She’s just moved from New York City to Farbook, New Jersey, and is anxious to fit in with her new friends—Nancy, Gretchen, and Janie. When they form a secret club to talk about private subjects like boys, bras, and getting their first periods, Margaret is happy to belong.But none of them can believe Margaret doesn’t have religion, and that she isn’t going to the Y or the Jewish Community Center. What they don’t know is Margaret has her own very special relationship with God. She can talk to God about everything—family, friends, even Moose Freed, her secret crush.Margaret is funny and real, and her thoughts and feelings are oh-so-relatable—you’ll feel like she’s talking right to you, sharing her secrets with a friend.

    Lizzie, her mother, and her eight-year-old brother Karli have become especially attached to an orphaned elephant named Marlene. The bombing of Dresden is imminent and soon, so the zoo director explains that as a precautionary measure all the animals must be destroyed so that they’re not running wild through the city. Lizzie’s mother persuades the director to allow Marlene, the elephant, to come stay in the family’s garden.As predicted, Dresden is bombed, and the family, including Marlene, is forced from the city. Lizzie and her family aren’t alone. Thousands of Dresden residents are fleeing to find somewhere safe to stay. Lizzie’s mother has to find a different route out of the city to keep the elephant and the children safe from harm. Once they reach the abandoned home of their relatives, they come across Peter, a Canadian navigator who, by putting himself at risk of capture to save the family, gains their trust. This unlikely grouping of family, elephant, and enemy turned ally come together beautifully to illustrate the importance of love, resolve, and hope.

    On their trail is a bungling detective, obsessed with disguises and the health of his pet tortoises. But a greater threat to the boys' new-found freedom is something from a forgotten past – a beautiful magical treasure with the power to spin time itself.

    The sequel to Johanna Spyri's "Heidi", this is a Classic story for children and teens beautifully illustrated in Color & B/W by June Goldsborough.

    But when Lucinda Wyman's parents go overseas on a trip to Italy and leave her behind in the care of Miss Peters and Miss Nettie in New York City, she suddenly gets all the freedom she wants! Lucinda zips around New York on her roller skates, meeting tons of new friends and having new adventures every day. But Lucinda has no idea what new experiences the city will show her.... Some of which will change her life forever.

    Her new guardian, her uncle Sir Benjamin, is kind and funny; the Manor itself feels like home right away; and every person and animal she meets is like an old friend. But there is something incredibly sad beneath all of this beauty and comfort, that shadowing Moonacre Manor and the town around it. Maria is determined to learn about it, change it, and give her own life story a happy ending.The enchanted valley of Moonacre is shadowed by a tragedy that happened years ago, and the memory of the Moon Princess and the mysterious little white horse. Determined to restore peace and happiness to the whole of Moonacre Valley, Maria finds herself involved with an ancient feud, and she discovers it is her destiny to end it and right the wrongs of her ancestors. Maria usually gets her own way. But what can one solitary girl do?A new-fashioned fantasy story that is as wonderful as the best classic fairy tales.(The 1994 mini-series "Moonacre" and 2008 movie "The Secret of Moonacre" and the are both based on this book.)

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    He tells enormous lies. He picks fights with girls. No one likes him—except Carla, the new school counselor. She thinks Bradley is sensitive and generous, and knows that Bradley could change, if only he weren't afraid to try. But when you feel like the most-hated kid in the whole school, believing in yourself can be the hardest thing in the world...

    Times may be hard, and ten-year-old Bud may be a motherless boy on the run, but Bud's got a few things going for him:He has his own suitcase full of special things.He's the author of Bud Caldwell's Rules and Things for Having a Funner Life and Making a Better Liar Out of Yourself.His momma never told him who his father was, but she left a clue: flyers advertising Herman E. Calloway and his famous band, the Dusky Devastators of the Depression!!!!!!Bud's got an idea that those flyers will lead him to his father. Once he decides to hit the road and find this mystery man, nothing can stop him--not hunger, not fear, not vampires, not even Herman E. Calloway himself.

    Westing's will. And though no one knows why the eccentric, game-loving millionaire has chosen a virtual stranger—and a possible murderer—to inherit his vast fortune, one thing's for sure: Sam Westing may be dead ... but that won't stop him from playing one last game!

    They know immediately that it is special. It is even more than that -- the key to finding a grail, a source of power to fight the forces of evil known as the Dark. And in searching for it themselves, the Drews put their very lives in peril. This is the first volume of Susan Cooper's brilliant and absorbing fantasy sequence known as The Dark Is Rising.

    Her new home is Brooklyn, New York. America is indeed a land full of wonders, but Shirley doesn't know any English, so it's hard to make friends. Then a miracle-baseball-happens. It is 1947, and Jackie Robinson, star of the Brooklyn Dodgers, is everyone's hero. Jackie Robinson is proving that a black man, the grandson of a slave, can make a difference in America and for Shirley as well, on the ball field and off, America becomes the land of opportunity.

    She chooses the Metropolitan Museum of Art in New York City. Knowing her younger brother Jamie has money and thus can help her with a serious cash-flow problem, she invites him along.Once settled into the museum, Claudia and Jamie find themselves caught up in the mystery of an angel statue that the museum purchased at auction for a bargain price of $225. The statue is possibly an early work of the Renaissance master, Michelangelo, and therefore worth millions. Is it? Or isn’t it? Claudia is determined to find out. Her quest leads her to Mrs. Basil E. Frankweiler, the remarkable old woman who sold the statue, and to some equally remarkable discoveries about herself.

    Best of all is Jeffrey Tifton, son of Arundel’s owner, the perfect companion for their adventures. Icy-hearted Mrs. Tifton is less pleased with the Penderwicks than Jeffrey, and warns the new friends to stay out of trouble. Is that any fun? For sure the summer will be unforgettable.

    It's still true that their mother has abandoned the four Tillerman children somewhere in the middle of Connecticut. It's still true they have to find their way, somehow, to Great-aunt Cilla's house in Bridgeport, which may be their only hope of staying together as a family.But when they get to Bridgeport, they learn that Great-aunt Cilla has died, and the home they find with her daughter, Eunice, isn't the permanent haven they've been searching for. So their journey continues to its unexpected conclusion -- and some surprising discoveries about their history, and their future.