Sometimes the blade of a knife or the point of a nail is the only way you know you’re real. When pain becomes art and a quarter is buried deep within in you, all you want is to be seen, to have value, to be loved. But love can be fragile, folded into an origami elephant while you disappear, carried on the musical notes that build a bridge, or woven into an illusion so real, so perfect that you can fool yourself for a little while. Paper crumples, bridges fall, and illusions come to an end. Then you must pick up the pieces, stitch yourself back together, and shed your fear, because that is when you find out what you are truly made of and lift your voice, that is when you Sing Me Your Scars. In her first collection of short fiction, Damien Angelica Walters weaves her lyrical voice through suffering and sorrow, teasing out the truth and discovering hope.

    But what happens where the human world touches the domain of races ancient and alien? Museum curators, surveyors, police officers, archaeologists, mathematicians; from derelict buildings to country houses to the London Underground, another world is just a breath away, around the corner, watching and waiting for you to step into its power. The Private Life of Elder Things is a collection of new Lovecraftian fiction about confronting, discovering and living alongside the creatures of the Mythos.

    The bitter enmity between the two families is so old that no one knows how far back it dates. The narrator states that its origin appears to rely on an old prophecy: "A lofty name shall have a fearful fall when, as the rider over his horse, the mortality of Metzengerstein shall triumph over the immortality of Berlifitzing."Young Frederick, Baron of Metzengerstein, inherits the family fortune at age 18 (though the age changes throughout its many re-publications[1]) and begins to exhibit particularly cruel behavior. "The behavior of the heir out-heroded Herod".[2] A few days after he receives his inheritance, the stables of the rival family Berlifitzing catch fire, killing the family's patriarch, William Von Berlifitzing. It is implied that Metzengerstein himself may have been responsible for this act of arson. That day, Metzengerstein sits staring at an old tapestry depicting a Metzengerstein who kills a Berlifitzing who lies at the feet of his horse. He thinks he sees the horse move and take on "an energetic and human expression." A few minutes later, he's told that a new, remarkable "fiery-colored" horse has been found in his stables with the letters "W.V.B." branded on its forehead, "I supposed them, of course, to be the initials of William Von Berlifitzing, but all at the castle are positive in denying any knowledge of the horse."The horse displays "ferocious and demonlike" qualities. Only the baron is brave enough to try to break the mysterious horse. Day after day, Metzengerstein rides it as if addicted, and becomes less and less interested in the affairs of his house. During a nocturnal ride, the Metzengerstein castle catches fire. The runaway horse, against the horseman's orders, jumps into the flames with its rider, killing the last of the Metzengerstein clan. The horrified onlookers see a cloud of smoke settle above the castle in the shape of "the distinct colossal figure of — a horse."

    A fading magician encounters his former mentor performing a terrifying new act. A party-goer ducks out early and is pursued by a creature of bent on cruel malevolence. Winged creatures of unknown origin terrorize a small town. A disgruntled employee works his dark magic on a new breed of middle managers. A radio stunt shatters the sanity of a DJ. And a father talks his young daughter through a cataclysmic apocalypse. The Stay Awake Men and Other Unstable Entities. Seven new tales of terror by Matthew M. Bartlett.

    Datlow has produced a collection filled with some of the most powerful voices in the field: Pat Cadigan, Terry Dowling, Jeffrey Ford, Christopher Fowler, Glen Hirshberg, K. W. Jeter, Joyce Carol Oates, and Lucius Shepard, to name a few. Each author approaches fear in a different way, but all of the stories' characters toil within their own hell. An aptly titled anthology, Inferno will scare the pants off readers and further secure Ellen Datlow's standing as a preeminent editor of modern horror.

    

    Freud's Todestrieb, his statement that ''libido has the task of making the destroying instinct innocuous, and it fulfils the task by diverting that instinct to a great extent outwards....The instinct is then called the destructive instinct, the instinct for mastery, or the will to power.'' Few authors have spun stories of Thanatos and Eros as skillfully and powerfully as Livia Llewellyn. In his introduction to this volume, Laird Barron writes ''Scant difference exists between exquisite pleasure and pain.'' An orphan girl with a mind for anthracite falls into the hands of a cult worshipping an entombed god. In the Pacific Northwest, evergreens lull prepubescent girls into their trunks to serve as wombs. A suburban housewife troubled by her present encounters the sixteen year-old girl she ached to touch in her dreams. These ten stories promise to indulge a reader's sensibilities, their fears and desires.

    Brian Keene's UNHAPPY ENDINGS features an exciting mix of never-before-published stories and hard-to-find fan favorites, ranging from violent, post-apocalyptic novella to quiet, supernatural human-dramas.

