Arellano’s fascinating narrative combines history, cultural criticism, food writing, personal anecdotes, and Jesus on a tortilla. In seemingly every decade for over a century, America has tried new culinary trends from south of the border, loved them, and demanded the next big thing. As a result, Mexican food dominates American palates to the tune of billions of dollars in sales per year, from canned refried beans to tortilla wraps and ballpark nachos. It’s a little-known history, one that’s crept up on this country and left us better for it.

    Guided by Mendoza, M�rquez reveals - as transfigured in his work by the power of language - the heat and colour of the Spanish Caribbean, the mythological world of its inhabitants, the exotic mentality of its leaders.

    If Gabriel succeeds, he will get a bonus that would make him secure for life. Standing in his way are his headstrong mother, herself a survivor of Pinochet’s Chile, and Gabriel’s new love interest, the president’s passionate press liaison. Caught in a growing web of lies and questioning his own role in profiting from an impoverished people, Gabriel sets in motion a terrifying plan that could cost him the love of all those he holds dear.In the tradition of Martin Amis, Joshua Ferris, and Sam Lipsyte—set against the stunning mountainous backdrop of La Paz and interspersed with Bolivia’s sad history of stubborn survival—Peter Mountford examines the critical choices a young man makes as his world closes in on him.

    Misogyny, sexism, abusive fans, class and color blindness, and all-out racism were foes, especially for Gonzales, a Chicana and the only person of color in the band. Unlike touring rock bands before them, the unapologetically feminist Spitboy preferred Scrabble games between shows rather than sex and drugs, and they were not the angry manhaters that many expected them to be. Fully illustrated with rare photos and flyers from the punk rock underground, this fast-paced, first-person recollection is populated by scenesters and musical allies from the time including Econochrist, Paxston Quiggly, Neurosis, Los Crudos, Aaron Cometbus, Pete the Roadie, Green Day, Fugazi, and Kamala and the Karnivores.

    It’s about getting lost -- that is, it is about losing yourself in a place and a moment. The little things that tether you to what’s familiar are gone, and you become a conduit through which the sensation of the place is felt.” -- from the introduction by Susan OrleanThe twenty pieces in this year’s collection showcase the best travel writing from 2006. George Saunders travels to India to witness firsthand a fifteen-year-old boy who has been meditating motionless under a tree for months without food or water, and who many followers believe is the reincarnation of the Buddha. Matthew Power reveals trickle-down economics at work in a Philippine garbage dump. Jason Anthony describes the challenges of everyday life in Vostok, the coldest place on earth, where temperatures dip as low as minus-129 degrees and where, in midsummer, minus-20 degrees is considered a heat wave.David Halberstam, in one of his last published essays, recalls how an inauspicious Saigon restaurant changed the way he and other reporters in Vietnam saw the world. Ian Frazier analyzes why we get sick when traveling in out-of-the-way places. And Kevin Fedarko embarks on a drug-fueled journey in Djibouti, chewing psychotropic foliage in “the worst place on earth.”Closer to home, Steve Friedman profiles a 410-pound man who set out to walk cross-country to lose weight and find happiness. Rick Bass chases the elusive concept of the West in America, and Jonathan Stern takes a hilarious Lonely Planet approach to his small Manhattan apartment.A brief and awkward tour of the end of the Earth / Jason Anthony --Lost in space / Rick Bass --High in hell / Kevin Fedarko --A kielbasa too far / Ian Frazier --Lost in America / Steve Friedman --Long day's journey into dinner / Elizabeth Gilbert --Arieh / Reesa Grushka --The boys of Saigon / David Halberstam --Hutong Karma / Peter Hessler --Miles from nowhere / Edward Hoagland --Birth of a nation? / Ian Parker --The long way home / Nando Parrado --Do not disturb / Ann Patchett --The magic mountain / Matthew Power --Streets of sorrow / David Rakoff --The incredible Buddha boy / George Saunders --Brazil's untamed heart / Gary Shteyngart --Circle of fire / Andrew Solomon --The lonely planet guide to my apartment / Jonathan Stern --Fantasy Island / Cynthia Zarin

    His revised, in-depth account of the region reveals dynamic societies more concerned about corruption and climate change, the uncertainties of a Donald Trump-led United States, and a political cycle that, in many cases, is turning from left-wing populism to center-right governments. This essential new edition provides important insights into the sweeping changes that have occurred in Latin America in recent years and indicates priorities for the future.

