But when a serious car wreck leaves her aunt, a single mother of three, with two broken legs, it forces Anise to say goodbye for the first time to Santa Cruz, the waves, her friends, and even a kindling romance, and fly with her dad to Nebraska for the entire summer. Living in Nebraska isn’t easy. Anise spends her days caring for her three younger cousins in the childhood home of her runaway mom, a wild figure who’s been flickering in and out of her life since birth, appearing for weeks at a time and then disappearing again for months, or even years, without a word. Complicating matters is Lincoln, a one-armed, charismatic skater who pushes Anise to trade her surfboard for a skateboard. As Anise draws closer to Lincoln and takes on the full burden and joy of her cousins, she loses touch with her friends back home – leading her to one terrifying question: will she turn out just like her mom and spend her life leaving behind the ones she loves?

    Just hearing the words "public school" out loud made my mouth taste like urine (which, not coincidentally, is exactly how the public school smells).Will Astrid finally meet her match in the form of public school? Will she find out who betrayed her and got her expelled from Bristol? Is Noah, the sweet and awkward boy she just met, hiding something? Find out in this hilarious tragicomedy from New Girl and SNL writer David Iserson!

    Now conflicting versions of the story may make bringing the truth to light nearly impossible—especially when reputations, relationships, and whole futures are riding on the verdict.

    But when family secrets spill out and racism at school ramps up, she must decide what she believes in and take a stand.Fifteen-year-old Liliana is fine, thank you very much. It’s fine that her best friend, Jade, is all caught up in her new boyfriend lately. It’s fine that her inner-city high school is disorganized and underfunded. It’s fine that her father took off again—okay, maybe that isn’t fine, but what is Liliana supposed to do? She’s fifteen! Being left with her increasingly crazy mom? Fine. Her heathen little brothers? Fine, fine, fine. But it turns out Dad did leave one thing behind besides her crazy family. Before he left, he signed Liliana up for a school desegregation program called METCO. And she’s been accepted. Being accepted into METCO, however, isn’t the same as being accepted at her new school. In her old school, Liliana—half-Guatemalan and half-Salvadorian—was part of the majority where almost everyone was a person of color. But now at Westburg, where almost everyone is white, the struggles of being a minority are unavoidable. It becomes clear that the only way to survive is to lighten up—whiten up. And if Dad signed her up for this program, he wouldn’t have just wanted Liliana to survive, he would have wanted her to thrive. So what if Liliana is now going by Lili? So what if she’s acting like she thinks she’s better than her old friends? It’s not a big deal. It’s fine. But then she discovers the gutting truth about her father: He’s not on one of his side trips. And it isn’t that he doesn’t want to come home…he can’t. He’s undocumented and he’s been deported back to Guatemala. Soon, nothing is fine, and Lili has to make a choice: She’s done trying to make her white classmates and teachers feel more comfortable. Done changing who she is, denying her culture and where she came from. They want to know where she’s from, what she’s about? Liliana is ready to tell them.

    But when Peyton uncovers her boyfriend’s dark secret, she confronts him―and finds herself falling down a flight of stairs. Peyton’s knee―and maybe her dream of going pro―is shattered. Everyone is talking: Was she pushed, or did she fall? Peyton knows the truth, even if no one believes her.He has to let someone in before it’s too late.With her future on the line, Peyton goes to stay with her uncle in a small Tennessee town to focus on her recovery. Dating is the last thing on her mind―until she meets sweet, sexy Owen Law.But Peyton doesn’t trust her heart, especially when she senses that Owen is hiding something. When their secrets are finally exposed, Peyton has to decide if love is worth fighting for.

    Morris Award finalist Jessie Ann Foley comes the story of one girl’s battle to define herself as something other than her reputation.Mia is officially a Troubled Teen—she gets bad grades, drinks too much, and has probably gone too far with too many guys. But she doesn’t realize how out of control her parents think she is until they send her away to Red Oak Academy, a therapeutic boarding school in rural Minnesota.While there, Mia starts confronting her painful past, and questions the purpose of Red Oak. After all, if the Red Oak girls were boys, they never would have been treated the way that they are. Amidst the revelations that cause her to question the way that society treats young women, circumstances outside of her control force Mia to discover what happens when she makes herself vulnerable enough to be truly seen by the rest of the world.

    The book, which Sullivan calls The Statistical Probability of Love at First Sight meets Bridesmaids, is a dual narrative novel by authors who dated when they were in high school, about a boy and girl who must navigate social misunderstandings, the plotting of well-meaning friends, and their own fears about being virgins forever. It's slated for summer 2016; Allison Hellegers of Rights People brokered the deal on behalf of Barry Cunningham and Elinor Bagenal at Chicken House in the U.K.

    . . something at first sight. He knows she’s special, possibly even magical. The pair become fast friends, climbing trees and planning world travels. After years of being outshone by his older brother and teased because of his Tourette syndrome, Spencer finally feels like he belongs. But as Hope and Spencer get older and life gets messier, the clear label of “friend” gets messier, too. Through sibling feuds and family tragedies, new relationships and broken hearts, the two grow together and apart, and Spencer, an aspiring scientist, tries to map it all out using his trusty system of taxonomy. He wants to identify and classify their relationship, but in the end, he finds that life doesn’t always fit into easy-to-manage boxes, and it’s this messy complexity that makes life so rich and beautiful.

