When they fall apart, they unwittingly take the same path to heal from their breakup, seeking answers in the lands of their ancestors. From Tbilisi, Georgia to the war sites of Germany, they discover what can break and what can mend when you look to the past to understand your present.Willa's darkness enters Hesper's light late one night in Brooklyn. Theirs is a whirlwind romance until Willa starts to know Hesper too well, to crawl into her hidden spaces, and Hesper shuts her out. She runs, following her fractured family back to her grandfather's hometown of Tbilisi, Georgia, looking for the origin story that he is no longer able to tell. But once in Tbilisi, cracks appear in her grandfather's history-and a massive flood is heading toward Georgia, threatening any hope for repair.Meanwhile, heartbroken Willa is desperate to leave New York that she joins a group trip for Jewish twentysomethings to visit Holocaust sites in Germany and Poland, hoping to override her emotional state. When it proves to be more fraught than home, she must come to terms with her past-the ancestral past, her romantic past, and the past that can lead her forward.Told from alternating perspectives, and ending in the shadow of Trump's presidency, WILLA & HESPER is a deeply moving, cerebral, and timely debut.

    But a chance meeting by the river soon becomes an intense, exhilarating, and all-consuming affair. After their camp duties are fulfilled, the pair spend a dreamlike few weeks camping in the countryside, bonding over an illicit copy of James Baldwin’s Giovanni’s Room. Inhabiting a beautiful natural world removed from society and its constraints, Ludwik and Janusz fall deeply in love. But in their repressive communist and Catholic society, the passion they share is utterly unthinkable.Once they return to Warsaw, the charismatic Janusz quickly rises in the political ranks of the party and is rewarded with a highly-coveted position in the ministry. Ludwik is drawn toward impulsive acts of protest, unable to ignore rising food prices and the stark economic disparity around them. Their secret love and personal and political differences slowly begin to tear them apart as both men struggle to survive in a regime on the brink of collapse.Shifting from the intoxication of first love to the quiet melancholy of growing up and growing apart, Swimming in the Dark is a potent blend of romance, post-war politics, intrigue, and history. Lyrical and sensual, immersive and intense, Tomasz Jedrowski has crafted an indelible and thought-provoking literary debut that explores freedom and love in all its incarnations.

    Besieged by the press, his widow Millie flees to a remote Scottish village, where she seeks solace in memories of their marriage. The reminiscences of those who knew Joss Moody render a moving portrait of a shared life founded on an intricate lie, one that preserved a rare, unconditional love.

    While his German parents don’t know what to make of a South pining for the past, shy Max thrives in the thick heat. Taken in by the football team, he learns how to catch a spiraling ball, how to point a gun, and how to hide his innermost secrets.Max already expects some of the raucous behavior of his new, American friends—like their insatiable hunger for the fried and cheesy, and their locker room talk about girls. But he doesn’t expect the comradery—or how quickly he would be welcomed into their world of basement beer drinking. In his new canvas pants and thickening muscles, Max feels like he’s “playing dress-up.” That is until he meets Pan, the school “witch,” in Physics class: “Pan in his all black. Pan with his goth choker and the gel that made his hair go straight up.” Suddenly, Max feels seen, and the pair embarks on a consuming relationship: Max tells Pan about his supernatural powers, and Pan tells Max about the snake poison initiations of the local church. The boys, however, aren’t sure whose past is darker, and what is more frightening—their true selves, or staying true in Alabama.Writing in verdant and visceral prose that builds to a shocking conclusion, Genevieve Hudson “brilliantly reinvents the Southern Gothic, mapping queer love in a land where God, guns, and football are king” (Leni Zumas, author of Red Clocks). Boys of Alabama becomes a nuanced portrait of masculinity, religion, immigration, and the adolescent pressures that require total conformity.

    Disgusted by an overabundance of phallocratic narratives and Freytag’s pyramid, she turns to a subcultural canon of resistance and failure. Wryly riffing on feminist literary tropes, it documents the survival of a demonized single mother figuring things out.

    Orphaned as teenagers, they have grown up under the exasperated watch of their Sikh uncle, who runs a bagel shop in Montreal's Hasidic community of Mile End. Together, they try to make sense of the rich, confusing brew of values, rituals, and beliefs that form their inheritance. Yet as they grow towards adulthood, their paths begin to diverge. Beena catches the attention of one of the "bagel boys" and finds herself pregnant at sixteen, while Sadhana drives herself to perfectionism and anorexia.When we first meet the adult Beena, she is grappling with a fresh grief: Sadhana has died suddenly and strangely, her body lying undiscovered for a week before anyone realizes what has happened. Beena is left with a burden of guilt and an unsettled feeling about the circumstances of her sister's death, which she sets about to uncover. Her search stirs memories and opens wounds, threatening to undo the safe, orderly existence she has painstakingly created for herself and her son.Heralded across Canada for the power and promise of her debut collection, Mother Superior, Nawaz proves with Bone and Bread that she is one of our most talented and unique storytellers.

    An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness. But over the course of a late-summer weekend, a series of confrontations with colleagues, and an unexpected encounter with an ostensibly straight, white classmate, conspire to fracture his defenses while exposing long-hidden currents of hostility and desire within their community.