    Rodrik takes globalization's cheerleaders to task, not for emphasizing economics over other values, but for practicing bad economics and ignoring the discipline's own nuances that should have called for caution. He makes a case for a pluralist world economy where nation-states retain sufficient autonomy to fashion their own social contracts and develop economic strategies tailored to their needs. Rather than calling for closed borders or defending protectionists, Rodrik shows how we can restore a sensible balance between national and global governance. Ranging over the recent experiences of advanced countries, the eurozone, and developing nations, Rodrik charts a way forward with new ideas about how to reconcile today's inequitable economic and technological trends with liberal democracy and social inclusion.

    ‘We may live in an era of globalization,’ he writes, ‘but much of the world is increasingly focused on limiting the free movement of people.’ In Violent Borders, Jones travels the border regions of the world, documenting the billions of dollars spent on border security projects, and their dire consequences for the majority of the people in the world. While the poor are restricted by the lottery of birth to slums and the aftershocks of decolonization, the wealthy travel freely, exploiting pools of cheap labour and lax environmental regulations. With the growth of borders and resource enclosures, argues Jones, the deaths of migrants in search of a better life are intimately connected to climate change, the growth of slums, and the persistence of global wealth inequality.

    This anomalous ecology mutated into a femicide machine: an apparatus that didn't just create the conditions for the murders of dozens of women and little girls, but developed the institutions that guarantee impunity for those crimes and even legalize them. A lawless city sponsored by a State in crisis. The facts speak for themselves. -- from "The Femicide Machine"Best known to American readers for his cameo appearances as The Journalist in Roberto Bolano's "2666" and as a literary detective in Javier Marias's nove "l Dark Back of Time," Sergio Gonzalez Rodriguez is one of Mexico's most important contemporary writers. He is the author of "Bones in the Desert," the most definitive work on the murders of women and girls in Juarez, Mexico, as well as "The Headless Man," a sharp meditation on the recurrent uses of symbolic violence; "Infectious," a novel; and "Original Evil, " a long essay. The "Femicide Machine" is the first book by Gonzalez Rodriguez to appear in English translation.Written especially for Semiotext(e) Intervention series, "The Femicide Machine" synthesizes Gonzalez Rodriguez's documentation of the Juarez crimes, his analysis of the unique urban conditions in which they take place, and a discussion of the terror techniques of narco-warfare that have spread to both sides of the border. The result is a gripping polemic. " The Femicide Machine" probes the anarchic confluence of global capital with corrupt national politics and displaced, transient labor, and introduces the work of one of Mexico's most eminent writers to American readers.

    Andrew strives for a better world through his life-saving work as a doctor. Heidi, a social worker, is in need of a challenge and a paycheck, and Ken is fresh from Harvard and brimful of idealism. As their stories interweave through the years, from Rwanda, Bosnia and Somalia to Haiti, the trio reveal a world of witnessed atrocities, primal fear, desperate loneliness and base desires. They fend off terror and futility with revelry, humour and sex; ask hard questions about the world order America has created, the true power of the UN, and whether there is any possibility for change.This is a startling celebration of the power of humour and friendship, of the limits of human compassion, and the need for a warm body and a cold beer during a Condition Echo lockdown. A book that shows the human cost of global politics and the tragic truth that wars are much more avoidable than our governments would ever admit. A brilliant, provocatively funny and fast moving book.

    For hundreds of years, Bulgarian Gypsies trained bears to dance, welcoming them into their families and taking them on the road to perform. In the early 2000s, with the fall of Communism, they were forced to release the bears into a wildlife refuge. But even today, whenever the bears see a human, they still get up on their hind legs to dance.In the tradition of Ryszard Kapuściński, award-winning Polish journalist Witold Szablowski uncovers remarkable stories of people throughout Eastern Europe and in Cuba who, like Bulgaria's dancing bears, are now free but who seem nostalgic for the time when they were not. His on-the-ground reporting--of smuggling a car into Ukraine, hitchhiking through Kosovo as it declares independence, arguing with Stalin-adoring tour guides at the Stalin Museum, sleeping in London's Victoria Station alongside a homeless woman from Poland, and giving taxi rides to Cubans fearing for the life of Fidel Castro--provides a fascinating portrait of social and economic upheaval and a lesson in the challenges of freedom and the seductions of authoritarian rule.

