David Kushner grew up in the suburbs of Florida in the early 1970s, running wild with his friends, exploring, riding bikes, and disappearing into the nearby woods for hours at a time. One morning in 1973, however, everything changed. David's older brother Jon, making a trip to the local convenience store, vanished. This is the story of Jon's murder at the hands of two sadistic drifters and everything that happened after. "Alligator Candy "isn't only the chronicle of Jon's death, it is also the story of how parenting in America changed, casting light on the transition between two generations of children one raised on freedom, the other on fear. Jon's death was one of the first in what turned out to be a rash of child abductions and murders that dominated headlines for much of the 1970s and 80s. It was around this time that milk cartons began to feature the images of missing children, and newscasters began asking, It's 10:00, do you know where you children are? When one of Jon's killers received a parole hearing, David revisited the case that had so haunted him. Marshalling his skills as a journalist, he compiled all the details that he was sheltered from as a child, interviewing neighbors, reporters, cops, and his own family, and combing through yellowed news clippings. Haunting and intimate, "Alligator Candy" is a moving, disturbing, insightful, and inspiring meditation on grief, growth, family, and survival."

    Serving as a Lt. Colonel in the ROTC, she earned a full scholarship to Georgia Tech University to study aerospace engineering. She was the ultimate girl next door, sweet, generous, and well-adjusted. But Sharon had disturbing secrets so shocking and unique, they took more than a decade to unravel...This is the horrifying true story of a mysterious young woman caught in the violent web of the murderous fugitive she called her father—and a heartrending testament to the profound courage and perseverance of one woman trapped in the grip of extreme evil

    Delaney accepted, and became Bobby Covert, the president of Alamo Trucking, a fully-operational business used by law enforcement as flypaper for snagging crooks. At the height of The Godfather era, Delaney wore a wire and lived among wiseguys who modeled themselves on their on-screen counterparts, quoting lines from “The Movie” and boasting of how often they’d seen it. Delaney even crossed paths with Joe Pistone, the real-life Donnie Brasco (though neither knew the other was undercover), knowing all the while that a single slip could get him killed.Ultimately gathering enough evidence to convict 30 members of the Bruno and Genovese crime families, Project Alpha was a success, but Delaney struggled with post-traumatic stress disorder and traces of Stockholm syndrome after getting too close to those he investigated. Therapy helped him come to terms with all he’d endured during his three tense years undercover, and, once a college basketball star, Delaney began officiating high school and intramural games as a way to rebuild his life—eventually working his way up to the NBA, where he has been a referee for more than two decades.

    The result would be an unprecedented system of mass surveillance with the ability to pry into the private lives of every person on earth. Six years later, Snowden reveals for the very first time how he helped to build this system and why he was moved to expose it.Spanning the bucolic Beltway suburbs of his childhood and the clandestine CIA and NSA postings of his adulthood, Permanent Record is the extraordinary account of a bright young man who grew up online—a man who became a spy, a whistleblower, and, in exile, the Internet’s conscience. Written with wit, grace, passion, and an unflinching candor, Permanent Record is a crucial memoir of our digital age and destined to be a classic.

    

    The next, he was lying facedown in an alley after being ambushed and shot in the back of the head by a mobster over a dispute.Russell miraculously healed, and rather than press charges, he maintained his cover. Soon he had a stroke of good luck when he saved a man from an attack by two street thugs. The man he saved turned out to be Andy Gerardo, one of the ranking captains of the Genovese crime family. Quickly earning the trust of his new friend, Russell would orchestrate one of the biggest Mafia takedowns of all time.Urged by his police handlers, Russell used his cover story---an ex-cop fired for excessive force who now made his living from an oil-delivery business---and street skills to assimilate into the Genovese crime family in New Jersey, ultimately leading to more than fifty arrests of mobsters, corrupt prison officials, and even a state senator. Straddling the thin line between collecting evidence and participating in the very crimes he was leaking to the cops, Russell consistently placed himself at risk—especially when his police handlers disregarded his wishes and his well-being, conducting premature raids on the gangsters. With his marriage suffering and his family in danger, Russell took extraordinary steps to ensure his financial security and safety, demanding better terms from the police and allowing a film crew to document the final moments of the epic bust for a documentary that was later sold to HBO.A real-life version of The Sopranos, Undercover Cop immerses readers in the colorful yet harrowing trials of a standout cop who faced the mob on his own terms, crippled organized crime in New Jersey, and forever redefined undercover law enforcement.

