In her harrowing yet inspiring memoir, she tells her personal story of falling under the spell of her control-freak husband, suffering a decade of domestic violence, finding the strength to leave and then his despicable act of revenge. Denise endured agonising grief and heavy guilt, but she has slowly rebuilt her life without her beautiful boys – learning to live, love and trust again.This is her heartbreaking memoir.

    Eager to raise money for more computers, books, and other critical supplies, when the auctioneer announces that a date with Ashleigh is on the auction block, she goes with it. Too bad her ex casts the winning bid.Billionaire Chase Matthews hadn't planned on spending December in Emerald Falls. And he certainly hadn't planned on offering the winning bid for a date with his ex. But now that both of those things have happened, he'll have to deal with the fallout.When Chase tells Ashleigh that his mother is dying and that her only wish is to see him happily engaged, he makes her an offer she can't refuse. But will her wounded heart be able to remember that this is all pretend?

    Tori's a strong woman who didn't need love in the first place. She's above it all and can't wait to go home to Fireweed Island to escape the drama for the summer. She's thrilled to teach summer school and remodel her family home in peace and quiet. So why is it that if Tori is so over love, she notices the hot owner of the construction company? Okay, she doesn't just notice him. She lets him sneak right into her fantasies where he does amazing things to her.It isn't until Mason shows her how a real man is supposed to be that she allows herself to believe in love again. But will the pain from her past ever let her truly experience a happily-ever-after?*Love Redone* (Book 2) Natalie Jennings loves nothing more than waking up and going into work at the florist shop she owns in the heart of Fireweed Island. Every morning is pleasant and filled with sunshine and rainbows. That is until she sees an email for a wedding consult slide right into her inbox with the sender's name of Cole Hill.Her hands get clammy and the cold winter's day suddenly feels like it's ninety degrees and climbing. It couldn't be the same Cole Hill from high school. The universe isn't that cruel.But as she opens the email and reads the message, she realizes that it is, indeed, the Cole Hill from high school, and it is the universe's turn to not only be cruel but downright evil. Cole broke her heart, but not in the normal fashion. He ensured the process was a long one filled with plenty of ups and downs. It all started in first grade and didn't finally end until the second year of college. And now he is coming back to get married on Fireweed Island.The perks of being the only florist in town! It's a good thing she got over him years ago...*Tangled Love* (Book 3) Sophie Bristol works two jobs--sometimes three--and is surrounded by people falling in love and that's great. Really, it's great. It's not like she ever thought she'd find that perfect someone. After all, she learned he probably only exists in some far away land with talking wildlife and glass slippers, and that works perfectly for her busy schedule. Not to mention she experienced the worst divorce in island history between her parents, and she got to be there for every painful second to warp her view on the subject. And let's not forget her stepmom has only learned to like Sophie once she began helping take care of her dad after his stroke.So to say love isn't a priority is an understatement. Life hasn't been easy, not that she ever expected it to be, and she's fine with the hand she's been dealt.Really, she is fine. But when Sophie falls for a rock star, it will take more than a fairy godmother to make love work in the real world.Anthony Hill is the lead singer of the Crimson Strings and his band has hit it big. Really big. Huge, actually. And he should be thrilled. It's what he's always wanted. However, sometimes there is a big disconnect between dreams and reality. With his nonstop touring schedule and pressure to repeat success on his next album, he flees to the one place that scarred him the most, Fireweed Island.

    P. Cavafy is one of the most singular and poignant voices of twentieth-century European poetry, conjuring a magical interior world through lyrical evocations of remembered passions, imagined monologues and dramatic retellings of his native Alexandria's ancient past. Figures from antiquity speak with telling interruptions from the author in such poems as 'Anna Comnena' and 'You did not understand', while precise moments of history are seen with a sense of foreboding, as in 'Ides of March', 'The God Abandoning Antony' and 'Nero's Deadline'. And in poems that draw on his own life and surroundings, Cavafy recalls illicit trysts or glimpses of beautiful young men in 'One Night', 'I have gazed so much' and 'The Café Entrance', and creates exquisite miniatures of everyday life in 'An Old Man' and 'Of the Shop'. Winner of the prestigious Harold Morton Landon Translation Award 2009.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Hunanyan, the #1 bestselling author of Black Book of Poems, comes his highly-anticipated second collection of poetry.

    Even if you were only 6 years old. Especially when the person who kissed you was your older brother's bestfriend. After Blair's father died, she became distant and her brother Blake has become very overprotective over his younger sister. His bestfriend, Aiden, was overprotective too. 10 years later, they're having a normal college life. After a few incidents, Aiden begins to look at Blair under a new perspective. But isn't there an unwritten rule about staying away from your bestfriend's sister?

    Inviting reflection on the meaning of love and eloquently rendering the chain of moments that the experience of love leads us through, this famous inspirational poet channels the same proverbial simplicity and lyrical beauty that made his poem "The Prophet" instantly and internationally loved.

