Luke Carman’s first book of fiction is about to change all that: a collection of monologues and stories which tells it how it is on Australia’s cultural frontier. His young, self-conscious but determined hero navigates his way through the complications of his divorced family, and an often perilous social world, with its Fobs, Lebbos, Greek, Serbs, Grubby Boys and scumbag Aussies, friends and enemies. He loves Whitman and Kerouac, Leonard Cohen and Henry Rollins, is awkward with girls, and has an imaginary friend called Tom. His sensitivity in a tough environment makes life difficult for him – he is anything but an elegant young man. Carman’s style is packed with thought and energy: it captures the voices of the street, and conveys fear and anger, beauty and affection, with a restless intensity.

    One time near Yellingbo they found a church no one prayed in and they lived there and for three weeks had stained glass for windows…They got chased out and went to Shepparton but Shane had a run-in and police said move.Shane, Moira and Midge, along with young Zara and Rory, are ‘trants’—itinerants roaming the plains north-west of Melbourne in search of disused houses to sleep in, or to strip of heritage fittings when funds are low. When they find their Tree Palace outside Barleyville, things are looking up. At last, a place in which to settle down.But Zara, fifteen, is pregnant and doesn’t want a child. She’d rather a normal life with town boys, not trant life with a baby. Moira decides to step in: she’ll look after her grandchild. Then Shane finds himself in trouble with the local cops…Warmly told and witty, Craig Sherborne’s second novel is a revelation—an affecting story of family and rural life.

    Growing up neglected in a seedy boarding house, twelve-year-old Emily Lawrence befriends Max, a middle-aged scientist who encourages her to pursue her intellectual interests. Innocent Emily will face scandal, suburban snobbery and psychological torment. Originally published in 1958, The Long Prospect was described as second only to Patrick White’s Voss in postwar Australian literature.The Introduction is by Fiona McGregor.

    Most of all, however, it is about an enduring and sacred love—a love stronger than death—and the journeys undertaken in its name.

    Her parents, her teachers, her friends, people on the street. But she stands by her decision to embrace her faith and all that it is, even if it does make her a little different from everyone else.Can she handle the taunts of "towel head," the prejudice of her classmates, and still attract the cutest boy in school? Brilliantly funny and poignant, Randa Abdel-Fattah's debut novel will strike a chord in all teenage readers, no matter what their beliefs.

    They bugger children in front of their mothers and violate men in front of their wives. The temple priests flay us openly in the streets. We are hunted everywhere and we are hunted by everyone ...We are despised, yet we grow. We are tortured and crucified and yet we flourish. We are hated and still we multiply. Why is that? You have to wonder, how is it that we not only survive but we grow stronger?'Christos Tsiolkas' stunning new novel Damascus is a work of soaring ambition and achievement, of immense power and epic scope, taking as its subject nothing less than events surrounding the birth and establishment of the Christian church. Based around the gospels and letters of St Paul, and focusing on characters one and two generations on from the death of Christ, as well as Paul (Saul) himself, Damascus nevertheless explores the themes that have always obsessed Tsiolkas as a writer: class, religion, masculinity, patriarchy, colonisation, exile; the ways in which nations, societies, communities, families and individuals are united and divided - it's all here, the contemporary and urgent questions, perennial concerns made vivid and visceral. In Damascus, Tsiolkas has written a masterpiece of imagination and transformation: an historical novel of immense power and an unflinching dissection of doubt and faith, tyranny and revolution, and cruelty and sacrifice.

    The stories explore the lives of Lebanese migrants who have settled in the area, circling around themes of isolation, family and community, and nostalgia for the home country. In particular, House of Youssef is about relationships, and the customs which complicate them: between parents and children, the dark secrets of marriage, the breakable bonds between friends. The stories are told with extreme minimalism — some are only two pages long — which heightens their emotional intensity.The collection is framed by two soliloquies. The first expresses the longing of an old man for the homeland he will never return to. The second is the monologue of a woman, who could be his wife, addressed to her daughter, about life and its disappointments. The two central sequences are composed of vignettes which focus on moments of domestic crisis, and which combine, in the title sequence, to chart the demise of a single family. Kassab portrays the lives of ordinary people — simple, unglamorous, down-to-earth. Her understated style isolates small details and the anxieties that lurk within them. The tiny shifts in a normal day are an entire world to the people at the centre of her stories.

    But things take a dangerous turn when she goes to work at Shane’s Sumatran Oasis.Caught up in the hostility directed at Shane, and flirting and surfing with the hell-man Matt, Penny soon finds herself swept into a world where two very different cultures must collide.

