This year, Ti Gran is teaching Belle how to make the soup -- Freedom Soup -- just like she was taught when she was a little girl. Together, they dance and clap as they prepare the holiday feast, and Ti Gran tells Belle about the history of the soup, the history of Belle's family, and the history of Haiti, where Belle's family is from. In this celebration of cultural traditions passed from one generation to the next, Jacqueline Alcantara's lush illustrations bring to life both Belle's story and the story of the Haitian Revolution. Tami Charles's lyrical text, as accessible as it is sensory, makes for a tale that readers will enjoy to the last drop.

    He named the bear Winnie, after his hometown of Winnipeg, and he took the bear to war. Harry Colebourn's real-life great-granddaughter Lindsay Mattick recounts their incredible journey, from a northern Canadian town to a convoy across the ocean to an army base in England . . . and finally to the London Zoo, where Winnie made a new friend: a boy named Christopher Robin. Gentle yet haunting illustrations by acclaimed illustrator Sophie Blackall bring the wartime era to life, and are complemented by photographs and ephemera from the Colebourn family archives. Here is the remarkable true story of the bear who inspired Winnie-the-Pooh.

    When she meets Charles Babbage, the inventor of the first mechanical computer, Ada understands the machine better than anyone else and writes the world's first computer program in order to demonstrate its capabilities.

    He crawls like a catfish, blows bubbles like a swamp monster, but he doesn’t swim in the town pool with me. He’s not allowed. Joe and John Henry are a lot alike. They both like shooting marbles, they both want to be firemen, and they both love to swim. But there’s one important way they're different: Joe is white and John Henry is black, and in the South in 1964, that means John Henry isn’t allowed to do everything his best friend is. Then a law is passed that forbids segregation and opens the town pool to everyone. Joe and John Henry are so excited they race each other there...only to discover that it takes more than a new law to change people’s hearts.

    But after school, no one can stop her--and she's free to run endless miles to her heart's content. She is told no yet again when she tries to enter the Boston Marathon in 1966, because the officials claim that it's a man's race and that women are just not capable of running such a long distance. So what does Bobbi do? She bravely sets out to prove the naysayers wrong and show the world just what a girl can do.

    Will the children be able to withstand the interrogation and harassment?

    As a child, she daydreamed about beats and lyrics, and hummed along with the music from her family's Majestic radio. At age seven, Melba fell in love with a big, shiny trombone, and soon taught herself to play the instrument. By the time she was a teenager, Melba's extraordinary gift for music led her to the world of jazz. She joined a band led by trumpet player Gerald Wilson and toured the country. Overcoming obstacles of race and gender, Melba went on to become a famed trombone player and arranger, spinning rhythms, harmonies, and melodies into gorgeous songs for all the jazz greats of the twentieth century: Randy Weston, Duke Ellington, Count Basie, Billie Holiday, and Quincy Jones, to name just a few. Brimming with ebullience and the joy of making music, Little Melba and Her Big Trombone is a fitting tribute to a trailblazing musician and a great unsung hero of jazz.

    . .One night, her mother takes her to the ballet, and everything is changed. Anna finds a beauty inside herself that she cannot contain.So begins the journey of a girl who will one day grow up to be the most famous prima ballerina of all time, inspiring legions of dancers after her: the brave, the generous, the transcendently gifted Anna Pavlova.

      As a child, Amalia Hernández saw a pair of dancers in the town square. The way they stomped and swayed to the rhythm of the beat inspired her. She knew one day she would become a dancer.   Amalia studied ballet and modern dance under the direction of skilled teachers who had performed in world-renowned dance companies. But she never forgot the folk dance she had seen years earlier. She began traveling through the Mexican countryside, witnessing the dances of many regions, and she used her knowledge of ballet and modern dance to adapt the traditional dances to the stage. She founded her own dance company, a group that became known as el Ballet Folklórico de México.   Using his signature illustration style, inspired by the ancient art of the Mixtecs, award-winning author and illustrator Duncan Tonatiuh tells the story of Amalia Hernández and the formation of the Folkloric Ballet, one of the most famous and successful dance companies in the world.

    He tells her that his words were stolen from him when he was taken to live at a residential school as a boy. The little girl then sets out to help her grandpa find his language again.

    I come from a world of stories.A little girl sails her raft across a sea of words, arriving at the house of a small boy. She invites him to go away with her on an adventure into the world of stories... where, with only a little imaginaton, anything at all can happen. Irresistibly engaging characters by Oliver Jeffers set sail and chart their way through Sam Winston's fascinating typographical landscapes in this extraordinary ode to the power and promises of storytelling. Forty treasured children's classics and lullabies are featured in the pictures, providing endless opportunities for discovery, memories and sharing. Woven together by a simple story line, the one-of-a-kind illustrations in a A Child of Books provide an unforgettable reading experience that will inspire and encourage readers of all ages to explore, question, and imagine timeless stories of their own.

    Their order was simple.A doughnut and coffee, with cream on the side.This picture book is a celebration of the 50th anniversary of the momentous Woolworth's lunch counter sit-in, when four college students staged a peaceful protest that became a defining moment in the struggle for racial equality and the growing civil rights movement. Andrea Davis Pinkney uses poetic, powerful prose to tell the story of these four young men, who followed Dr. Martin Luther King Jr.'s words of peaceful protest and dared to sit at the "whites only" Woolworth's lunch counter. Brian Pinkney embraces a new artistic style, creating expressive paintings filled with emotion that mirror the hope, strength, and determination that fueled the dreams of not only these four young men, but also countless others.

    But she fears that having brown skin and a plump frame might keep her from her dreams.

    It highlights the unspeakable trauma of slavery, the faith and fire of the civil rights movement, and the grit, passion, and perseverance of some of the world's greatest heroes. The text is also peppered with references to the words of Martin Luther King, Jr., Langston Hughes, Gwendolyn Brooks, and others, offering deeper insights into the accomplishments of the past, while bringing attention to the endurance and spirit of those surviving and thriving in the present.

    Then, one day, she follows a truck into the woods and discovers a terrible secret.