She couldn’t know the terrible price she would pay.Clary’s home is the foundling hospital where she has lived since birth. When a terrible tragedy occurs, Clary is blamed and thrown to the streets with her only possession - a token, left by her birth mother.When Bill Whitely finds Clary beaten in a back alley, he offers her sanctuary, but a startling discovery spurs her forward into a dangerous undertaking.As Clary navigates a forbidden world, secrets and suspicions are rife, forcing her to flee for her life.Alone and destitute on the streets, Clary is lured into a world of debauchery, where she must fight to regain herself and find the answers she is looking for.Will Clary ever discover the truth of her past? And what of Bill? Is he lost to her forever?For fans of Dilly Court and readers who love historical romance.

    But Rosemary has a secret, and he’s lying comatose in a hospital only a few miles away. Should she let him live, or let him go? Into the midst of Rosemary’s dilemma comes bohemian artist, Ben. His abstract pictures and fixation with painting God disturb Rosemary, and yet she finds herself unable to keep away. As summer passes and an unlikely friendship develops, it becomes clear that Rosemary is not the only one with something to hide. Nor is she the only one battling the ghosts of the past. Rosemary and Ben must decide whether to trust each other, choosing between the madness of admitting the truth and the insanity of maintaining their lies. With their lives unravelling around them, can they help each other to confront the past, or are there some secrets too terrible to be told?

    A true original, she is a one-of-a-kind literary sensation. Her novels consistently attract serious acclaim and discussion—and have won her a dedicated readership who are drawn again and again to the warmth, humanity and humor of her voice. How to be both is a novel all about art’s versatility. Borrowing from painting’s fresco technique to make an original literary double-take, it’s a fast-moving genre-bending conversation between forms, times, truths and fictions. There’s a Renaissance artist of the 1460s. There’s the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real—and all life’s givens get given a second chance.A NOTE TO THE READER:Who says stories reach everybody in the same order?This novel can be read in two ways and this book provides you with both.In half of all printed editions of the novel the narrative EYES comes before CAMERA.In the other half of printed editions the narrative CAMERA precedes EYES.The narratives are exactly the same in both versions, just in a different order. The books are intentionally printed in two different ways, so that readers can randomly have different experiences reading the same text. So, depending on which edition you happen to receive, the book will be: EYES, CAMERA, or CAMERA, EYES. Enjoy the adventure.

    Born to poverty and limited opportunities, they're able nonetheless to enjoy the largely innocent pleasures of childhood, but the adult world around them inevitably impinges. The narrator's elder sister falls pregnant and is sent to Ireland to have and give up the child; newcomer Tony and his mum are in danger of real violence at the hands of Tony's violent Polish stepfather; and no child who plays the part of altar boy at the chapel wants to be left alone with the local priest. Observant, clear-sighted in its portrayal of the darker side of life yet utterly warm-hearted, Spit Against the Wind reminds us of the wonders of childhood without sentimentality but with gentle humor and great charm.

    He also grew up observing the powerful and tender love shared by his parents. Determined to find that same kind of love in his own life, he is holding out for a woman who can see more in him than a marriage that will give his future wife prestige and great wealth. After more than a decade of searching for the right woman, Erich may have finally found a love beyond anything he’d imagined. But his happiness and the stability of the country is at risk when a long-dormant evil comes to the surface in Horstberg, threatening his life and that of his young nephew, who is Erich’s heir. While Erich tries to remain confident that he will live long enough to claim his right to serve his country, he is haunted by premonitory dreams that imply his life will come to a tragic end. As a force of extremist revolutionaries force Horstberg to the brink of war, the entire du Woernig family must flee into hiding for the sake of their own survival. Only when everything is on the line does Erich come to fully understand what truly matters. Please note that Book Five, the final book in the Horstberg Saga will be available for preorder on April 6th and will be released May 4th.

    Among his bachelor brother's papers, Richard discovers a letter from Sarah that hints at an infidelity. Then there is Anna's affair with a married man, Charles Norden, which threatens to change her life forever. The story of Richard, Sarah, Anna, and Charles--along with the troubling legacy of James--is one of faith and doubt, profound moral and spiritual conflict, and the intricate bonds that hold families together.

    She has lived with partner Ed for fifteen years and is proud of all they’ve achieved. They go out into the world separately: Ed with one eye on the future in the world of finance; Anita with one foot the past, a curator at Hampton Court Palace. This is the life she has chosen - choices that weren’t open to her mother’s generation - her dream job, equal partnership, freedom from the monotony of parenthood, living mortgage-free in a quirky old house she adores. The future seems knowable and secure.But then Anita finds herself standing in the middle of the road watching her home and everything inside it burn to the ground. Before she can come to terms with the magnitude of her loss, hairline cracks begin to appear in her perfect relationship. And returning to her childhood home in search of comfort, she stumbles upon the secret that her mother has kept hidden, a taboo so unspeakable it can only be written about.The reflection in the mirror may look the same. But everything has changed.Authentic and heartbreaking, Davis’s intoxicating new novel is an exploration of identity, not as a fixed point, but as something fragile, shape-shifting and transient

     When Madeleine's youngest son and his wife buy their first house, they make an unexpected discovery. As a result Madeleine and her husband Ian are drawn into a disturbing and puzzling story of wartime romance and its consequences; consequences which reverberate through to the present day. This, the fifth Madeleine Porter story, is the familiar mix of family history, mystery, sadness and happiness.

