For this is the eve of the Battle of Waterloo, and many of the handsome young men attending the ball will find themselves, the very next day, on the battlefield.For Sophia Trenchard, the young and beautiful daughter of Wellington's chief supplier, this night will change everything. But it is only twenty-five years later, when the upwardly mobile Trenchards move into the fashionable new area of Belgravia, that the true repercussions of that moment will be felt. For in this new world, where the aristocracy rub shoulders with the emerging nouveau riche, there are those who would prefer the secrets of the past to remain buried...

     Still haunted by the death of her only brother, James, in the Great War, Evelyn Gifford is completely unprepared when a young nurse and her six-year-old son appear on the Giffords' doorstep one night. The child, the nurse claims, is James's, conceived in a battlefield hospital. The grief-stricken Giffords take them both in; but Evelyn, a struggling attorney, must now support her entire family—at a time when work for women lawyers is almost nonexistent. Suddenly a new case falls in Evelyn's lap: Seemingly hopeless, it's been abandoned by her male coworkers. The accused—a veteran charged with murdering his young wife—is almost certain to die on the gallows.... And yet, Evelyn believes he is truly innocent, just as she suspects there may be more to the story of her "nephew" than meets the eye...

    Meet Phillipe Charboneau: the illegitimate son and unrecognized heir of the Duke of Kentland. Upon the Duke’s death, Phillipe is denied his birthright and left to build a life of his own. Seeking all that the New World promises, he leaves London for America, shedding his past and preparing for the future by changing his name to Philip Kent. He arrives at the brink of the American Revolution, which tests his allegiances in ways he never imagined. The first volume of John Jakes’s wildly successful and highly addictive Kent Family Chronicles, The Bastard is a triumph of historical fiction.

    There is only one man who can lead Britain from the chaos of darkness into a new age of glory. Protected since birth, he is revealed as the new Pendragon.

    While home on his unit’s month-long furlough, he murders the man he believes has stolen his beloved. In doing so, he sets into motion three intensely dark journeys—his own as a soldier returning to a brutal and hopeless war; his sweetheart’s as she seeks absolution; and the brother of the murdered man, whose quest for revenge propels him into the most violent of worlds. When the three find each other amid the chaos and brutality of the Battle of the Wilderness, they’re faced with figuring out if they are tempered enough from their own redemptive ordeals to face whatever uncertain future awaits them after the bloody fighting is over.

    His head filled with tales of chivalry, instead he is branded a thief, and must make do with being squire to his childhood friend Sir Robert, a knight determined to make a name for himself as a man at arms in France. While William himself slowly acquires the skills of knightly combat, he remains an outsider - until the Battle of Poitiers when Sir Robert is cut down by the greatest knight of the age, Sir Geoffry de Charny, and William, his lowly squire, revenges him. But with his own knight dead, no honour acrrues to William for this feat of arms, and he is forced to become a mercenary. Scavenging a mis-matched set of armour from the knightly corpses, he joins one of the mercenary companies now set to pillage a defenceless France, and so begins a bloody career that sees William joining forces with the infamous Sir John Hawkwood and immersing himself in a treacherous clandestine war among the Italian city states. But paradoxically it is there, among the spies, assassins and hired killers serving their ruthless masters, that William finally discovers the true meaning of chivalry - and his destiny as a knight.

    Black Death ravages London. A killer stalks the streets in a plague doctor’s hood and mask...When a girl is gruesomely murdered, thief taker Charlie Tuesday reluctantly agrees to take on the case. But the horrific remains tell him this is no isolated death. The killer’s mad appetites are part of a master plan that could destroy London – and reveal the dark secrets of Charlie’s own past.Now the thief taker must find this murderous mastermind before the plague obliterates the evidence street by street. This terrifying pursuit will take Charlie deep into the black underbelly of old London, where alchemy, witchcraft and blood-spells collide.In a city drowned in darkness, death could be the most powerful magic of all.

    England is engulfed in war as King Stephen and his cousin, the Empress Matilda, vie for the crown. In this dangerous world, not even Emma, an eleven-year-old peasant, is safe. A depraved monk obsessed with redheads kidnaps the ginger-haired girl from her village and leaves her for dead. When an archer for hire named Gwyl finds her, she has no memory of her previous life. Unable to abandon her, Gwyl takes the girl with him, dressing her as a boy, giving her a new name—Penda—and teaching her to use a bow. But Gwyn knows that the man who hurt Penda roams free, and that a scrap of evidence she possesses could be very valuable.Gwyl and Penda make their way to Kenilworth, a small but strategically important fortress that belongs to fifteen-year-old Maud. Newly wedded to a boorish and much older husband after her father’s death, the fierce and determined young chatelaine tempts fate and Stephen’s murderous wrath when she gives shelter to the empress.Aided by a garrison of mercenaries, including Gwyl and his odd red-headed apprentice, Maud will stave off Stephen’s siege for a long, brutal winter that will bring a host of visitors to Kenilworth—kings, soldiers . . . and a sinister monk with deadly business to finish.