    In America she has been posthumously launched as the electric-age Blake, she has been translated into French and Italian to great acclaim, and in the Times Literary Supplement Thom Gunn compared her to the great Augustan satirists. Her reclamation as an English poet is long overdue.Pound, Moore and Williams valued her work, while British critics openly scorned it. Not only were her futurist techniques unlike anything they had encountered before, but her subjects -- procreation, parturition, prostitution, suicide, addiction, retardation -- were considered shocking even by some modernists.She vanished from the literary scene just as dramatically as she had arrived on it, and for much of the century her bold experiments remained a well-kept secret. Carcanet first introduced her work to British readers in 1985 in Roger Conover's The Last Lunar Baedeker, a collected writings. This new edition updates our earlier volume and presents more reliable texts of the essential Loy poems. It includes more extensive notes and apparatus, and features a number of previously unknown works rescued from Dada archives and obscure avant-garde little magazines. All of Loy's canonical Futurist and feminist satires are included, as are the celebrated poems from her Paris and New York periods, the complete cycle of `Love Songs', and her famous portraits-in-verse which define the trajectory of her favoured company and geography -- from fellow modernists Joyce and Brancusi in Paris in the 1920s to fellow destitutes in New York's Lower East Side in the 1940s.

    Understandable perhaps from the point of view of the poet: readers on the other hand might wish to demur. The poems gathered here and chronologically ordered, thereby tracing the course of the war, are an extraordinary testimony to the almost unimaginable experiences of a combatant in that bitter conflict. Moving from the patriotic optimism of the first few poems (" ... fighting for our freedom, we are free") to the anguish and anger of the later work (where "hope, with furtive eyes and grappling fists / Flounders in mud ... "), there comes a point when the reality of trench-warfare and its aftershocks move beyond comprehension: Sassoon knows this, and it becomes a powerful element in his art. As a book, the images have a cumulative relentlessness that make it almost impossible to read more than a few poems in one sitting. Unlike the avant-garde experiments developing in Europe in the first decades of this century, Sassoon's verse is formally conservative--but this was perhaps necessary, for as one reads the poems, one feels that the form, the classically inflected tropes, the metre and rhyme, apart from ironising the rhetoric of glory and battle were necessary techniques for containing the emotion (and indeed, a tone of barely controlled irony may have been the only means by which these angry observations would have been considered publishable at the time). When Sassoon's line begins to fragment, as it does in several of the later poems, it is under the extreme pressure to express the inexpressible. Compassion and sympathy are omnipresent here, in their full etymological sense of suffering with or alongside others--something the higher echelons of command (those " ... old men who died / Slow, natural deaths--old men with ugly souls") were never able or willing to contemplate. But Sassoon intuited the future of warfare, could sense that this was not "the war to end all wars": the mock-religious invocation of the final poem prefigures the vicious euphemisms of more recent conflicts: "Grant us the power to prove, by poison gases, / The needlessness of shedding human blood." Sassoon's bile-black irony signals a deep-felt pessimism: it was with good reason. --Burhan Tufail

    Tricked. Manipulated. The life and career I’d worked so hard to build crumbled around me, so I abandoned it and moved in with my parents. Shady Springs Retirement Community in Sweet Pea, Florida was the perfect place to hide out, even if I was stuck sleeping on the couch.Then along came Ford Birmingham, a jerk who ran over my things with his lawnmower, destroying them and blaming me for the whole thing. As frustrating as he was charming, it didn’t take long for me to soften toward him…but I knew it was a dead end.His life was here, but mine wasn’t. I would be leaving as soon as I found a new job in a new town where I could rebuild my shattered world. Ford I’d mowed the grass at Shady Springs for twenty years and never met a resident as intriguing as the beautiful and feisty Virginia Jones. Of course, everyone else who lived there was at least twenty years my senior, so…When I accidentally shredded her e-reader, sunglasses, and towel one bright and sunny December afternoon—starting a feud I was definitely all-in for—I couldn’t stop thinking about her. I knew I’d eventually win her over, but to what end?She would leave Sweet Pea, and me, eventually. But sometimes, the reward was worth the risk.Fooling Around with Ford is the first book in the Sweet Pea Flings series of interconnected standalone novels. A sweet & steamy romance, this book has all the spice with a guaranteed HEA.

    Soon there are five young people headed to Alaska for a river expedition. As the trip unfolds and the group gets farther into the wilderness a strange whispering sound attracts their attention. The wonderful vacation begins to take a turn for the worse when they follow the sounds and find something long lost and quite unexpected.

    Though she's undeniably attracted to him, Nikki's not sure he can be trusted. Even as her memory returns, he's the one piece of the puzzle that remains a mystery. But when Trent finally reveals the shattering truth, the bond between them only deepens. Because Nikki's part of an ongoing investigation that's placed both of them in danger, and she'll have to keep Trent close if she wants to live to see tomorrow…. NEW YEAR'S DADDY Veronica Walsh is haunted by the memory of her late husband, having lost him years ago in a ski accident. Now she focuses solely on her daughter, Amy, certain that no man could ever fill the void in her broken heart—until Travis Keegan comes along. Travis has been burned before—his ex-wife walked out on him, and his son Bryan is heading down a bad path. Desperate to make up for his own past mistakes, Travis moves them to an old mountain lodge right in Veronica's backyard. Sparks fly when the single parents meet, but can either of them ever truly leave their past behind?

    Where dawning genius never met the day, Where useless ignorance slumbers life awayUnknown nor heeded, where low genius triesAbove the vulgar and the vain to rise.--from "Helpstone""I Am": The Selected Poetry of John Clare is the first anthology of the great "peasant poet"'s remarkable verse that makes available the full range of his accomplishments. Here are the different Clares that have beguiled readers for two centuries: the tender chronicler of nature and childhood; the champion of folkways in the face of oppression; the passionate, sweet-tongued love-poet; and the lonely visionary confined, in old age and senility, to asylums.

    

    Three Lives is "a fine new kind of realism." (William James) Tender Buttons is "to writing what cubism is to art." (W.G. Rogers)