    She has her people, her posse, her mom and the twins. She has Grace. And she has her dad, who tells her about the little kid she was, who loves her so hard, and who shouldn't be here but is. So Biz doesn't tell anyone anything. Not about her dark, runaway thoughts, not about kissing Grace or noticing Jasper, the new boy. And she doesn't tell anyone about her dad. Because her dad died when she was six. And Biz knows how to float, right there on the surface—normal okay regular fine.But after what happens on the beach—first in the ocean, and then in the sand--the tethers that hold Biz steady come undone. Dad disappears, and with him, all comfort. It might be easier, better, sweeter to float all the way away? Or maybe stay a little longer, find her father, bring him back to her. Or maybe—maybe maybe maybe—there's a third way Biz just can't see yet.

    But her parents insist that she get out of her head—and her home state—and attend Camp Padua, a summer camp for at-risk teens.Zander does not fit in—or so she thinks. She has only one word for her fellow campers: crazy. In fact, the whole camp population exists somewhere between disaster and diagnosis. There’s her cabinmate Cassie, a self-described manic-depressive-bipolar-anorexic. Grover Cleveland (yes, like the president), a cute but confrontational boy who expects to be schizophrenic someday, odds being what they are. And Bek, a charmingly confounding pathological liar.But amid group “share-apy” sessions and forbidden late-night outings, unlikely friendships form, and as the Michigan summer heats up, the four teens begin to reveal their tragic secrets. Zander finds herself inextricably drawn to Grover’s earnest charms, and she begins to wonder if she could be happy. But first she must come completely unraveled to have any hope of putting herself back together again.

    shift at GoodFoods Market4) Crashing a cart into a customer’s car right in front of her snarky coworker Sammi3) Trying to rock the “drowned rat” look after being caught in a snowstorm2) Making zero progress with her crush, Tyson (see #3)1) Being accused—along with her fellow teenage employees—of stealing upwards of $10,000 Chloe would rather be anywhere than locked in work jail (aka the break room) with five of her coworkers . . . even if one of them is Tyson. But if they can band together to clear their names, what looks like a total disaster might just make Chloe’s list of Top Ten Best Moments.

    It’s not a lot to ask. But that’s before he’s given some bad news: he’s sick and he’s going to die. Which totally sucks. Hope arrives in the winged form of Dulcie, a loopy punk angel/possible hallucination with a bad sugar habit. She tells Cam there is a cure—if he’s willing to go in search of it. With the help of a death-obsessed, video-gaming dwarf and a yard gnome, Cam sets off on the mother of all road trips through a twisted America into the heart of what matters most.

    Her romantic fantasies become a reality when she meets Will, who seems to truly understand Eva’s grief. Unfortunately, after Eva falls head-over-heels for him, he picks up and moves to California without any warning. Not wanting to lose the only person who has been able to pull her out of sadness—and, perhaps, her shot at real love—Eva and her best friend, Annie, concoct a plan to travel to the west coast to see Will again. As they road trip across America, Eva and Annie confront the complex truth about love. In this honest and emotional journey that National Book Award finalist Sara Zarr calls “gorgeous, funny, and joyous,” readers will experience the highs of infatuation and the lows of heartache as Eva contends with love in all of its forms.

    Because he is her best friend, and he loves her, and he has almost kissed her 17 times... Seventeen-year-old Evie Beckham has never been interested in dating. She's been fully occupied by her love of mathematics and her frequent battles with anxiety (and besides, she's always found the idea of kissing to be a little bit icky). But with the help of her best friend and her therapist, Evie's feeling braver. Maybe even brave enough to enter a prestigious physics competition and to say yes to the new boy who's been flirting with her. Caleb Covic knows Evie isn't ready for romance but assumes that when she is, she will choose him. So Caleb is horrified when he is forced to witness Evie's meet cute with a floppy-haired, mathematically gifted transfer student. Because Caleb knows the girl never falls for the funny best friend when there's a mysterious stranger around, he decides to use an online forum to capture Evie's interest. Now, he's got Evie wondering if it's possible to fall in love with a boy she's never met. Told in the alternating voices of Evie and Caleb, THE QUANTUM WEIRDNESS OF THE ALMOST KISS is a YA romantic comedy, sure to satisfy fans of Jenny Han, Rainbow Rowell and Stephanie Perkins.

    Yet, despite his efforts to blend into the background, he finds himself falling for the quintessential “It” girl, Vanessa Sheller, girlfriend of Irving’s most popular boy. To Tim's surprise, Vanessa is into him, too, but she can kiss her social status goodbye if anyone ever finds out. Tim and Vanessa begin a clandestine romance, but looming over them is the Tragedy Paper, Irving’s version of a senior year thesis, assigned by the school’s least forgiving teacher. Jumping between viewpoints of the love-struck Tim and Duncan, a current senior about to uncover the truth of Tim and Vanessa, The Tragedy Paper is a compelling tale of forbidden love and the lengths people will go to keep their love.