Home may be on the road or the sea, in the realm of myth, or in the artist's own studio. A meditation on the concept of home.

    At once eye-opening, thought-provoking, and surprisingly fresh and moving, Nader’s The Seventeen Traditions is a celebration of uniquely American ethics certain to appeal to fans of Mitch Albom, Tim Russert, and Anna Quindlen—an unexpected and most welcome gift from this fearlessly committed reformer and outspoken critic of corruption in government and society. In a time of widespread national dissatisfaction and disillusionment that has given rise to new dissent characterized by the Occupy Wall Street movement, the liberal icon shows us how every American can learn from The Seventeen Traditions and, by embracing them, help bring about meaningful and necessary change.

    During his life he created numerous works of art and kept voluminous notebooks that detailed his artistic and intellectual pursuits.The collection of writings and art in this magnificent book are drawn from his notebooks. The book organizes his wide range of interests into subjects such as human figures, light and shade, perspective and visual perception, anatomy, botany and landscape, geography, the physical sciences and astronomy, architecture, sculpture, and inventions. Nearly every piece of writing throughout the book is keyed to the piece of artwork it describes.The writing and art is selected by art historian H. Anna Suh, who provides fascinating commentary and insight into the material, making Leonardo's Notebooks an exquisite single-volume compendium celebrating his enduring genius.

    An Autobiography chronicles the first half-century of Stravinsky's life, all the while offering his opinions and "abhorrences." A Parsifal performance at Bayreuth? "At the end of a quarter of an hour I could bear no more." Nijinsky? "The poor boy knew nothing of music." Spanish folk music? "Endless preliminary chords of guitar playing."

    Here Powell turns her attention to those certain rare souls who have the secret of finding their lives glamorous and themselves magnificent under the most humble conditions. Connie Benjamin, the village shoemaker's wife, always wanted an operatic career. Blaine Decker, the new high school music teacher, once spent time abroad studying piano. The two are drawn together into a powerful friendship of dependence, each sustaining the other and translating the surface monotony of their lives into drama richer than reality.

    She inherited her mother's stunning looks - she was known for her slender figure, gray-blue eyes, and blonde hair.When her father became pope, he sought to consolidate his power and arranged a marriage between fourteen-year-old Lucrezia and the first of her three husbands, twenty-eight-year-old Giovanni Sforza. Shortly after the marriage, Alexander, concluded he no longer needed an alliance with the Sforza family. He ordered Giovanni's assassination, but when the young bridegroom escaped, ended Lucrezia's marriage by ordering an annulment.Following the lengthy annulment process - during which Lucrezia was accused of having an affair and a child with Alexander's chamberlain Pedro Calderon, whose body was later found floating in Rome's Tiber River, “where he fell against his will” - Lucrezia was married to Alfonso of Aragon in 1498. Alexander appointed a pregnant Lucrezia governor of the Umbrian town of Spoleto in 1499. Alfonso, wary of shifting political alliances, fled Rome for a brief time, but returned in 1500, where he was murdered. Alfonso left Lucrezia with a son, Rodrigo.After Alfonso's conveniently timed murder, Alexander arranged a third marriage for Lucrezia, to Alfonso I d'Este, a powerful duke. The two had several children, and Lucrezia came into her own as a Renaissance woman, overcoming her scandalous reputation - despite several affairs - and maintaining her position and power as the Borgia family's influence and fortunes fell following Alexander's death.Lucrezia Borgia was a woman of and ahead of her time. Here is her little-told story.

    Hibbert's gift is weaving political, social and art history into an elegantly readable and marvellously lively whole. The author's book on Florence will also be at once a history and a guide book and will be enhanced by splendid photographs and illustrations and line drawings which will describe all teh buildings and treasures of the city.

    Many of us have suffered the consequences of an inflated mortgage, an unmanageable construction project, or a house simply too large to keep clean. Will our dream home always be a celebration of excess, and a drain on our lives? Some wise people buck the trend. They build, remodel, redecorate, or just rethink their needs--prudently and calmly constructing a joyful, sane life around themselves. They think, sometimes literally, outside the box, and they live close, warm, and simple, applying spiritual and social solutions to their material desires. Pockets of people all over the continent are realizing the benefits of scaling down. They are designing a new dream, one that reunites extended families, makes space for friends, and emphasizes home life over home maintenance. Little House on a Small Planet is a guidebook to this movement, and an invitation to join. Author Shay Salomon offers fourteen basic principles for the design and habitation of efficient, high-density homes. These fourteen principles outline the invisible supports of a happy home, set within the context of a future, more caring society. With floor plans, photographs, advice, and anecdotes, Little House on a Small Planet asks and answers, "What fills a home when the excess is cut away, and how do we get there from here?"