    The last thing he says to his little brother before leaving home is, "Don't forget me, kid." Two years later a telegram arrives: Jack, now a Spitfire pilot flying for the Royal Air Force, is missing in action somewhere in German-occupied Europe. With only the telegram to guide him, 12-year-old Tommy Mooney arms himself to the hilt: with a sling-shot, a boomerang, a bow and arrow set, and an indomitable sense of youthful optimism. Mounting his Schwinn bicycle, he heads for the Brooklyn Harbor, setting a course for London, England, where he plans to recruit Jack's British fiancée before continuing on to Nazi-occupied Belgium. Thus begins a journey that one reader calls, "A rattling, high concept, wartime adventure--with a wonderfully quirky and incredibly brave hero-narrator." Soon enough, hope turns to foreboding--as it begins to look as though Tommy is being deceived by the Gestapo, used in a plot to expose a Resistance network created to help downed airmen. "Bravery," he realizes, "is like teeth plaque. It takes time to build up." Hearkening back to the Hitchcock film, Saboteur, and the WWII era mysteries of Eric Ambler and Helen MacInnis, Telegram For Mrs. Mooney will introduce you to a truly likable, sometimes irascible, archetypal "everyman" hero. It's a edge-of-your-seat, hair-raising, nail-biter of an adventure. A novel with the power to invoke the fearless child within you.

    As the daughter of a famous archaeologist, she’s been everywhere and seen everything—except London. When the Talbot-Martin team travels there for her father’s investiture, Linley finally gets her wish. But when the time comes to trade her jodhpurs and work boots for silk gowns and kid gloves, she may be in over her head.Even though she can out-ride, out-shoot, and outsmart any girl in London society, Linley is destined to be the failure of the season. No one she meets cares about ancient pottery or lost Buddhist texts, and fundraising efforts for future expeditions keep coming up short. If the Talbot-Martin team doesn’t find money soon, they will be out of a job, and Linley will lose everything she holds dear.Patrick Wolford, Marquess of Kyre (pronounced 'Keer'), is a man who knows his place. Well-connected and respected, he is everything everyone expects him to be, but beneath his façade, he is as neglected and crumbling as the family estate. Now the strain of keeping up appearances is taking its toll. The smart thing would be to marry the heiress nipping at his heels and be done with it, but when he meets Linley Talbot-Martin, who dares to shake up his seemingly proper world, he must choose between the life he’s always known and one he never dared to dream of.

    Joanna Stafford, a Dominican nun, learns that her favorite cousin has been condemned by Henry VIII to be burned at the stake. Defying the rule of enclosure, Joanna leaves the priory to stand at her cousin’s side. Arrested for interfering with the king’s justice, Joanna, along with her father, is sent to the Tower of London.While Joanna is in the Tower, the ruthless Bishop of Winchester forces her to spy for him: to save her father’s life she must find an ancient relic—a crown so powerful, it may possess the ability to end the Reformation.With Cromwell’s troops threatening to shutter her priory, bright and bold Joanna must decide who she can trust so that she may save herself, her family, and her sacred way of life. This provocative story set in Tudor England melds heart-stopping suspense with historical detail and brings to life the poignant dramas of women and men at a fascinating and critical moment in England’s past.

    As historical records show, Anne Whateley of Temple Grafton is betrothed to Will just days before he is forced to wed the pregnant Anne Hathaway of Shottery. The clandestine Whateley/Shakespeare match is a meeting of hearts and heads that no one—not even Queen Elizabeth or her spymasters—can destroy. From rural Stratford-upon- Avon to teeming London, the passionate pair struggles to stay solvent and remain safe from Elizabeth I’s campaign to hunt down secret Catholics, of whom Shakespeare is rumored to be a part. Often at odds, always in love, the couple sells Will’s first plays and, as he climbs to theatrical power in Elizabeth’s England, they fend off fierce competition from rival London dramatists, ones as treacherous as they are talented. Persecution and plague, insurrection and inferno, friends and foes, even executions of those they hold dear, bring Anne’s heartrending story to life. Spanning half a century of Elizabethan and Jacobean history and sweeping from the lowest reaches of society to the royal court, this richly textured novel tells the real story of Shakespeare in love.

    At the monastery of Scarnsea, events have spiralled out of control with the murder of Commissioner Robin Singleton. Matthew Shardlake, a lawyer, and his assistant are sent to investigate.

     For Inspector Paco Ruiz the death of a young woman in Retiro Park has a significance that even he does not fully understand. Battling against official hostility, and attempts on his own life, Ruiz finds himself being pulled deeper and deeper into a dark web of lies and treachery. As well as providing a thrilling and intriguing mystery, A Murder of No Consequence paints a vivid picture of a society – and a way of life – on the verge of collapse. James Garcia Woods was educated at the universities of Wales, Manchester and Oxford. Before becoming a full-time writer, he taught in England, Iran and Spain. He has lived with his wife in Madrid since 1979.

    Every dream, inflection, or slip of tongue in his “hysterical” patients has meaning and reveals some hidden truth. When a mysterious and beautiful medium dies under extraordinary circumstances, Max’s good friend, Detective Oskar Rheinhardt, calls for his expert assistance. The medium’s body has been found in a room that can only be locked from the inside. Her body has been shot, but there’s no gun and absolutely no trace of a bullet. All signs point to a supernatural killer, but Liebermann the scientist is not so easily convinced. Set in the Vienna of Freud, Klimt, and Mahler, a time of unprecedented activity in the worlds of philosophy, science, and art, A Death in Vienna (original title: Mortal Mischief) is an elegantly written novel, taut with suspense and rich in historical details.