Gorky's reputation grew as a unique literary voice from the bottom strata of society and as a fervent advocate of Russia's social, political, and cultural transformation. By 1899, he was openly associating with the emerging Marxist social-democratic movement, which helped make him a celebrity among both the intelligentsia and the growing numbers of "conscious" workers. At the heart of all his work was a belief in the inherent worth and potential of the human person. In his writing, he counterposed individuals, aware of their natural dignity, and inspired by energy and will, with people who succumb to the degrading conditions of life around them. Both his writings and his letters reveal a "restless man" (a frequent self-description) struggling to resolve contradictory feelings of faith and skepticism, love of life and disgust at the vulgarity and pettiness of the human world. He publicly opposed the Tsarist regime and was arrested many times. Gorky befriended many revolutionaries and became a personal friend of Vladimir Lenin after they met in 1902. He exposed governmental control of the press (see Matvei Golovinski affair). In 1902, Gorky was elected an honorary Academician of Literature, but Tsar Nicholas II ordered this annulled. In protest, Anton Chekhov and Vladimir Korolenko left the Academy. Leo Tolstoy with Gorky in Yasnaya Polyana, 1900. From 1900 to 1905, Gorky's writings became more optimistic. He became more involved in the opposition movement, for which he was again briefly imprisoned in 1901. In 1904, having severed his relationship with the Moscow Art Theatre in the wake of conflict with Vladimir Nemirovich-Danchenko, Gorky returned to Nizhny Novgorod to establish a theatre of his own. Both Constantin Stanislavski and Savva Morozov provided financial support for the venture. Stanislavski believed that Gorky's theatre was an opportunity to develop the network of provincial theatres which he hoped would reform the art of the stage in Russia, a dream of his since the 1890s. He sent some pupils from the Art Theatre School-as well as Ioasaf Tikhomirov, who ran the school-to work there. By the autumn, however, after the censor had banned every play that the theatre proposed to stage, Gorky abandoned the project.

    Q AN ALIEN VOICES® PRODUCTION STARRING LEONARD NIMOY AND JOHN de LANCIE Written by Cecelia Fannon As the end of the twentieth century nears, an asteroid is hurtling toward Earth. When it hits, the impact will result in the end of all life on the planet.Ambassador Spock travels back in time to subtly warn Earth's inhabitants of impending doom while calling into question humanity's priorities. However, before the truth is told, the all powerful being Q appears and reminds Spock that he is prohibited from interfering in Earth's history. Besides, Q doesn't see mankind as something worth saving.This initial encounter between the two legendary characters explodes into a battle of wits as Spock cleverly befuddles Q with his own words. As barbs are exchanged, and humanity's flaws and wonders are laid bare, Spock's logic just may convince Q that Humans are indeed a species worthy of salvation, but will he be too late?In SPOCK VS. Q, Leonard Nimoy and John de Lancie again bring their characters to glorious life in the most lively and entertaining debate since Nixon vs. Kennedy. Recorded in front of a live audience, SPOCK VS. Q is a stirring audio program that could only come from Alien Voices.

    According to Susan Wolf, however, much of what motivates us does not comfortably fit into this scheme. Often we act neither for our own sake nor out of duty or an impersonal concern for the world. Rather, we act out of love for objects that we rightly perceive as worthy of love--and it is these actions that give meaning to our lives. Wolf makes a compelling case that, along with happiness and morality, this kind of meaningfulness constitutes a distinctive dimension of a good life. Written in a lively and engaging style, and full of provocative examples, Meaning in Life and Why It Matters is a profound and original reflection on a subject of permanent human concern.

    When they cross paths in war-torn Europe, will their destinies lead to ruin… or victory over evil? Poland, 1944. Wanda Odwaga will never stop resisting. As the Nazis occupy her beloved homeland, the twenty-three-year-old artist vows to do whatever it takes to help the underground movement mobilize against Hitler’s forces. But she’s devastated when the Gestapo storms her house in search of rebel leaders, killing her heroic father and leaving the face of his murderer forever etched in her mind. New York. Finn Keller longs to balance the scales. Having escaped Germany with his mother as a teen, he’s disgusted his estranged twin brother has become a ruthless Nazi henchman with a vicious reputation. So when a covert government agency approaches him with a dangerous undercover mission, Finn willingly risks his life to play his part in turning the tide of war. Still grieving her unforgivable loss, Wanda’s thirst for revenge takes an unexpected leap forward when she once again encounters her father’s killer. And as Finn dives deeply into the role of impersonating his cold-hearted sibling, he’s captivated by the beautiful Polish woman frozen in front of him… her eyes blazing with the promise of murder. Can these two players in a deadly game survive the ravages of a sadistic conflict?