    Here, Evelyn Welch presents a fresh picture of the Italian Renaissance by challenging traditional scholarship and placing emphasis on recreating the experience of contemporary Italians: the patrons who commissioned the works, the members of the public who viewed them, and the artists who produced them. Art in Renaissance Italy 1350-1500 dramatically revises the traditional story of the Renaissance and takes into account new issues that have greatly enriched our understanding of the period. From paintings and coins to sculptures and tapestries, Welch examines the issues of materials, workshop practices, and artist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social, and political behavior.

    Mostly remembered for her novel "Nightwood", she wrote many poems, plays and stories now all but forgotten, as are her drawings and paintings. The book explores Djuna Barnes's family life, including her possibly erotic relationship with her feminist and spiritualist grandmother, and her relationship with her bigamist father (who, some critics claim, may have sexually abused her). There are also chapters on her years as a journalist, and on the writing and publication of "Nightwood".

    She writes unflinchingly about the grief and shame caused by poverty and alcoholism. At the heart of the book is Crozier's fierce love for her mother, Peggy. The narratives of daily life-sometimes funny, sometimes heartbreaking-are interspersed with prose poems. Lorna Crozier approaches the past with a tactile sense of discovery, tracing her beginnings with a poet's precision and an open heart.

    Accompanied by a friend, Nabhan enters the heart of the Tuscan and Umbrian countryside in order to read the landscape as one reads a sacred book, slowly and with growing delight. He talks with peasant farmers, truffle sellers, cooks, and bakers, all eager to share their plants, seeds, cooking methods, and cultural insights with the American pilgrims. Saint Francis has come to be a model for what it means to be human in the natural world, and Nabhan takes him as a guide. This journey becomes a spiritual quest as well as an ethnobotanical field trip. Together with Nabhan we discover what is useful in the old ways, what remains wild in the civilized world, and what in ancient science has survived to make its way into contemporary culture.

    But few guessed at the extent of his scientific investigations and experiments. In a vast collection of notebooks (over 5,000 pages), Leonardo meticulously detailed his research on optics, mechanics, astronomy, and anatomy. He kept his findings hidden for fear his ideas would be stolen. Had they been shared or published, they might well have changed the course of scientific discovery, for they prefigured the work of Newton, Galileo, and Kepler. Instead, after Leonardo's death, his papers were lost to the world for nearly 200 years; some were never recovered. Using newly available documents, Michael White illuminates Leonardo's groundbreaking achievements and weaves together the elements of his life and times-his unhappy childhood, his homosexuality, his relationship with everyone from Machiavelli to Cesare Borgia to Michelangelo. Leonardo: The First Scientist restores to this Renaissance genius the place he deserves in the pantheon of modern discovery About The Author: Michael White is the author of the international best-seller Stephen Hawking: A Life in Science (with John Gribbin), the award-winning Isaac Newton: the Last Sorcerer, Life Out There, and Weird Science . He is currently working on a book about scientific rivalry from Newton to Bill Gates. White lives with his wife and family near London.

    Rendering is used in the preparation of drawings for engineers, designers and manufacturers, and in advertising and industry generally.

    but after graduating from law school at age forty-seven, she still faced the question: "What now?" Casual conversations about far-off travels with husband Glenn became a reality with the offer of a dream job at the United Nations in Rome, Italy.Coins in the Fountain brings life the challenges of acclimating to the beautiful and chaotic ancient city of Rome. Judith shares her struggles to learn the arcane rules and folkways of the UN while Glenn begins his valiant effort to cook Italian-style, as they both endeavor to embrace la dole vita. With an extraordinary count and countess for friends, dogs in the doctor's office, snakes and unexploded bombs on the golf course, along with a sinking sailboat rocking on the ocean, the unexpected was always just around the corner.Through wit, wry humor, and descriptions of enticing food and travel adventures, Judith takes you on a journey into the heart of what it is truly like to live in the Eternal City.According to Roman lore, if you toss a coin over your shoulder into the famous Trevi Fountain, the gods will grant you a return trip. When it was time for them to leave, Judith made that hopeful toss and her wish was granted.