He has balloons showing Dad when he was young and Grandma when they were married. Grandpa has balloons about camping and Aunt Nelle’s poor cow. Grandpa also has a silver balloon filled with the memory of a fishing trip he and James took together.But when Grandpa’s balloons begin to float away, James is heartbroken. No matter how hard he runs, James can’t catch them. One day, Grandpa lets go of the silver balloon—and he doesn’t even notice!Grandpa no longer has balloons of his own. But James has many more than before. It’s up to him to share those balloons, one by one.

    One is raised by a grandmother, and another has two dads. One is full of stepsiblings, and another has a new baby.As one by one, her classmates describe who they live with and who loves them — family of every shape, size and every kind of relation — the child realizes that as long as her family is full of caring people, her family is special.A warm and whimsical look at many types of families written by award-winning author Sara O’Leary, A Family is a Family is a Family springs to life with quirky and sweet illustrations by Qin Leng.

    I was very sad. My mother said we could have a funeral for him, and I should think of ten good things about Barney so I could tell them...But the small boy who loved Barney can only think of nine. Later, while talking with his father, he discovers the tenth—and he begins to understand.

    But right now, divorce is the worst. With honesty and humor, Anastasia Higginbotham beautifully conveys the challenge of staying whole when your entire world, and the people in it, split apart. Exceptional in its child-centered portrayal, Divorce Is the Worst is an invaluable tool for families, therapeutic professionals, and divorce mediators struggling to address this common and complex experience.The Ordinary Terrible Things Series shows children who navigate trouble with their senses on alert and their souls intact. In these stories of common childhood crises, help may come from family, counselors, teachers, or dreams—but crucially, it's the children themselves who find their way to cope and grow.

    Full color.

    "Come with me," he says. Hand-in-hand, they walk to the subway, tipping their hats to those they meet. The next day, the girl asks her mama what she can do--her mama says, "Come with me," and together they set out for the grocery, because one person doesn't represent an entire race or the people of a land. After dinner that night, the little girl asks if she can do something of her own--walk the dog . . . and her parents let her go. "Come with me," the girl tells the boy across the hall. Walking together, one step at a time, the girl and the boy begin to see that as small and insignificant as their part may seem, it matters to the world.

    Unable to sleep, a young boy climbs into his father's arms. Feeling the warmth and closeness of his father, he begins to ask questions about the birds, the foxes, and whether his mom will ever wake up. They go outside under the starry sky. Loss and love are as present as the white spruces, while the father's clear answers and assurances calm his worried son. Here we feel the cycles of life and life's continuity, even in the face of absence and loss, so strongly and clearly that we know at the end that everything will, somehow, be all right.Born in 1953, Stein Erik Lunde has written sixteen books, mostly for children and young adults. His books have been published in many countries. This is his first book to be published in the United States. He also writes lyrics and has translated Bob Dylan into Norwegian. In 2009 My Father's Arms Are A Boat was awarded the Norwegian Ministry's Culture Prize for the Best Book for Children and Youth. The book was also nominated for the 2011 German Children's Literature Award.Born in 1972, Øyvind Torseter is an artist and one of Norway's most acclaimed illustrators. He employs both traditional and digital picture techniques. Torseter has received numerous prizes for many of his books. In 2011 he received the Norwegian Book Art Prize. For 2012 he has been nominated for the ALMA Award and the Hans Christian Andersen Award.

    Told from the point of view of a puppy who is adopted by a cat, this gentle and reassuring tale is perfect for very young readers and listeners. When the puppy comes to live with his new mom, he is nervous. After all, his mom has stripes and he doesn’t. But his mom says she likes that they look different, and soon the puppy likes it, too. (And who cares what anyone else thinks!) The puppy’s new mom does all the things other parents do. She plays with him, takes care of him, and sometimes even makes him mad! But that’s okay, because when he’s feeling sad, she knows just what to say.

    He shuts all the windows to keep in his mother’s familiar smell and scratches open the cut on his knee to remember her comforting voice. He doesn’t know how to speak to his dad anymore, and when Grandma visits and throws open the windows, it’s more than the boy can take—until his grandmother shows him another way to feel that his mom’s love is near. With tenderness, touches of humor, and unflinching emotional truth, Charlotte Moundlic captures the loneliness of grief through the eyes of a child, rendered with sympathy and charm in Olivier Tallec’s expressive illustrations.

    Their hair billows in brilliant hues, their dresses end in fishtails, and their joy fills the train car. When Julián gets home, daydreaming of the magic he's seen, all he can think about is dressing up just like the ladies in his own fabulous mermaid costume: a periwinkle curtain for his tail, the fronds of a potted fern for his headdress. But what will Abuela think about the mess he makes—and even more importantly, what will she think about how Julián sees himself? Mesmerizing and full of heart, Jessica Love's author-illustrator debut is a jubilant picture of self-love and a radiant celebration of individuality.

    When an older boy pushes him on the soccer field, his anger fills him in a way that surely a true Gandhi could never imagine. Can Arun ever live up to the Mahatma? Will he ever make his grandfather proud?In this remarkable personal story, Arun Gandhi, with Bethany Hegedus, weaves a stunning portrait of the extraordinary man who taught him to live his life as light. Evan Turk brings the text to breathtaking life with his unique three-dimensional collage paintings.

    To help ease Chester's fears, Mrs. Raccoon shares a family secret called the Kissing Hand to give him the reassurance of her love any time his world feels a little scary. Since its first publication in 1993, this heartwarming book has become a children's classic that has touched the lives of millions of children and their parents, especially at times of separation, whether starting school, entering daycare, or going to camp. It is widely used by kindergarten teachers on the first day of school. Stickers at the back will help children and their parents keep their Kissing Hand alive.

    His mouth is a volcano! But when others begin to interrupt Louis, he learns how to respectfully wait for his turn to talk.My Mouth Is A Volcano takes an empathetic approach to the habit of interrupting and teaches children a witty technique to help them manage their rambunctious thoughts and words. Told from Louis’ perspective, this story provides parents, teachers, and counselors with an entertaining way to teach children the value of respecting others by listening and waiting for their turn to speak.

    Cozy and sensitive watercolor illustrations from David McPhail are the perfect complement to Liza Baker's rhythmic, rhyming text. This book is sure to become a family favorite -- and an enduring classic of the genre.

    Jennifer Morris’s emotive, diverting characters provide the perfect complement to Leannah’s words, leading us through the crowded streets of an urban day in the company of two pairs of siblings (one of color). We see what they see: the hulking dude with tattoos and chains assisting an elderly lady onto the bus; the Goth teenager with piercings and purple Mohawk returning a lost wallet to its owner; and the myriad interactions of daily existence, most of them well intended. Most People is a courageous, constructive response to the dystopian world of the news media.Fountas Pinnell Level M