    Tilly's seance --Mrs. Amworth --In the tube --Roderick's story --Reconciliation --Face --Spinach --Bagnell terrace --A tale of an empty house --Naboth's vineyard --Expiation --Home sweet home --"And no bird sings" --Corner house --Corstophine --Temple --Step --Bed by the window --James Lamp --Dance --Hanging of Alfred Wadham --Pirates --Wishing-well --Bath-chair --Monkeys --Christopher comes back --Sanctuary --Thursday evenings --Psychical mallards --Clonmel witch burning.

    . . or not.Joining these haunting works are stories linked to Tremblay’s previous novels. The tour de force metafictional novella Notes from the Dog Walkers deconstructs horror and publishing, possibly bringing in a character from A Head Full of Ghosts, all while serving as a prequel to Disappearance at Devil’s Rock. “The Thirteenth Temple” follows another character from A Head Full of Ghosts—Merry, who has published a tell-all memoir written years after the events of the novel. And the title story, Growing Things, a shivery tale loosely shared between the sisters in A Head Full of Ghosts, is told here in full.From global catastrophe to the demons inside our heads, Tremblay illuminates our primal fears and darkest dreams in startlingly original fiction that leaves us unmoored. As he lowers the sky and yanks the ground from beneath our feet, we are compelled to contemplate the darkness inside our own hearts and minds.Growing things --Swim wants to know if it's as bad as swim thinks --Something about birds --The getaway --Nineteen snapshots of Dennisport --Where we all will be --The teacher --Notes for "The Barn in the Wild" --_______ --Our town's monster --A haunted house is a wheel upon which some are broken --It won't go away --Notes from the dog walkers --Further questions for the somnambulist --The ice tower --The society of the monsterhood --Her red right hand --It's against the law to feed the ducks --The thirteenth temple --Notes --Acknowledgments --Credits

    Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

    Among its pages are a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex…until they can’t have sex without him; a ten-year-old whose birthday party takes a sinister turn when she wishes for “something mean”; a woman who finds a book of spells half hidden at the library and summons her heart’s desire: a nameless, naked man; and a self-proclaimed “biter” who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker.Spanning a range of genres and topics—from the mundane to the murderous and supernatural—these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable—or worse, understood—as if to say, “You want this, right? You know you want this.”Bad boy --Look at your game, girl --Sardines --The night runner --The mirror, the bucket, and the old thigh bone --Cat person --The good guy --The boy in the pool --Scarred --The matchbox sign --Death wish --Biter --Acknowledgments

    Kiernan, Molly Tanzer, Lois H. Gresh, Nancy Kilpatrick, Elizabeth Bear, Gemma Files and many more fully color illustrated by Daniele Serra, Dreams from the Witch House highlights some of the very best women writers of weird fiction and Lovecraftian horror. The history of the Old World is shrouded in secrecy. Creatures and forces unimaginable inhabited this realm for eons, long before any human navigated the surface of the earth. As the Old Ones have slumbered or observed from afar, humans have assembled civilization upon this fragile planet. Yet the whispers from the elders have been growing stronger, their energy once again seeping into the world. These whispers are being felt throughout the earth; from the roots of our flora to the dreams of our children. They are preparing us for what is to come. In Dreams from the Witch House: Female Voices of Lovecraftian Horror the most intuitive dreamers have been assembled to give us glimpses into these ancient terrors and their whispered warnings. Featuring authors Joyce Carol Oates, Caitlín R. Kiernan, Lois Gresh, Gemma Files, Nancy Kilpatrick, Elizabeth Bear, Storm Constantine and others accompanied by the lavish artwork of Daniele Serra, Dreams from the Witch House: Female Voices of Lovecraftian Horror is a representation of some of the finest cosmic horror and weird fiction from female authors in the field today.

    Not quite what he expected, and not for the faint of heart.Founded in 2012, The Center for Fiction's Crime Fiction Academy is the first ongoing program exclusively dedicated to crime writing in all its forms. Hone your skills with bestselling crime fiction authors Alison Gaylin and Jason Starr. Attend master classes with crime fiction greats like Mary Higgins Clark, Lee Child, Harlan Coben, Linda Fairstein, Nelson DeMille, Michael Connelly, Lisa Unger, and many more. Students receive a Writers’ Studio membership with access to our extensive circulating collection, and have the opportunity to read their work to an audience filled with editors, agents, and publishing professionals at our seasonal Crime Fiction Slam. Not in New York? Check centerforfiction.org for information about our online classes.

    R. James is best remembered for his ghost stories which are widely regarded as among the finest in English literature. One of James' most important achievements was to redefine the ghost story for the new century by dispensing with many of the formal gothic trappings of his predecessors, and replacing them with more realistic contemporary settings.According to James, a story must "put the reader into the position of saying to himself: 'If I'm not careful, something of this kind may happen to me!'"