    Funny, satiric, poignant, filled with allusions to earlier American writers, it is the “confession” of a middle-aged, sophisticated European émigré’s passionate obsession with a 12-year-old American “nymphet,” and the story of their wanderings across a late 1940s America of highways and motels. Of its deeper meanings, Nabokov characteristically wrote: “I am neither a reader nor a writer of didactic fiction, and… Lolita has no moral in tow. For me a work of fiction exists only insofar as it affords me what I shall call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm.” (Nabokov’s film adaptation of Lolita, as originally written for director Stanley Kubrick, is also included.)Pnin (1957) is a comic masterpiece about a gentle, bald Russian émigré professor in an American college town who is never quite able to master its language, its politics, or its train schedule. Nabokov’s years as a teacher provided rich background for this satirical picture of academic life, with an unforgettable figure at its center: “It was the world that was absent-minded and it was Pnin whose business it was to set it straight. His life was a constant war with insensate objects that fell apart, or attacked him, or refused to function, or viciously got themselves lost as soon as they entered the sphere of his existence.”Pale Fire (1962) is a tour de force in the form of an ostensibly autobiographical poem by a recently deceased American poet and a critical commentary by an academic who is something other than what he seems. Its unique structure, pitting artist against seemingly worshipful critic, sets the stage for some of Nabokov’s most intricate games of deception and concealment. “Pretending to be a curio,” wrote Mary McCarthy, “it cannot disguise the fact that it is one of the great works of art of this century.”The texts of this volume incorporate Nabokov’s penciled corrections in his own copies of his works which correct long-standing errors, and have been prepared with the assistance of Dmitri Nabokov, the novelist’s son.

    Tiger's Claw proves once again that every rave has been well deserved. Set in the near future, Tiger's Claw imagines a scenario in which tensions escalate between an economically powerful China and a United States weakened by a massive economic downfall, bringing the two superpowers to the brink of total destruction. Brown's popular protagonist, retired Air Force lieutenant-general Patrick McLanahan (of A Time for Patriots, Rogue Forces, and other Brown bestsellers), is back and preparing for the impending apocalyptic clash of men and military technology. The incomparable Dale Brown scores again with a frighteningly possible story of war and global politics that's ideal for fans of Vince Flynn and Brad Thor.When China launches the first successful test of its anti-ship ballistic missile, the future looks bleak for America. Fearing the U.S. will lose its naval supremacy in the Pacific, President Kenneth Phoenix finds himself in a compromised position. New technology requires money, but the country is recovering from a massive recession. Without the funds to compete with China's advancing technology, are the country's days of naval preeminence in the Pacific running out?Retired U.S. Air Force Lieutenant General Patrick McLanahan refuses to accept this fate. McLanahan reasons that the United States can afford to refurbish old but potent long-range B-1B Lancer bombers to promote the AirSea Battle strategy that will push back against Chinese aggression. Soon America stands ready to deploy an AirSea Battle task force in the South China Sea.The People's Liberation Army aggressively deploys advanced fighters, land-based antimissiles, three aircraft carriers, and exotic, top secret directed energy weapons against their neighbors. But Patrick McLanahan is finally given the green light to lead his force westward to challenge the Chinese threat head-on.

    P. Lovecraft. It was written in 1920 and was first published in The Fantasy Fan in June 1934 (Vol. 1, No. 10).The story is told from the first person perspective of an unnamed narrator and details his experiences with a scientist named Crawford Tillinghast. Tillinghast creates an electronic device that emits a resonance wave, which stimulates an affected person’s pineal gland, thereby allowing them to perceive planes of existence outside the scope of accepted reality.

    And if he’s that far gone, he won’t have any idea what’s going on around him, and he might end up missing out on all the real fun.From the New York Times-bestselling author of Goodnight iPad comes a delightful new commentary on the perils of our tech-obsessed lives and a fully charged romp for readers of all ages.