    But if she thinks she’s safe at home, she is wrong.Her scheming brother wants to marry her off to a fortune-hunter, and he won’t take no for an answer. Out on a lonely walk, Catherine is attacked and left for dead.Could this be her brother’s doing?Catherine won’t wait to find out. Her childhood friend, Martin Lacey, lives in the manor house across the woods, and there was a time when he would have done anything for her.But in the turmoil of Restoration England, nothing lasts forever. Will turning up at Martin’s door be the saving of her — or the end?

    It ends with a promise. On her deathbed Frances extracts it from her three daughters—the utterly capable homemaker Alice; the recalcitrant Allegra, a recovering alcoholic; and bohemian Edie, who shrinks in the face of any commitment: their promise to “look after Libba.” As if the formidable, tough-minded Libba Charles, author of ten books, a literary celebrity, needed looking after. Yet when they are summoned by Libba to Creek Cabin, their mother’s summer hideaway in the Blue Ridge Mountains of North Carolina, they go. None of them is prepared, though, for what they will discover there—about their mother, about Libba, about themselves—in this poignant, adroit rendering of reunions and farewells.

    . .It’s February 1976, and Odessa, Texas, stands on the cusp of the next great oil boom. While the town’s men embrace the coming prosperity, its women intimately know and fear the violence that always seems to follow.In the early hours of the morning after Valentine’s Day, fourteen-year-old Gloria Ramírez appears on the front porch of Mary Rose Whitehead’s ranch house, broken and barely alive. The teenager had been viciously attacked in a nearby oil field—an act of brutality that is tried in the churches and barrooms of Odessa before it can reach a court of law. When justice is evasive, the stage is set for a showdown with potentially devastating consequences.Valentine is a haunting exploration of the intersections of violence and race, class and region in a story that plumbs the depths of darkness and fear, yet offers a window into beauty and hope. Told through the alternating points of view of indelible characters who burrow deep in the reader’s heart, this fierce, unflinching, and surprisingly tender novel illuminates women’s strength and vulnerability, and reminds us that it is the stories we tell ourselves that keep us alive.

    His provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally in the intersecting spaces of our internal and external worlds.With its examination of the possibility that art can both save and destroy us, Rachel Cusk's Second Place is deeply affirming of the human soul, while grappling with its darkest demons.

    But this is Nazi Germany in 1933, and things like love don’t count for much any more. Netanel Rosenberg never expected Marie Helder to stand by him. He told her not to, it was too dangerous. She should forget about him. Even when he is the last Jew left in the town, hiding away in secret, still she will not abandon him. Her last words to him, when he is finally discovered: “Whatever happens, don’t give up – live for me.” Through the nightmare of the holocaust, Netanel clings to the promise he made her. But neither he or Marie can imagine what fate has in store for each of them – and what they will have to do to keep their promise to each other.

    When she met Ernest Simpson it was as if he was sent to save her from her past. But marriage to him led her to an extraordinary future.

    Max is a British Territorial soldier and Zia is a Jewess from the south of France. Zia's grandmother is a wealthy socialite who owns a painting that could embarrass the Nazis. Zia is kidnapped by the Gestapo and Max is hospitalised on the same day. He awakes to find no trace of his beloved who he had planned to marry in England. The Red Cross reported that it was almost certain that Zia was trafficked across the border and delivered to Sachsenhausen Labour Camp at Oranienburg, not far from Berlin on the night of May 26th, 1939. A criminal act, regardless of the forthcoming war. The first warring Germans to step over the border onto French soil did not do so until May 13th, 1940. The Gestapo had kidnapped her 343 days before they attacked France.June 6th, 1944 - four years later, Max is one of 150,000 Allied troops headed towards the Normandy beaches. He has two options - find the woman he could never forget or kill the people responsible for her death. From the very beginning, Berlin had ordered SS Hauptsturmführer Dieter Baumann to deal harshly with their VIP captive but never to kill her. Through three concentration camps, ending in Auschwitz, Zia wishes she had been killed many times over. Traumatized, she has no idea that Max and a few unlikely friends are battling their way through Nazi occupied Europe in a crazy attempt to rescue her. Berlin tries one last ploy to get their hands on her grandmother's painting. Zia's life hangs in the balance when Max meets his own personal nemesis in the guise of an undercover Gestapo officer. This novel explores the dark depths that humans can sink to in times of war. It is for adults only and even then; it is not for readers of a sensitive disposition. Whatever you read in this novel of extraordinary graphic Holocaust content, consider this – it was immeasurably worse, a hundred thousand times so.