Others call it MU or mutual understanding. Pseudo relationships. Pseudo boyfriends. Flings. Almost like a relationship, but not quite. It is a phase where the persons involved are more than friends, but not quite lovers.

    forces battle to possess the Philippine Islands, the Karangalan family hides with their neighbors in a cramped cellar, where they glean hope from the family stories and folktales they tell each other. These stories of love, survival, and family blend the supernatural with the rich, little known history of the Philippines, the centuries of Spanish colonization, the power of the Catholic church, and the colorful worlds of the Spanish, Mestizo, and Filipino cultures.As the villagers tell their stories in the darkened cellar below, Holthe masterfully weaves in the stories of three brave Filipinos--a teenage brother and sister and a guerilla fighter--as they become caught in the battle against the vicious Japanese forces above ground.Inspired by her father's firsthand accounts of this period, Tess Uriza Holthe brings to magical and terrifying life a story of the hope and courage needed to survive in wartime.

    Set against the turbulent history of East Asia in the twentieth century and by turns erotic and tragic, Magdalena vividly depicts three generations of strong Filipino women. Aimee Liu, author of Cloud Moutain Cecilia Manguerra Brainard s novel Magdalena takes its title from a protagonist descended from several generations of equally compelling female characters. . . Brainard uses a nonlinear narrative and multiple points of view to describe the history of the Philippines that roughly corresponds to its contact with the United States from the Spanish American War to the war in Vietnam. The novel brings into focus not only the romantic and social conflicts of different generations of women but also economic and racial divisions in the Philippines . . . Interspersed throughout the novel are archival photographs of places and people, photographs that remind the reader that while the characters are fictional, the backdrop is historical reality. Kathleen Flanagan, Longwood University, World Literature Today With her second novel, Magdalena, Cecilia Brainard adds new portraits to the gallery in Philippine literature. She has always had a strong sense of place. Here, she provides an inner landscape as well. Together, these provide the coordinates for the family secrets that bind the characters as securely as bloodlines. Linda Ty-Casper, author of The Stranded Whale In this novel, Brainard blends a series of multiple perspectives to create a polyphony of voices that enacts Philippine society before and during the Second World War. The narrative is a nuanced vision of the workings of culture, social class, obligation and the Filipino personality. Rocio G. Davis, author of Transcultural Reinventions: Asian American and Asian Canadian Short Story Cycles I have been looking for a good story about the war. N.V.M. Gonzalez, author of The Bread of Salt and Other Stories (upon reading Winning Hearts and Minds, one chapter of Magdalena.) About Brainard s first novel When the Rainbow Goddess Wept The strengthening of the national spirit; the loss of innocence in two generations these themes are explored by the author, who was born in the Philippines, with persuasive conviction and stark realism. (Publishers Weekly) A fast-paced, sensitively written first novel about the psychological damage war wreaks, seen through the eyes of an intelligent, resilient young girl ... Brainard s appealing characters are larger-than-life people who change before our eyes, yet remain utterly convincing. (Kirkus Review) "

    For regular guy Vince Teves, every significant experience during the four years that would shape the rest of his life was worth remembering. This is his story.

    Although her mother labels her life in exile a diminished one, Amparo believes her struggles are a small price to pay for freedom...Like Amparo, Beverly Obejas—an impoverished Filipina waitress—forsakes Manila and comes to Oakland as a mail-order bride in search of a better life. Yet even in the land of plenty, Beverly fails to find the happiness and prosperity she envisioned.As Amparo works to build the immigrant's dream, she becomes entangled in the chaos of Beverly's immigrant nightmare. Their unexpected collision forces them both to make terrible choices and confront a life-changing secret, but through it all they hold fast to family, in all its enduring and surprising transformations.

    Out of her rich imagination she drew forth tales of bold princesses and cowardly kings, spurned suitors and ardent lovers, fearless young men and heartless queens. Every conceivable place of enchantment was Lola Basyang’s domain.The First “Kuwento ni Lola Basyang “ appeared in the Tagalog magazine Liwayway in 1925. Its author, Severino Reyes, was the founder and editor of Liwayway as well as a pioneering figure in Tagalog theater. Mr. Reyes wrote more that 400 stories under the pen name Lola Basyang.Tahanan Books has gathered together a literary dream team to produce this landmark collection of twelve tales. Poet and literary critic Bienvenido Lumbera sifted through hundreds of manuscripts to select the best of Reyes’ tales. Acclaimed author and publisher Gilda Cordero-Fernando delivered the original English translation and renowned children’s book illustrator Albert Gamos rendered over 30 unforgettable illustrations.Tahanan’s anthology introduces Lola Basyang to a new generation of readers in English. Open this book, sit at her feet, and let the magic begin.

    I was, you see, a person with no history. Lacking this, I developed a curiosity about other's people's stories. . . ."Clara Perez is a reporter on a small South seas island. An orphan raised by nuns, she is a young woman with origins shrouded in mystery. Full of idealistic ambition, she grows tired of the trivial assignments she's given at the daily paper, yearning to write articles of substance. So when the tiny street of Calle de Leon bursts into flames after a student demonstration--and a soldier kills an unarmed man--Clara seizes the chance to cover the explosive story.Yet after Clara rushes to the burning street to investigate the tragedy, she discovers another, more personal one involving some remarkable truths about her unknown past--ghosts, she realizes, which have been silently pursuing her all her life. And as family secrets begin to unfold, Clara's missing history slowly spreads itself out on the tumultuous backdrop of a country wracked by revolution. . . .An evocative and multilayered tale, at once political and personal, Eating Fire and Drinking Water is an extraordinary work, a powerful and pulsing novel of politics and commitment, loyalty and love, and the poignant search for truth.From the Trade Paperback edition.