    Happily ever after. Such are the classic promises of fairy tales. Yet in Texas we find a twist to the familiar storyline. In If the Devil Had a Wife, there is still the battle of Good vs. Evil, a beautiful maiden, a wealthy suitor, a kingdom of riches and the wicked witch, but any similarity with Cinderella and Snow White ends there. With the help of her life partner and an attorney (always necessary in these modern times), Nelda Stark executes a devious plan that elevates fraud and theft to a new high. A massive coverup reaches into the Texas Attorney General's Office, stealing from not only the Stark family, but the federal and state governments.

    She recalls her love and life with Mick Jagger, how Bob Dylan wooed her, the Rolling Stones courted her and finally, how drugs trapped her into a world where nothing else mattered but the next fix. She also reveals the contradictions of life as a "star", first as the pop confection she was packaged as, and later as the hard-edged artist who co-authored "Sister Morphine" and shocked the world with "Broken English".

    A provocative look at the private life of the legendary performer reveals intimate details about Garland's bisexuality, her drug and alcohol addiction, and her many abortions.

    From her first frightening night at a shelter, Janice knew she was in over her head. She was beaten up, shaken down, and nearly stabbed by a pregnant girl. But it was still better than living at home. As Janice slipped further into street life, she nevertheless attended high school, harbored crushes, and even played the lead in the spring musical. She also roamed the streets, clubs, bars, and parks of New York City with her two best girlfriends, on the prowl for hard drugs and boys on skateboards. Together they scored coke at Danceteria, smoked angel dust in East Village squats, commiserated over their crazy mothers, and slept with one another’s boyfriends on a regular basis. A wry, mesmerizing portrait of being underprivileged, underage, and underdressed in 1980s New York City, Girlbomb provides an unflinching look at street life, survival sex, female friendships, and first loves.“A fast and engrossing read in the spirit of Girl, Interrupted.”–Entertainment Weekly“Gripping . . . a wry, compelling memoir of what it means to stand up for yourself, especially when no one else will.”–Bust“How satisfying to watch Erlbaum survive adolescence and produce a smart, engaging book.”–The New York Times Book Review“Erlbaum’s survival is hard-won, the journey rendered with page-turning intensity.”–New York Post“A fast and engrossing read in the spirit of Girl, Interrupted.”–Entertainment Weekly“Gritty . . . perversely riveting. You want her to survive.”–The Washington Post Book World

    The Fatal Gift of Beauty is award-winning author and journalist Nina Burleigh’s mesmerizing literary investigation of the murder, the controversial prosecution, the conviction and twenty-six-year sentence of Knox, the machinations of Italian justice, and the underground depravity and clash of cultures in one of central -Italy’s most beloved cities.      When Perugia authorities concluded that the murder was part of a dark, twisted rite—a “sex game”—led by the American with an uncanny resemblance to Perugia’s Madonna, they unleashed a media frenzy from Rome to London to New York and Seattle. The story drew an international cult obsessed with “Foxy Knoxy,” a pretty honor student on a junior year abroad, who either woke up one morning into a nightmare of superstition and misogyny—the dark side of Italy—or participated in something unspeakable.      The investigation begins in the old stone cottage overlooking bucolic olive groves where Kercher’s body was found in her locked bedroom. It winds through the shadowy, arched alleys of Perugia, a city of art that is also a magnet for tens of thousands of students who frequent its bars, clubs, and drug bazaar on the steps of the Duomo. It climaxes in an up-close account of Italy’s dysfunctional legal system, as the trial slowly unfolds at the town’s Tribunale, and the prosecution’s thunderous final appeal to God before the quivering girl defendant resembles a scene from the Inquisition.       To reveal what actually happened on that terrible night after Halloween, Nina Burleigh lived in Perugia, attended the trial, and corresponded with the incarcerated defendants. She also delved deeply into the history, secrets, and customs of Perugia, renowned equally for its Etruscan tunnels, early Christian art, medieval sorcerers, and pagan roots.      The Fatal Gift of Beauty is a thoughtful, compelling examination of an enduring mystery, an ancient, storied place, and a disquieting facet of Italian culture: an obsession with female eroticism. It is also an acute window into the minds and personalities of the accused killers and of the conservative Italian magistrate striving to make sense of an inexplicable act of evil. But at its core is an indelible portrait of Amanda Knox, the strangely childlike, enigmatic beauty, whose photogenic face became the focal point of international speculation about the shadow side of youth and freedom.

