Now a widow on the run from a dark past with two young children to care for, she takes the only nursing job in town...working for Drew, the boy who once broke her heart.Dr. Andrew Hope has never forgotten his childhood sweetheart, April. Now a doctor on the small island where they both grew up, he's moved on with his life. At least he thought he had, until the woman he's dreamed about for years is back, living near him, working side-by-side with him...and getting under his skin.Neither April or Drew can stay apart for long. But will they get a second chance at love, or will the secrets April's keeping threaten her tenuous hold on a new life...and a second chance at love?

    is a baby.But she's giving me her virginity as well...It's no secret.I've wanted to be a dad for as long as I can remember.Needed an heir to my fortune.I ached for it. Burned with obsession.But now I ache for her.Lara.Our eyes met from across the room, and I knew she was the one.Curvy. Seductive. Innocent.But we live a thousand miles apart.So it's just one perfect night, and then we're done.Until I get a phone call...She's in trouble, and I'm a thousand miles away.But I'll do anything to save her.Now it's time to make this woman my wife.And the woman who'll bear my child.This Christmas I'll give her my heart.And she'll give me the gift I've always dreamed of.

    

    well, almost. As Christmas rolls round once again, she longs for a child of her own to share it with. In a town where Christmas is big business all year round, it turns out Santa Claus isn’t the only one with mysterious powers. When a psychic reveals that the answer to her future will come in red and white, Kate follows this sign. It leads her to disastrous dating agencies and demoralising dead-ends until, finally, the answer seems to be revealed. But will her search for the missing piece of her family mean she doesn't recognise the one person who's loved her from the start? Or can Kate really have it all in time for the perfect Christmas?

    His Elven mother is dying of a wasting disease. His Human father, severely injured in the war, struggles to walk. A brutal Winterfall clasps his mountainous kingdom in talons of ice. The people are starving. His family, his little sisters, depend on him to see them to Dragonmas Day.They need a miracle. But who believes in miracles anymore?Long ago, the mighty Dragon Santaclaws rescued Humankind and resettled them in the magical realm of Tyanbran – but Santaclaws and his miracles are gone, and his Dragons disappeared. Now, a stubborn half-Elf must brave blizzards and treacherous trails to bring food to the kingdom, and find winterberry to ease his mother’s suffering.What he discovers on this journey will shatter all unbelief. The lightning-born treasure he places beneath his Dragonmas tree changes everything, for wishes are different when it comes to Dragons.Wishes take wing, and come true.The start of a new Dragon Rider epic for fans of Anne McCaffrey, Eragon and How to Train Your Dragon. Santa Claus - Santaclaws - is really a dragon.

    Christopher Maurer, a leading Lorca scholar and editor, has substantially revised FSG's earlier edition of the collected poems of this charismatic and complicated figure, who--as Maurer says in his illuminating Introduction--"spoke unforgettably of all that most interests us: the otherness of nature, the demons of personal identity and artistic creation, sex, childhood, and death."

    Her writings are haunted by the ghosts of girlhood, god/s, lovers and the landscape of childhood, but Warren is unflinching - she haunts her ghosts in return, with sharp lyricism and cutthroat vulnerability. On Sun Swallowing explores shadowy emotion, at times in a whisper, at times in a scream. Think: cheap cigarettes, even cheaper wine, and an oath to reach hell by midnight and be home in time for work in the morning.”Compiling five years of poetry, prose and journal extracts, On Sun Swallowing is the debut release of Australian poet Dakota Warren. Winding through unflinchingly raw snapshots of her youth, Warren’s words are accompanied by original illustrations from Lydia Stone and curated photography from Francesca McConnell, Caroline Dare, Leche de Arte and Clara Slewa.

    Leading the hunt is Gabriel de Sade, a tough Manhattan detective. What should be a straightforward murder investigation escalates when yet more dismembered bodies are found. A very sick, psychotic murderer is loose on the streets of the city. Yet the case is to become more complicated than he could imagine. The nightmare is just beginning for de Sade, a Delta Force veteran of Afghanistan.The FBI are also hunting for the serial killer and their evidence points to a Russian Mafiya baron, Grigory Gordieva. The pursuit leads Gabriel to Moscow with an FBI partner, Special Agent Faith Ward. They find themselves pitted against political interference from both American and Russian governments. Yet when they ask for help from the Moscow Militia de Sade finds them both corrupt and on the Mafiya payroll.Their only assistance comes from an unexpected quarter, a Russian Orthodox Bishop. With his help, de Sade reaches the heart of the Gordieva’s Mafiya operations. The Russian retaliates by kidnapping Faith Ward. With only a discredited Militia detective to help him, he takes on the Moscow Mafiya. De Sade adapts his Delta Force tactics to wage a secret war on the Moscow streets. The action builds to a climax that is shattering and extraordinary.

    Imprisoned for some weeks in a wire cage open to the elements, Pound suffered a nervous collapse from the physical and emotional strain. Out of the agony of his own inferno came the eleven cantos that became the sixth book of his modernist epic, The Cantos, themselves conceived as a Divine Comedy for our time. The Pisan Cantos were published in 1948 by New Directions and in the following year were awarded the Bollingen Prize for poetry by the Library of Congress. The honor came amid violent controversy, for the dark cloud of treason still hung over Pound, incarcerated in St. Elizabeths Hospital for the Criminally Insane. Yet there is no doubt that The Pisan Cantos displays some of his finest and most affecting writing, marking an elegaic turn to the personal while synthesizing the philosophical and economic political themes of his previous cantos. They are now being published for the first time as a separate paperback, in a fully annotated edition prepared by Richard Sieburth, who also contributes a thoroughgoing introduction, making Pound's master-work fully accessible to students and general readers.