    Robert Murphy deals with this head on, and makes the first full contribution to this literature in the new century. Working within a Rothbardian framework, he takes up the challenge of Hans Hoppe regarding the role of market insurance in property security to extend the analysis to the security of person.His applications are part empirical and part speculative, but unfailingly provocative, rigorous, and thoughtful. The title itself refers to the supposed chaos that results from eliminating the state, but Murphy shows that out of chaos grows an ordered liberty. Anyone interested in exploring the farthest reaches of anarchist theory must come to terms with Murphy's account.To search for Mises Institute titles, enter a keyword and LvMI (short for Ludwig von Mises Institute); e.g., Depression LvMI

    Written around 36,000 B.C. by Thoth, an Atlantean priest-king, this manuscript dates far back beyond reach of any Egyptian writings ever found. The author, Thoth, a Master-Teacher of the early Egyptians, put this treatise to writing in his native Atlantean language and Dr. Doreal, by use of his expertise as an Occultist and Master of time and space, was given the directive to retrieve these Tablets and translate them into English for the edification of modern man. The powerful and rhythmic verse of Thoth is wonderfully retained in Doreal's translation. Contained within the pages of Thoth's masterpiece of Spiritual and Occult Wisdom is the synthesis of the Ancient Wisdom Teachings, the guideline for initiates of all ages, revealing the Knowledge and Wisdom hitherto held secret, but now in this New Age, revealed to all Seekers on the Path of Light. Dr. M. Doreal, Ms.D., Psy.D., is the Spiritual; Teacher of a multitude of Seekers of Light, having founded a Metaphysical Church and College - The Brotherhood of the White Temple, Inc. He is the author of all of the Organization's writings and teachings, having been given permission for the Esoteric Wisdom to be remitted in a public forum by the Great White Lodge, the Elder Brothers of mankind who shape and form the Spiritual evolution of earth's inhabitants. The Brotherhood of the White Temple, Inc. is a correspondence school, accredited through the State of Colorado, and mails out to its world-wide membership weekly Lessons of Truth. Its four and one-half year College Course unveils the secrets of the Symbolism of all Mystery Schools, giving precisely and beautifully, the step by step progression all Seekers have searched for in their quest for Oneness with God, and for attainment of Cosmic Consciousness. "Read, Believe or not, but read, and the vibration found therein will awaken a response in your soul.' - Doreal

    Collected here for the first time, these stories span the author’s life. There are stories from Thich Nhat Hanh’s childhood and the traditions of rural Vietnam. There are stories from his years as a teenaged novice, as a young teacher and writer in war torn Vietnam, and of his travels around the world to teach mindfulness, make pilgrimages to sacred sites, and influence world leaders. The tradition of Zen teaching stories goes back at least to the time of the Buddha. Like the Buddha, Thich Nhat Hanh uses story–telling to engage people’s interest so he can share important teachings, insights, and life lessons.From the Hardcover edition.

    Having escaped from slavery in the South at a young age, Frederick Douglass became a prominent orator and autobiographer who spearheaded the American abolitionist movement in the mid-nineteenth century. In this famous speech, published widely in pamphlet form after it was given to a meeting of the Rochester Ladies' Anti-Slavery Society on July 5th, 1852, Douglass exposes the hypocrisy of America's claim to Christian and democratic ideals in spite of its legacy of enslavement. Personal and political, Douglass' speech helped inspire the burgeoning abolitionist movement, which fought tirelessly for emancipation in the decades leading up to the American Civil War. "What have I, or those I represent, to do with your national independence? Are the great principles of political freedom and of natural justice, embodied in that Declaration of Independence, extended to us?...What, to the American slave, is your 4th of July? I answer; a day that reveals to him, more than all other days in the year, the gross injustice and cruelty to which he is the constant victim." Drawing upon his own experiences as an escaped slave, Douglass offers a critique of American independence from the perspective of those who had never been free within its borders. Hopeful and courageous, Douglass' voice remains an essential part of our history, reminding us time and again who we are, who we have been, and what we can be as a nation. While much of his radical message has been smoothed over through the passage of time, its revolutionary truth continues to resonate today. With a beautifully designed cover and professionally typeset manuscript, this edition of Frederick Douglass' What to the Slave Is the Fourth of July? is a classic of African American literature reimagined for modern readers.

    The inspiration for Ray Bradbury's story.From Sara Teasdale's "Flame and Shadow" collection.

    When an intercepted note connects the landlord to a secret society, and a detective ends up dead, Nathan must abandon his home and everything familiar to him, open his heart to a tarot reader he has never met, and trust her with his life--just as the ancient scriptures have foretold.

    In A Room of One's Own (1929), she examines the work of past women writers, and looks ahead to a time when women's creativity will not be hampered by poverty, or by oppression. In Three Guineas (1938), however, Woolf argues that women's historical exclusion offers them the chance to form a political and cultural identity which could challenge the drive towards fascism and war.