    Some of them are physical, but many more are scars on my soul. A bomb sent to kill me while I was in a maximum security prison has made me blind, yet now I see the world more clearly than I have ever seen it before. I have lived an incredible adventure. I watched as my brother, Pablo Escobar, became the most successful criminal in history, but also a hero to many of the people of Colombia. My brother was loved and he was feared. Hundreds of thousands of people marched in his funeral procession, and certainly as many people celebrated his death." These are the words of Roberto Escobar-the top accountant for the notorious and deadly Medellín Cartel, and brother of Pablo Escobar, the most famous drug lord in history. At the height of his reign, Pablo's multibillion-dollar operation smuggled tons of cocaine each week into countries all over the world. Roberto and his ten accountants kept track of all the money. Only Pablo and Roberto knew where it was stashed-and what it bought. And the amounts of money were simply staggering. According to Roberto, it cost $2,500 every month just to purchase the rubber bands needed to wrap the stacks of cash. The biggest problem was finding a place to store it: from secret compartments in walls and beneath swimming pools to banks and warehouses everywhere. There was so much money that Roberto would sometimes write off ten percent as "spoilage," meaning either rats had chewed up the bills or dampness had ruined the cash. Roberto writes about the incredible violence of the cartel, but he also writes of the humanitarian side of his brother. Pablo built entire towns, gave away thousands of houses, paid people's medical expenses, and built schools and hospitals. Yet he was responsible for the horrible deaths of thousands of people. In short, this is the story of a world of riches almost beyond mortal imagination, and in his own words, Roberto Escobar tells all: building a magnificent zoo at Pablo's opulent home, the brothers' many escapes into the jungles of Colombia, devising ingenious methods to smuggle tons of cocaine into the United States, bribing officials with literally millions of dollars-and building a personal army to protect the Escobar family against an array of enemies sworn to kill them. Few men in history have been more beloved-or despised-than Pablo Escobar. Now, for the first time, his story is told by the man who knew him best: his brother, Roberto.

    Starting at the age of five, he recalls being sexually curious and began placing items in his anus at the age of eight. He'd sexually assault hundreds of little girls before committing his first murder. Sadly, as law enforcement stumbled along with no leads or evidence, Robert Black would strike repeatedly destroying families and preying on innocent little girls in the United Kingdom.

    Author of such landmarks of modern American fiction as Reflections in a Golden Eye and The Ballad of the Sad Café, Carson McCullers was the enfant terrible of the literary world of the 1940s and 1950s. Gifted but tormented, vulnerable but exploitative, McCullers led a life that had all the elements--and more--of a tragic novel.From McCullers's birth in Columbus, Georgia, in 1917 to her death in upstate New York in 1967, The Lonely Hunter thoroughly covers every significant event in, and aspect of, the writer's life: her rise as a young literary sensation; her emotional, artistic, and sexual eccentricities and entanglements; her debilitating illnesses; her travels in America and Europe; and the provenance of her works from their earliest drafts through their book, stage, and film versions.To research her subject, Virginia Spencer Carr visited all of the important places in McCullers's life, read virtually everything written by or about her, and interviewed hundreds of McCullers's relatives, friends, and enemies. The result is an enduring, distinguished portrait of a brilliant, but deeply troubled, writer.

    There isn’t a single thing I’ve done, or experienced,” said Grant Wood, “that’s been even the least bit exciting.” Wood was one of America’s most famous regionalist painters; to love his work was the equivalent of loving America itself. In his time, he was an “almost mythical figure,” recognized most supremely for his hard-boiled farm scene, American Gothic, a painting that has come to reflect the essence of America’s traditional values—a simple, decent, homespun tribute to our lost agrarian age. In this major new biography of America’s most acclaimed, and misunderstood, regionalist painter, Grant Wood is revealed to have been anything but plain, or simple . . . R. Tripp Evans reveals the true complexity of the man and the image Wood so carefully constructed of himself. Grant Wood called himself a farmer-painter but farming held little interest for him. He appeared to be a self-taught painter with his scenes of farmlands, farm workers, and folklore but he was classically trained, a sophisticated artist who had studied the Old Masters and Flemish art as well as impressionism. He lived a bohemian life and painted in Paris and Munich in the 1920s, fleeing what H. L. Mencken referred to as “the booboisie” of small-town America. We see Wood as an artist haunted and inspired by the images of childhood; by the complex relationship with his father (stern, pious, the “manliest of men”); with his sister and his beloved mother (Wood shared his studio and sleeping quarters with his mother until her death at seventy-seven; he was forty-four). We see Wood’s homosexuality and how his studied masculinity was a ruse that shaped his work.Here is Wood’s life and work explored more deeply and insightfully than ever before. Drawing on letters, the artist’s unfinished autobiography, his sister’s writings, and many never-before-seen documents, Evans’s book is a dimensional portrait of a deeply complicated artist who became a “National Symbol.” It is as well a portrait of the American art scene at a time when America’s Calvinistic spirit and provincialism saw Europe as decadent and artists were divided between red-blooded patriotic men and “hothouse aesthetes.” Thomas Hart Benton said of Grant Wood: “When this new America looks back for landmarks to help gauge its forward footsteps, it will find a monument standing up in the midst of the wreckage . . . This monument will be made out of Grant Wood’s works.”