A seedy Depression-era boardinghouse in Chicago plays host to a game of emotional chairs (Guardian) in a novel initially condemned for its frank depiction of abortion, homosexuality, and life on the margins of American society."

    Everett means to show us, may turn out to be a lie.” —Wall Street JournalA story inside a story inside a story. A man visits his aging father in a nursing home, where his father writes the novel he imagines his son would write. Or is it the novel that the son imagines his father would imagine, if he were to imagine the kind of novel the son would write?Let’s simplify: a woman seeks an apprenticeship with a painter, claiming to be his long-lost daughter. A contractor-for-hire named Murphy can’t distinguish between the two brothers who employ him. And in Murphy’s troubled dreams, Nat Turner imagines the life of William Styron. These narratives twist together with anecdotes from the nursing home, each building on the other until they crest in a wild, outlandish excursion of the inmates led by the father. Anchoring these shifting plotlines is a running commentary between father and son that sheds doubt on the truthfulness of each story. Because, after all, what narrator can we ever trust?Not only is Percival Everett by Virgil Russell a powerful, compassionate meditation on old age and its humiliations, it is an ingenious culmination of Everett’s recurring preoccupations. All of his prior work, his metaphysical and philosophical inquiries, his investigations into the nature of narrative, have led to this masterful book. Percival Everett has never been more cunning, more brilliant and subversive, than he is in this, his most important and elusive novel to date.

    Jessica Anthony, the inaugural winner of the Amanda Davis Highwire Fiction Award, makes an unforgettable debut with an unforgettable hero: Rovar Ákos Pfliegmand--unlikely bandit, unloved lover, and historian of the unimportant.

    In Where the Money Went, he surprises us with stories about love and the desertion of love, all written from a man’s point of view. Rarely is a man so revealing.A narrator struggles with his abiding loyalty to his ex-wife, even when he finds love with another woman. A newly divorced man learns more than he wants to know about his friends’ long-term marriages. In these nine stories, which incisively touch on the complex nature of love, we find men as fathers, as husbands, and as lovers, trying their best in a world that stubbornly refuses to make sense. Canty, whose writing has been praised as “smart, gritty, unsentimental” (New York Times), “lovely and unforgiving” (Boston Globe), and “enchanting and painful” (USA Today), powerfully conveys both the bitterness that can afflict romantic relationships, and the moments of humor and tenderness that cut through it.

    In the pared-down style that has since become his hallmark, Carver showed us how humour and tragedy dwelt in the hearts of ordinary people, and won a readership that grew with every subsequent brilliant collection of stories, poems and essays that appeared in the last eleven years of his life.

    In her mother's absence, Jean is torn between the adult world and her surreal fantasies of escape as she and Fender build a fort to survey the rumors of their town.Annie DeWitt is a fiction writer, essayist, and critic. She holds a BA from Brown University and an MFA in fiction from Columbia University School of the Arts. She teaches in the Undergraduate Creative Writing Program at Columbia University. Her writing has appeared in Granta, the Believer, Tin House, Guernica, Esquire, NOON (where an excerpt of this novel first appeared), BOMB, Electric Literature, and the American Reader, among others. Her story "Influence," which first appeared in Esquire's Napkin Fiction Project, was recently anthologized in Short: An International Anthology, edited by Alan Ziegler (Persea, 2014). DeWitt was a co-founding editor of Gigantic, a literary journal of short prose and art carried throughout the United States and abroad. She currently pens a bimonthly nonfiction column about art, literature, film and criticism for the Believer, called "Various Paradigms."

    Without a future, no Alice, I'm ready for an adventure. Meet Vincent. After his divorce from Alice he's lost his way, and is mindlessly working for the State, counting down the days till retirement. When his boss tells him to participate in a program that promises not only to increase productivity, but show him his "ideal life" he thinks: what's the harm? Others have seen new marked improvements in productivity and personal happiness. Willing to try anything to move away from the heartbreak of Alice, Vincent reluctantly complies. But what the program shows him, is that his ideal life is simply Alice. She's back. Is she real? A clone? A hologram? Despite the lingering questions, Vincent eases back into love and begins to live his life again with Alice, that is, until the real Alice returns. A novel about work, love, and how to live in the present moment, Vincent and Alice and Alice flings us through a shockingly funny and tender-hearted world just a few degrees different from our own, one that introduces us to a wild cast of characters, including the enigmatic CEO of PER, Dorian Blood, a mysterious under-cover cop, and the acid-tongued Elderly, a man living in his car who may be the only one who understands how to live in reality.

    Francis Doyle, Tim Sullivan, and their three closest friends are altar boys at Blessed Heart Catholic Church and eighth-grade classmates at the parish school. They are also inveterate pranksters, artistic, and unimpressed by adult authority. When Sodom vs. Gomorrah '74, their collaborative comic book depicting Blessed Heart's nuns and priests gleefully breaking the seventh commandment, falls into the hands of the principal, the boys, certain that their parents will be informed, conspire to create an audacious diversion. Woven into the details of the boys' preparations for the stunt are touching, hilarious renderings of the school day routine and the initiatory rites of male adolescence, from the first serious kiss to the first serious hangover.

