It originally appeared in serialized form between 1928 and 1940. The English translation of the second half of this monumental work appeared under this title in 1940.The novel follows the fortunes of the Don Cossacks in peace and war, revolution and civil war. The novel depicts the destruction of Cossack society during the Civil War. Grigory Melekhov is the protagonist. The book tells of his tragic affair with Aksinia, the wife of a neighbour, and how he fights for the Reds, the Whites, and the Partisans.

    No Art is an exhilarating argument both with America and with poetry itself, in which online slang is juxtaposed with academic idiom, philosophy collides with advertising, and the language of medicine and the military is overlaid with echoes of Whitman and Keats. Here, clichés are cracked open and made new, made strange, and formal experiments disclose new possibilities of thought and feeling. No Art confirms Ben Lerner as one of the most searching and ambitious poets working today.

    It is an important book in social and moral terms, and wonderfully expressive of Herzen's personality.--Isaiah BerlinAlexander Herzen was one of the major figures in Russian intellectual life in the nineteenth century. Who Is to Blame? was his first novel. A revealing document and a noteworthy contribution to Russian literature in its own right, it establishes the origins of Herzen's spiritual quest and the outlines of his emerging social and political beliefs, and it foreshadows his mature philosophical views.

    He likes to sit in the window, watch the birds, and eat three square meals a day. But what's a regular house cat to do if he falls in love with a beautiful street cat who has some very strange - and really rather dangerous - demands? Baguette must travel back through the Ocean of Time to the lost island of Catlantis. He must find a way to save the nine lives of all cats before it is too late. And he must outwit the wicked black cat Noir, who is hot on his tail. Only then can he hope to win the paw of Purriana...

    In the deciding battle of the Russo-Japanese War, the Japanese lost only three destroyers but the Russians lost twenty-two ships and thousands of sailors. It was the first modern naval battle, employing all the new technology of destruction. The old imperial navy was woefully unprepared. The defeat at Tsushima was the last and greatest of many indignities suffered by the Russian fleet, which had traveled halfway around the world to reach the battle, dogged every mile by bad luck and misadventure. Their legendary admiral, dubbed "Mad Dog," led them on an extraordinary eighteen-thousand-mile journey from the Baltic Sea, around Europe, Africa, and Asia, to the Sea of Japan. They were burdened by the Tsar's incompetent leadership and the old, slow ships that he insisted be included to bulk up the fleet. Moreover, they were under constant fear of attack, and there were no friendly ports to supply coal, food, and fresh water. The level of self-sufficiency attained by this navy was not seen again until the Second World War. The battle of Tsushima is among the top five naval battles in history, equal in scope and drama to those of Lepanto, Trafalgar, Jutland, and Midway, yet despite its importance it has been long neglected in the West. With a novelist's eye and a historian's authority, Constantine Pleshakov tells of the Russian squadron's long, difficult journey and fast, horrible defeat.

    Each spring the snow child must leave, but every winter she returns with the first snowfall and comes to life with a kiss.

    Growing up in a minor noble family in remote Perm, as a very young man he became an influential art historian and publisher in St Petersburg. Moving soon onto a bigger stage, he became a central figure in the artistic worlds of Paris, London, Rome, Berlin and Madrid during the golden age of modern art. He lived through bankruptcy, war, revolution and exile. Furthermore he lived openly as a homosexual and his liaisons, most famously with Nijinsky, and his turbulent friendships with among others Stravinsky, Coco Chanel, Misia Sert, Prokoviev and Jean Cocteau give his life an exceptionally dramatic quality. The last biography was thirty years ago. Scheijen's biography is based on extensive research in little known archives, especially in Russia, is revelatory and brings a complex and powerful personality with boundless creative energy fully to life.

    Aleksandr Ivanovich Kuprin (1870-1938) was Russian novelist and short-story writer. He was an army officer for several years before he resigned to pursue a writing career, and was a friend of Maxim Gorky. He won fame with The Duel (1905), a novel of protest against the Russian military system. In 1909, Yama: The Pit, his novel dealing with prostitution in Odessa, created a sensation. Kuprin left Russia after the revolution but returned in 1937. Some of his best short stories of action and adventure appear in The Garnet Bracelet, originally published in 1917.

    debut in this enthralling collection of fiction. Women's lives are the central preoccupation of Natalya Baranskaya: A scientist frantically juggles her professional life with her duties as wife and mother; a woman writer who regrets never marrying is finally glad of it; a delinquent girl is brought before the people's court for her "anti-social" behavior. With candor and satirical wit, Baranskaya captures perfectly everyday realities of family and society.