    They especially didn't expect him to turn up a tattered and bruised thirteen-year-old boy.Fielding, the son of Autopsy, finds the boy outside the courthouse and brings him home, and he is welcomed into the Bliss family. The Blisses believe the boy, who calls himself Sal, is a runaway from a nearby farm town. Then, as a series of strange incidents implicate Sal — and riled by the feverish heatwave baking the town from the inside out — there are some around town who start to believe that maybe Sal is exactly who he claims to be.But whether he's a traumatised child or the devil incarnate, Sal is certainly one strange fruit: he talks in riddles, his uncanny knowledge and understanding reaches far outside the realm of a normal child — and ultimately his eerily affecting stories of Heaven, Hell, and earth will mesmerise and enflame the entire town.Devastatingly beautiful, The Summer That Melted Everything is a captivating story about community, redemption, and the dark places where evil really lies.

    George, the protagonist, is adjusting to life on his own after the sudden death of his partner, determined to persist in the routines of his daily life. An Englishman and a professor living in suburban Southern California, he is an outsider in every way, and his internal reflections and interactions with others reveal a man who loves being alive despite everyday injustices and loneliness. Wry, suddenly manic, constantly funny, surprisingly sad, this novel catches the true textures of life itself."--BOOK JACKET.

    After her hippie British parents are murdered, Lilly is raised at a Sufi shrine in Morocco. As a young woman she goes on pilgrimage to Harar, Ethiopia, where she teaches Qur'an to children and falls in love with an idealistic doctor. But even swathed in a traditional headscarf, Lilly can't escape being marked as a foreigner. Forced to flee Ethiopia for England, she must once again confront the riddle of who she is and where she belongs.

    Wise-cracking Kerry Salter is part of an Aboriginal family living on the mid-north coast of New South Wales. She has spent a lifetime avoiding two things - her hometown and prison. But now her Pop is dying and she's an inch away from the lockup, so she heads south on a stolen Harley. Kerry plans to spend 24 hours, tops, over the border.She quickly discovers, though, that Bundjalung country has a funny way of grabbing on to people. Old family wounds open as the Salters fight to stop the development of their beloved river. And the unexpected arrival on the scene of a good-looking dugai fella intent on loving her up only adds more trouble - but then trouble is Kerry's middle name. Gritty and darkly hilarious, Too Much Lip offers redemption and forgiveness where none seemed possible.

    He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans for personal redemption. With weeks to go until her due date, tough, ebullient Angel has fled her mother’s house, setting her life on a startling new path.Vivid, tender, funny, and beautifully rendered, The Five Wounds spans the baby’s first year as five generations of the Padilla family converge: Amadeo’s mother, Yolanda, reeling from a recent discovery; Angel’s mother, Marissa, whom Angel isn’t speaking to; and disapproving Tíve, Yolanda’s uncle and keeper of the family’s history. Each brings expectations that Amadeo, who often solves his problems with a beer in his hand, doesn’t think he can live up to.The Five Wounds is a miraculous debut novel from a writer whose stories have been hailed as “legitimate masterpieces” (New York Times). Kirstin Valdez Quade conjures characters that will linger long after the final page, bringing to life their struggles to parent children they may not be equipped to save.

    Jackie--or Mrs. Onassis, as she's known in the office--has fallen in love with James's candidly autobiographical novel, one that exposes his own dysfunctional family. But when the book's forthcoming publication threatens to unravel already fragile relationships, both within his family and with his partner, James finds that he can't bring himself to finish the manuscript. Jackie and James develop an unexpected friendship, and she pushes him to write an authentic ending, encouraging him to head home to confront the truth about his relationship with his mother. Then a long-held family secret is revealed, and he realizes his editor may have had a larger plan that goes beyond the page... From the bestselling author of Lily and the Octopus comes a funny, poignant, and highly original novel about an author whose relationship with his very famous book editor will change him forever--both as a writer and a son.

    When a denizen from Salt Water City suffering from a mysterious flu comes into their midst, Peristrophe becomes infected and dies, prompting Kirilow to travel to Salt Water City, where the flu is now a pandemic, to find a new starfish who will help save her sisters. There, Kirilow meets Kora, a girl-woman desperate to save her family from the epidemic. Kora has everything Kirilow is looking for, except the will to abandon her own family. But before Kirilow can convince her, both are kidnapped by a group of powerful men to serve as test subjects for a new technology that can cure the mind of the body.Bold, beautiful, and wildly imaginative, The Tiger Flu is at once a female hero's saga, a cyberpunk thriller, and a convention-breaking cautionary tale--a striking metaphor for our complicated times.

    But life comes with expectations, there are choices to be made, boxes to tick and – sometimes – stereotypes to fulfil. And when her best friends’ lives start to branch away towards marriage and motherhood, leaving the path they’ve always followed together, Olive starts to question her choices – because life according to Olive looks a little bit different.Moving, memorable and a mirror for every woman at a crossroads, OLIVE has a little bit of all of us. Told with great warmth and nostalgia, this is a modern tale about the obstacle course of adulthood, milestone decisions and the ‘taboo’ about choosing not to have children.