a book that might definitively prove Shakespeare was, indeed, the author of all his plays.

    When he arrives at Clonliffe Seminary in the 1970s, it is a time in Ireland when priests are highly respected, and Odran believes that he is pledging his life to "the good."Forty years later, Odran's devotion is caught in revelations that shatter the Irish people's faith in the Catholic Church. He sees his friends stand trial, colleagues jailed, the lives of young parishioners destroyed, and grows nervous of venturing out in public for fear of disapproving stares and insults. At one point, he is even arrested when he takes the hand of a young boy and leads him out of a department store looking for the boy's mother.But when a family event opens wounds from his past, he is forced to confront the demons that have raged within the church, and to recognize his own complicity in their propagation, within both the institution and his own family.A novel as intimate as it is universal, A History of Loneliness is about the stories we tell ourselves to make peace with our lives. It confirms Boyne as one of the most searching storytellers of his generation.

    Seth is awkward and shy. Carter is glamorous and the heir to one of America's great fortunes. They have one thing in common: an obsession with music. Seth is desperate to reach for the future. Carter is slipping back into the past. When Seth accidentally records an unknown singer in a park, Carter sends it out over the Internet, claiming it's a long lost 1920s blues recording by a musician called Charlie Shaw. When an old collector contacts them to say that their fake record and their fake bluesman are actually real, the two young white men, accompanied by Carter's troubled sister Leonie, spiral down into the heart of the nation's darkness, encountering a suppressed history of greed, envy, revenge, and exploitation. White Tears is a ghost story, a terrifying murder mystery, a timely meditation on race, and a love letter to all the forgotten geniuses of American music.