    Here are exiles, emigrants, and wanderers uprooting their families from the Philippines to begin new lives in the Middle East, the United States, and elsewhere—and, sometimes, turning back again. A pharmacist living in New York smuggles drugs to his ailing father in Manila, only to discover alarming truths about his family and his past. In Bahrain, a Filipina teacher drawn to a special pupil finds, to her surprise, that she is questioning her own marriage. A college student leans on her brother, a laborer in Saudi Arabia, to support her writing ambitions, without realizing that his is the life truly made for fiction. And in the title story, a journalist and a nurse face an unspeakable trauma amidst the political turmoil of the Philippines in the 1970s and ’80s.In the Country speaks to the heart of everyone who has ever searched for a place to call home. From teachers to housemaids, from mothers to sons, Alvar’s powerful debut collection explores the universal experiences of loss, displacement, and the longing to connect across borders both real and imagined. Deeply compassionate and richly felt, In the Country marks the emergence of a formidable new writer.

    But a physician’s incorrect diagnosis will always be a matter of life and death. Dr. Baticulon’s dispatches from the country’s leading public hospital are told in language that requires no further acrobatics. How do you tell a mother that the smiling ten-year-old boy in her arms will not survive the following week? How do you tell a little girl she’ll never be able to go home to play because her parents can’t afford P54,000 for her surgery? How do you live with yourself after breaking a promise to save an eight-year-old boy’s life? Like the trenches of war zones, the operating room is the frontline of life’s most difficult questions. Here are a neurosurgeon’s gripping ruminations on hope and loss."—Lourd De Veyra"Ronnie Baticulon follows in the footsteps of many other physicians for whom the task of understanding and healing humanity did not stop at the clinic or the operating room. They used words and language not only for their patients but also for themselves—a long and distinguished line from Rabelais, Chekhov, and Maugham to Michael Crichton, Richard Selzer, Oliver Sacks, and of course our own Jose Rizal and Arturo Rotor. Dr. Baticulon is a worthy addition to that tradition."—Jose Y. Dalisay Jr.

    Marks the seasons of the author's life, her early writing, her work as active media practitioner, and her religio-spiritual writing.

    Every legend hides a lieA murdered Skygodre-emerges in modern-day Manila.A Tikbalang prince plots vengeancefor the death of his father.And the Queen of the Asuangunleashes the mythical Bakunawaupon the streets of the city.Caught in their age-old struggle is Andoy.a crippled orphan that discovershe is the fulfillment of a prophecydating back to Lapu-Lapu himself

    Features poems, essays, plays, and works of fiction written in both Filipino and English.

    This book of poetry contains musings on: adventure, anniversaries, the beach, breakfast, childhood, clouds, constellations, courage, delayed gratifications, dragonflies, eating alone, falling in love, first dates, frenemies, goodbyes, growing up, half-truths, heartbreak, holding hands, homecomings, insecurities that follow you around, the internet, jealousy, kisses, marshmallows, memory, mornings, mortality, newsletters, opposites, paper cuts, pixie dust, plane crashes, popularity, queues, rain, report cards, room service, science, a sea of coffee, shipwrecks, sick days, souvenirs, space, tattoos, tense lunches with mom, trains, travel, waiting, weekends, white dresses, yoga

    Sure, breaking up is hard to do, but who knew it involved: - Denial, followed by desperate bid to get back together involving promises to do everything to make him happy - Sever loss of sleep, appetite and self-esteem - Acute paralysis - or maybe death - of good judgment - Compulsive tendencies to document every event, feeling and fantasy in a manner of reporter trying to make sense of things - More compulsive tendencies to over-examine relationship carcass and over-analyze cause of death as couple - Getting a lifeWhen her perfect boyfriend - college hoop star certified hottie and young hotshot eagle Itos Ongpauco - decided to call it quits, Monica, barista by day and dreamer by night, found herseld stepping out from behind the coffee counter and out of her comfort zone - into the mad world of magazine publishing.While starting out at the bottom of the food chain as the overworked, unpaid intern at "M" magazine can obliterate any trace of self-esteem, anything - including bitchy bosses, temperamental photographers, rather dull but oh-so-hot male models - is a welcome balm to her pains. Never mind that her freebie-obsessed boss treats her like an on-call, 24-hour proxy service. Never mind, that, sometimes, when she's had too much alcohol, male models become irresistible. Never mind that, despite having just had her heart broken, the possibility of love presents itself again.

    ALIENS ARE FICTION.That's what young Ambrosio believes, not his crazy Lola's stories about robot-riding Nuno, and Kapres from space. But now she's dead, and Ambrosio's about to learn that she wasn't so crazy after all...EVERY STORY HAS ITS OWN TRUTH.Mythspace vol. 1 is a collection of six stories, each exploring a shared universe where Philippine folklore creatures -- Tikbalangs, Kapres, Manananggals -- were inspired by alien civilizations. Each creature is re-imagined and used to populate a science fiction universe that is rooted in Philippine oral tradition. From Ambrosio's journey, to a Kapre war, to a Manananggal coming of age, Mythspace will take you on a journey both strange and familiar.SPACE OPERA. PINOY STYLE.