    Soon after her untimely death in 1965, Jackson’s children discovered a treasure trove of previously unpublished and uncollected stories, many of which are brought together in this remarkable collection. Here are tales of torment, psychological aberration, and the macabre, as well as those that display her lighter touch with humorous scenes of domestic life. Reflecting the range and complexity of Jackson’s talent, Just an Ordinary Day reaffirms her enduring influence and celebrates her singular voice, rich with magic and resonance.  Praise for Just an Ordinary Day   “Jackson at her best: plumbing the extraordinary from the depths of mid-twentieth-century common. [Just an Ordinary Day] is a gift to a new generation.”—San Francisco Chronicle  Praise for Shirley Jackson   “[Jackson’s] work exerts an enduring spell.”—Joyce Carol Oates   “Shirley Jackson’s stories are among the most terrifying ever written.”—Donna Tartt   “An amazing writer . . . If you haven’t read [Jackson] you have missed out on something marvelous.”—Neil Gaiman   “Shirley Jackson is unparalleled as a leader in the field of beautifully written, quiet, cumulative shudders.”—Dorothy Parker   “An author who not only writes beautifully but who knows what there is, in this world, to be scared of.”—Francine Prose   “The world of Shirley Jackson is eerie and unforgettable.”—A. M. Homes   “Jackson enjoyed notoriety and commercial success within her lifetime, and yet it still hardly seems like enough for a writer so singular. When I meet readers and other writers of my generation, I find that mentioning her is like uttering a holy name.”—Victor LaValle

    Walter tells the story of Matt Prior, who’s losing his job, his wife, his house, and his mind—until, all of a sudden, he discovers a way that he might just possibly be able to save it all . . . and have a pretty damn great time doing it.

    Después de muchos años, Klaus, asentado en Criacuervo, un lugar en pleno desierto de La Guajira, decide invitar a Adler y a Cora y conciliar de esa forma un pasado conflictivo. Esta historia recorre el sendero de los destinos rotos, así como el intento desesperado por encontrarle un sentido al camino que no escogimos seguir.*Defeated and humiliated by the swift decline of his career as an Olympic swimmer, Adler Zweig has no other option but to consider how to rebuild his life. However, when he receives a photograph of his older brother Klaus through the mail, it raises the possibility of meeting him in a desert somewhere in northern Colombia, where he works as a diver for an oil rig. The person who sent him the picture, Cora Baumann, is an old friend from his childhood, and is the ex-girlfriend of his brother. The meeting between Cora and Adler, which at the beginning is focused on the arrangements for the trip to the desert, soon unleashes a meticulous reflection on his own past: the devastation of his childhood, Klaus’ youth devoted to violence, the unfathomable emptiness left in both of them by the death of their parents… but in particular, the love that he has been repressing for Cora Baumann.

    A man travels to his son’s school to deal with the fallout of a violent attack and to make sure his son will not lose his college place. But what exactly has his son done? And who is to blame? A young woman trying to make it in LA, working in a clothes shop while taking acting classes, turns to a riskier way of making money but will be forced to confront the danger of the game she’s playing. And a family coming together for Christmas struggle to skate over the lingering darkness caused by the very ordinary brutality of a troubled husband and father.These outstanding stories examine masculinity, male power and broken relationships, while revealing – with astonishing insight and clarity – those moments of misunderstanding that can have life-changing consequences. And there is an unexpected violence, ever-present but unseen, in the depiction of the complicated interactions between men and women, and families. Subtle, sophisticated and displaying an extraordinary understanding of human behaviour, these stories are unforgettable.

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    In AM/PM, impish humor and cutting insight are on full display. Readers tour the lives of 23 characters across 120 stories full of lizard tails, Schrödinger boxes, and volcano love. June wakes up one morning covered in seeds; Leonard falls in love with a chaise lounge; Betty insists everything except flowers are a symbol of her love for her husband; Andrew talks to his house in times of crisis. Written every morning and night for two months, these brief vignettes (50 to 100 words) recall Donald Barthelme in their whimsy and subtle yet powerful emotions. An intermittent love story as seen through a darkly comic lens, AM/PM mixes poetry and prose, humor and hubris to create a truly original work of fiction.

    A vivid, gripping tale of family secrets and lost love."SANDRA IRELAND, author of Beneath the SkinArizona, 1989Joy Sheldon loves the plants that bloom in the desert but dreams too of the sea's elemental wildness. Now, riven by terrible secrets, Joy embarks on a journey to seek her identity and to discover why the sea pulls at her heart.London, 1967Lewis Bell, a young graphic designer, is aiming for the big time if only he can keep his creative spark. But, as his talented girlfriend Marnie adds her own pressures, sixties Soho fast shows its darker side.Ireland, 1989Drawn together, Joy and Lewis fly across the Atlantic to the Irish coast. She's in search of a lost mother; he's looking for a lost love. They need to make peace with the past, themselves and others. But the truths they encounter will transform everyone's lives forever.Bold, intimate and joyful. This glorious novel tells an unforgettable story of love's true gravity.