    Rempel tells the harrowing story of former Cali cartel insider Jorge Salcedo, an ordinary man facing an extraordinary dilemma—a man forced to risk everything to escape the powerful and treacherous Cali crime syndicate. Colombia in the 1990s is a country in chaos, as a weak government battles guerrilla movements and narco-traffickers, including the notorious Pablo Escobar and his rivals in the Cali cartel. Enter Jorge Salcedo, a part-time soldier, a gifted engineer, a respected businessman and family man—and a man who despises Pablo Escobar for patriotic and deeply personal reasons. He is introduced to the godfathers of the Cali cartel, who are at war with Escobar and desperately want their foe dead. With mixed feelings, Jorge agrees to help them. Once inside, Jorge rises to become head of security for Miguel Rodríguez Orejuela, principal godfather of the $7-billion-a-year Cali drug cartel. Jorge tries to turn a blind eye to the violence, corruption, and brutality that surround him, and he struggles privately to preserve his integrity even as he is drawn deeper into the web of cartel operations. Then comes an order from the godfathers that he can’t obey—but can’t refuse. Jorge realizes that his only way out is to bring down the biggest, richest crime syndicate of all time. Thus begins a heart-pumping roller-coaster ride of intensifying peril. Secretly aided by a pair of young American DEA agents, Jorge races time and cartel assassins to extract damaging evidence, help capture the fugitive godfather, and save the life of a witness targeted for murder. Through it all, death lurks a single misstep away.William C. Rempel is the only reporter with access to this story and to Jorge, who remains in hiding somewhere in the United States—even the author doesn’t know where—but has revealed his experience in gripping detail. Salcedo’s is the story of one extraordinary ordinary man forced to risk everything to end a nightmare of his own making.

    "They carry the military identity for life, not just through service in the reserves until age forty-nine . . . but through lifelong expectations of loyalty and secrecy." The military is the country to a great extent, and peace will only come, Tyler argues, when Israel's military elite adopt it as the national strategy.Fortress Israel is an epic portrayal of Israel's martial culture—of Sparta presenting itself as Athens. From Israel's founding in 1948, we see a leadership class engaged in an intense ideological struggle over whether to become the "light unto nations," as envisioned by the early Zionists, or to embrace an ideology of state militarism with the objective of expanding borders and exploiting the weaknesses of the Arabs. In his first decade as prime minister, David Ben-Gurion conceived of a militarized society, dominated by a powerful defense establishment and capable of defeating the Arabs in serial warfare over many decades. Bound by self-reliance and a stern resolve never to forget the Holocaust, Israel's military elite has prevailed in war but has also at times overpowered Israel's democracy. Tyler takes us inside the military culture of Moshe Dayan, Yitzhak Rabin, Ariel Sharon, and Benjamin Netanyahu, introducing us to generals who make decisions that trump those of elected leaders and who disdain diplomacy as appeasement or surrender.Fortress Israel shows us how this martial culture envelops every family. Israeli youth go through three years of compulsory military service after high school, and acceptance into elite commando units or air force squadrons brings lasting prestige and a network for life. So ingrained is the martial outlook and identity, Tyler argues, that Israelis are missing opportunities to make peace even when it is possible to do so. "The Zionist movement had survived the onslaught of world wars, the Holocaust, and clashes of ideology," writes Tyler, "but in the modern era of statehood, Israel seemed incapable of fielding a generation of leaders who could adapt to the times, who were dedicated to ending . . . [Israel's] isolation, or to changing the paradigm of military preeminence."Based on a vast array of sources, declassified documents, personal archives, and interviews across the spectrum of Israel's ruling class, Fortress Israel is a remarkable story of character, rivalry, conflict, and the competing impulses for war and for peace in the Middle East.

    They have saturated America and the world with cocaine. Here is the most complete and revealing investigative history of this infamous organization.

    Yet there is much more to the monarch than its distinctive presence and mythic journeying. In Monarchs and Milkweed, Anurag Agrawal presents a vivid investigation into how the monarch butterfly has evolved closely alongside the milkweed--a toxic plant named for the sticky white substance emitted when its leaves are damaged--and how this inextricable and intimate relationship has been like an arms race over the millennia, a battle of exploitation and defense between two fascinating species.The monarch life cycle begins each spring when it deposits eggs on milkweed leaves. But this dependency of monarchs on milkweeds as food is not reciprocated, and milkweeds do all they can to poison or thwart the young monarchs. Agrawal delves into major scientific discoveries, including his own pioneering research, and traces how plant poisons have not only shaped monarch-milkweed interactions but have also been culturally important for centuries. Agrawal presents current ideas regarding the recent decline in monarch populations, including habitat destruction, increased winter storms, and lack of milkweed--the last one a theory that the author rejects. He evaluates the current sustainability of monarchs and reveals a novel explanation for their plummeting numbers.Lavishly illustrated with more than eighty color photos and images, Monarchs and Milkweed takes readers on an unforgettable exploration of one of nature's most important and sophisticated evolutionary relationships.