Amelia Jones always dreamed of attending the Mystwick School of Musicraft, where the world’s most promising musicians learn to create magic. So when Amelia botches her audition, she thinks her dream has met an abrupt and humiliating end—until the school agrees to give her a trial period. Amelia is determined to prove herself, vowing to do whatever it takes to become the perfect musician. Even if it means pretending to be someone she isn’t. Meanwhile, a mysterious storm is brewing that no one, not even the maestros at Mystwick, is prepared to contain. Can Amelia find the courage to be true to herself in time to save her beloved school from certain destruction?

    If she doesn't, she'll lose her magic forever. For most young witches and wizards, it's a simple enough test:ONE: Help your town, do good all around.TWO: Live there for one moon, don't leave too soon.THREE: Fly home by broomstick, the easiest of tricks.The only problem? Eva only has a pinch of magic. She summons heads of cabbage instead of flowers and gets a sunburn instead of calling down rain. And to add insult to injury, whenever she overuses her magic, she falls asleep.When she lands on the tranquil coastal town of Auteri, the residents expect a powerful witch, not a semi-magical girl. So Eva comes up with a plan: set up a magical repair shop to aid Auteri and prove she's worthy. She may have more blood than magic, but her "semi-magical fixes" repair the lives of the townspeople in ways they never could have imagined. Only, Eva's bit of magic may not be enough when the biggest magical storm in history threatens the town she's grown to love. Eva must conjure up all of the magic, bravery, and cleverness she can muster or Auteri and her dreams of becoming a witch will wash away with the storm.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    L. Konisburg, this middle-grade mystery adventure is inspired by the real life of Viviani Joffre Fedeler, born and raised in the New York Public Library.Eleven-year-old Viviani Fedeler has spent her whole life in the New York Public Library. She knows every room by heart, except the ones her father keeps locked. When Viviani becomes convinced that the library is haunted, new girl Merit Mubarak makes fun of her. So Viviani decides to play a harmless little prank, roping her older brothers and best friend Eva to help out.But what begins as a joke quickly gets out of hand, and soon Viviani and her friends have to solve two big mysteries: Is the Library truly haunted? And what happened to the expensive new stamp collection? It's up to Viviani, Eva, and Merit (reluctantly) to findout.

    Until the autumn of 1886, when five babies are left in outrageous circumstances: one in a tin toolbox, one in a coal bucket, one in a picnic hamper, one in a wheat sack, and finally, one in a coffin-shaped basket.Those babies were Lotta, Egg, Fenna, Sem and Milou; who were swiftly and firmly deemed 'the unadoptables'. Twelve years on the children still have each other - until the fateful night a most sinister gentleman appears and threatens to tear them apart. The gang decide to make a daring escape, fleeing the frozen canals of Amsterdam for an adventure packed with puppets and pirate ships, clock-makers and cruel villains - and with only a scrap of a clue to guide them to their mysterious new home . . .

    

    But when her parents disappear completely and Emily is left home alone to face the weird strangers that begin to appear at her door, she takes all of the clues at her disposal and makes for the place where the letters came from -- the mysterious Night Post. What she'll discover is the secret world of the Midnight Hour -- a Victorian London frozen in time, full of magic and monsters.Kept safe by an age-old agreement, the Night Folk have been exiled to a parallel world that can only be accessed by a selected few, including the mail carriers of the infamous Night Post that operate between the two worlds. Emily's parents are key players in keeping the Night Folk safe, but when the division of the two worlds is threatened, Emily must search for her parents while navigating this dark and unknown version of London.Armed only with a packed lunch, her very sleepy pocket hedgehog, and her infamously big argumentative mouth, she must escape bloodthirsty creatures of the night, figure out her own family secrets, and maybe just save the world. This is a frightening and enchanting story, a world built out of creatures from our worst fears who become relatable, fully formed characters unlike any we've seen as these strangers of parallel worlds band together to save the day.

    It's practically another member of the family. So when their reclusive, curmudgeonly landlord decides not to renew their lease, the five siblings have eleven days to do whatever it takes to stay in their beloved home and convince the dreaded Beiderman just how wonderful they are. And all is fair in love and war when it comes to keeping their home.

    This is the story of their love, and their epic struggle to find it.The moles of Duncton Wood are a varied lot. There are the aggressive Westsiders, the secretive and sickly Marchenders and the independent Eastsiders. Despite their differences, all are members of the same once proud and famous mole system, and all are now the tyrannised by Mandrake a mole so powerful and senselessly destructive that his name seems a curse on those who utter it.But the source of the evil that spreads through Duncton lies not only in Mandrake but in the growing disinterest in the rites and traditions that surround the now deserted standing Stone that was once the heart of the system itself.It is in the shadow of this towering stone that the lonely Bracken by chance meets Rebecca, daughter of Mandrake. They exchange a few words and scurry off in the different directions, never to forget a moment which will change the course of their lives for ever. Only Hulver the Elder, guardian of the old ways, understands that the future happiness of the system depends on their love, and the courage with which they can pursue its suffering and joy.Accompanied by Boswell, the strange scribemole from Uffington, Bracken sets out to revive the ancient rituals and disperse the evil from Duncton. Together they seek the sacred seventh stillstone.

    Now that they’re eleven, Roar is just a distant memory. But it hasn’t forgotten them.When their grandfather is spirited away into Roar by the villain who still haunts their nightmares, Arthur and Rose must go back to the world they’d almost left behind. And when they get there, they discover that Grandad isn’t the only one who needs their help.

    The time has come for Fionn's grandfather, a secretive and eccentric old man, to step down. Soon, a new Keeper will rise.But, deep underground, someone has been waiting for Fionn. As the battle to become the island's next champion rages, a more sinister magic is waking up, intent on rekindling an ancient war.

    But whoever struck first, trying to take each other's lives is simply what they do.

    Then a rival pack attacks, and Swift and his family scatter.Alone and scared, Swift must flee and find a new home. His journey takes him a remarkable one thousand miles across the Pacific Northwest. The trip is full of peril, and Swift encounters forest fires, hunters, highways, and hunger before he finds his new home.Inspired by the true story of a wolf named OR-7 (or Journey).

     You don’t know them at all. Twelve tales, twelve dangerous tales of mystery, magic, and rebellious hearts. Each twists like a spindle to reveal truths full of warning and triumph, truths that capture hearts long kept tame and set them free, truths that explore life . . . and death.A prince has a surprising awakening . . .                           A beauty fights like a beast . . .A boy refuses to become prey . . .A path to happiness is lost. . . . then found again.New York Times bestselling author Soman Chainani respins old stories into fresh fairy tales for a new era and creates a world like no other. These stories know you. They understand you. They reflect you. They are tales for our times. So read on, if you dare.

    Fox is on the run! The three meanest farmers around are out to get him. Fat Boggis, squat Bunce, and skinny Bean have joined forces, and they have Mr. Fox and his family surrounded. What they don’t know is that they’re not dealing with just any fox–Mr. Fox would never surrender. But only the most fantastic plan ever can save him now.