    Sitting in a New York park, an old man holds a book and tries to accept that his contribution to the future is over. Instead, he remembers a youthful yearning for open horizons, for Australia, a yearning he now knows inspired his life as a writer. Instinctively he picks up his pen and starts at the beginning...At twenty-one years, Robert Crofts leaves his broken dreams in Far North Queensland, finally stopping in Melbourne almost destitute. It's there he begins to understand how books and writing might be the saving of him. They will be how he leaves his mark on the world. He also begins to understand how many obstacles there will be to thwart his ambition.When Robert is introduced to Lena Soren, beautiful, rich and educated, his life takes a very different path. But in the intimacy of their connection lies an unknowability that both torments and tantalises as Robert and Lena long for something that neither can provide for the other.In a rich blend of thoughtful and beautifully observed writing, the lives of a husband and wife are laid bare in their passionate struggle to engage with their individual creativity.Alex Miller is magnificent in this most personal of all novels filled with rare wisdom and incisive observation.

    Bo’s mother, Rosemary, and Bo’s younger sister, Delia, became disjointed and dysfunctional, parting ways not long after Delia turned eighteen.Now a teacher at a Queensland college, Delia’s life is dissolving. She gave up on her own art, began a relationship with a student, and is struggling to raise her three growing children, Olive, Charlie and Benjamin. And now she must also care for her mother.Despite it all, the Rabbits are managing, precariously. Or, they were until sixteen-year-old Charlie Rabbit disappears in the middle of a blinding heatwave. The family reels from the loss, and struggles to cope as the children’s estranged father, Ed, re-enters their lives.Only nothing is quite as it seems, and Charlie’s disappearance soon proves to be just that – a disappearance, or, rather, an unexpected bout of invisibility he’s unable to reverse.The Rabbits is a multigenerational family story with a dose of magical realism. It is about family secrets, art, very mild superpowers, loneliness and the strange connections we make in the places we least expect.

    At 7, she discovers that love isn't necessarily forever.At 21, she finds love but it escapes her.At 35, she learns that love can be dangerous.By 49, she realises that the greatest love of all comes from the heart.As her life's milestones come and go, you will recognise yourself in her: her loves, her mistakes, and her belief that she doesn't deserve more.Australian author Tasma Walton's debut novel is a moving and confronting fable about the power of the human heart, the worthiness of its desires and the often dire consequences of ignoring them.

    They leave the city, fleeing a past and a future that fill then with fear. On the coast they discover a natural world that is both destructive and rejuvenating. Events sweep them up and they must confront what they have tried to put behind them.Veritgo is an enthralling short novel by one of Australia's leading writers.

    . . veteran of the Iraq conflict who has suffered such extensive bodily trauma that he can only really survive by means of a mechanical skeleton.Marianna's has been ruined by men . . . A woman who has had to flee the country after her husband lied to the wrong people.John Philip's by too much money . . . Until he receives a surprise inheritance in the evening of his own life.Rodney Hall, two-times winner of the Miles Franklin Literary Award, presents the story of three people experiencing a period of life they never thought possible, and, perhaps, should never have been granted at all...PRAISE FOR RODNEY HALL"Reminiscent of both Joyce and Garcia Marquez" Washington Post"Magnificent. So good that you wish you had written it yourself" Salman Rushdie"A wondrous blend of the fabulous and the surreal" The Australian"Brilliant" David Mitchell

    Its poetic yet visceral style announced the arrival afresh and exciting new talent. This 10th anniversary edition celebrates its important contribution to Australian literature.When May's mother dies suddenly, she and her brother Billy are taken in by Aunty. However, their loss leaves them both searching for their place in a world that doesn't seem to want them. While Billy takes his own destructive path, May sets off to find her father and her Aboriginal identity.Her journey leads her from the Australian east coast to the far north, but it is the people she meets, not the destinations, that teach her what it is to belong.

    Two photographers document a nation’s guilt in pictures of its people’s hands. An underground club in Western Australia plays jazz to nostalgic patrons dreaming of America’s Deep South. A young woman struggles to define herself among the litter of objects an ex-lover has left behind. In short vignettes and longer stories, Josephine Rowe explores the idea of things that are left behind: souvenirs, scars, and prejudice. Rowe captures everyday life in restrained poetic prose, merging themes of collective memory and guilt, permanence and impermanence, and inherited beliefs. These beautifully wrought, bittersweet stories announce the arrival of an exciting new talent in Australian fiction.