    In Ukraine he tracks down his paternal grandfather--most likely the last living bodyguard of Joseph Stalin--to reckon with the ways in which decades of Soviet totalitarianism shaped and fractured three generations of his family. He returns to Lithuania, his Jewish mother's home, to revisit the legacy of the Holocaust and the pernicious anti-Semitism that remains largely unaccounted for, learning that the boundary between history and biography is often fragile and indistinct. And he visits his birthplace, Moscow, where his glamorous grandmother designed homespun couture for Soviet ministers' wives, his mother dosed dissidents at a psychiatric hospital, and his father made a living by selling black-market jazz and rock records.Finally, Halberstadt explores his own story: that of a fatherless immigrant who arrived in America, to a housing project in Queens, New York, as a ten-year-old boy struggling with identity, feelings of rootlessness, and a yearning for home. He comes to learn that he was merely the latest in a lineage of sons who grew up alone, separated from their fathers by the tides of politics and history.As Halberstadt revisits the sites of his family's formative traumas, he uncovers a multigenerational transmission of fear, suspicion, melancholy, and rage. And he comes to realize something more: Nations, like people, possess formative traumas that penetrate into the most private recesses of their citizens' lives.

    A mysterious chill only he experienced. Then frightening rumors from his new found friends about 'kidnapped' kids? That all sets the ball rolling for a reign of terror they would never forget. Ouija Boards and inquisitive kids, equal a horror they could never imagine. Would anyone be safe? And from WHAT?

    This is such a story. Brian Grover was a brilliant, young engineer who seemed to have everything. His parents wanted him to join the army and settle down, but he had other ideas. In 1931, in a move that was to dramatically change the course of his life, he fled to Russia seeking fortune and adventure. Set against a background of political and social turmoil, this heart-warming and exquisitely written true story of one man's courage, bravery, and unswerving determination to be with the woman he loved is an inspiration and a delight.

    Elizabeth Wilson covers the composer's life from his early successes to his struggles under the Stalinist regime, and his international recognition as one of the leading composers of the 20th century. She builds up a detailed picture of Shostakovich's creative processes, how he was perceived by contemporaries and of the increased contrast between his private life and public image as his fame increased.This revised edition, produced to coincide with the centenary of Shostakovich's birth, draws on many new writings on the composer. This provides both a more detailed and focused image of Shostakovich's life, and a wider view of his cultural background. A particular aspect of Shostakovich which is revealed in this new edition is his sardonic and witty sense of humour, displayed in many of his letters to close friends.Shostakovich: A Life Remembered provides fascinating insight into the complex personality and the musical life of this great composer, and examines his position as one of the major figures of cultural life in 20th century Russia.

    But that same singularity became a liability a decade later under the totalitarian rule of Stalin, with his unpredictable grounds for the persecution of artists. Solomon Volkov—who cowrote Shostakovich’s controversial 1979 memoir, Testimony—describes how this lethal uncertainty affected the composer’s life and work. Volkov, an authority on Soviet Russian culture, shows us the “holy fool” in Shostakovich: the truth speaker who dared to challenge the supreme powers. We see how Shostakovich struggled to remain faithful to himself in his music and how Stalin fueled that struggle: one minute banning his work, the next encouraging it. We see how some of Shostakovich’s contemporaries—Mandelstam, Bulgakov, and Pasternak among them—fell victim to Stalin’s manipulations and how Shostakovich barely avoided the same fate. And we see the psychological price he paid for what some perceived as self-serving aloofness and others saw as rightfully defended individuality.This is a revelatory account of the relationship between one of the twentieth century’s greatest composers and one of its most infamous tyrants.From the Hardcover edition.

    7, #2.A young girl befriends a newcomer to the neighborhood and grapples with fallout from the Vietnam War.