Editor Alan Ryan includes a wide range of talents here, from Bram Stoker to Robert Bloch to Tanith Lee.Contents:"Fragment of a Novel" by George Gordon, Lord Byron "The Vampyre" by John Polidori "Varney the Vampyre, or, the Feast of Blood" [excerpt] by James Malcolm Rymer "The Mysterious Stranger" by Anonymous"Carmilla" by Sheridan Le Fanu"Good Lady Ducayne" by Mary Elizabeth Braddon "Dracula's Guest" by Bram Stoker "Luella Miller" by Mary E. Wilkins-Freeman "For the Blood is The Life" by F. Marion Crawford "The Transfer" by Algernon Blackwood "The Room in the Tower" by E.F. Benson "An Episode of Cathedral History" by M.R. James "A Rendevous in Averoigne" by Clark Ashton Smith "Shambleau" by C.L. Moore "Revelations in Black" by Carl Jacobi "School for the Unspeakable" by Manly Wade Wellman "Drifting Snow" by August Derleth "Over the River" by P. Schuyler Miller "The Girl with the Hungry Eyes" by Fritz Leiber "The Mindworm" by C.M. Kornbluth "Drink My Blood" by Richard Matheson "Place of Meeting" by Charles Beaumont "The Living Dead" by Robert Bloch "Pages from a Young Girl's Journal" by Robert Aikman "The Werewolf and the Vampire" by R. Chetwynd-Hayes "Love-Starved" by Charles L. Grant "Cabin 33" by Chelsea Quinn Yarbro "Unicorn Tapestry" by Suzy McKee Charnas "Following the Way" by Alan Ryan "The Sunshine Club" by Ramsey Campbell "The Men & Women of Rivendale" by Steve Rasnic Tem "Bite-Me-Not, or, Fleur de Feu" by Tanith Lee Also includes short appendices of vampire novels and movies.

    Perilous quests, true love, and animals that talk. The traditional stories of Ireland, Scotland, Brittany, and Wales transport us to the fantastical world of Celtic folklore. These timeless tales brim with wit and magic, and each on is brought to life with elegant silhouette art in this special illustrated edition.

    The stories are arranged in the order in which they were first published so they may be read in their proper sequence. A special section at the end of this volume contains 19 audiobooks from the Great Big Treasury of Beatrix Potter with their dramatic readings! Although each story stands on its own, several are linked together by events and characters. The following stories are included in this book: —"The Tale of Peter Rabbit" —"The Tale of Squirrel Nutkin" —"The Tailor of Gloucester" —"The Tale of Benjamin Bunny" —"The Tale of Mrs. Tiggy-Winkle" —"The Tale of Mr. Jeremy Fisher" —"The Story of a Fierce Bad Rabbit" —"The Story of Miss Moppet" —"The Tale of Tom Kitten" —"The Tale of Jemima Puddle-Duck" —"The Tale of the Flopsy Bunnies" —"The Tale of Mrs. Tittlemouse" —"Appley Dapply's Nursery Rhymes" —"The Tale of Johnny Town-Mouse" —"Cecily Parseley's Nursery Rhymes" —"The Pie and the Patty-Pan" —"The Roly-Poly Pudding" —"Ginger and Pickles" —"The Tale of Mr. Tod" —"The Tale of Pigling Bland" The world of Beatrix Potter is as appealing now as when it was first created at the turn of the twentieth century.

    In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. Here are tales both cautionary and hopeful, each brimming with Vonnegut's trademark humor and profound humanism. A family learns the downside of confiding their deepest secrets into a magical invention. A man finds himself in a Kafkaesque world of trouble after he runs afoul of the shady underworld boss who calls the shots in an upstate New York town. A quack psychiatrist turned "murder counselor" concocts a novel new outlet for his paranoid patients. While these stories reflect the anxieties of the postwar era that Vonnegut was so adept at capturing– and provide insight into the development of his early style–collectively, they have a timeless quality that makes them just as relevant today as when they were written. It's impossible to imagine any of these pieces flowing from the pen of another writer; each in its own way is unmistakably, quintessentially Vonnegut.Featuring a Foreword by author and longtime Vonnegut confidant Sidney Offit and illustrated with Vonnegut's characteristically insouciant line drawings, Look at the Birdie is an unexpected gift for readers who thought his unique voice had been stilled forever–and serves as a terrific introduction to his short fiction for anyone who has yet to experience his genius. Contents: Letter from Kurt Vonnegut, Jr., to Walter J. Miller, 1951. Confido F U B A R Shout About It from the Housetops Ed Luby's Key Club A Song for Selma Hall of Mirrors The Nice Little People Hello, Red Little Drops of Water The Petrified Ants The Honor of a Newsboy Look at the Birdie King and Queen of the Universe The Good Explainer

    LovecraftActor, journalist, devotee of Celtic Christianity and the Holy Grail legend, Welshman Arthur Machen is considered one of the fathers of weird fiction, a master of mayhem whose work has drawn comparisons to H. P. Lovecraft and Edgar Allan Poe. Readers will find the perfect introduction to his style in this new collection. With the title story, an exercise in the bizarre that leaves the reader disoriented virtually from the first page, Machen turns even fundamental truths upside down. "There have been those who have sounded the very depths of sin," explains the character Ambrose, "who all their lives have never done an 'ill deed.'"

    Harris was a journalist in post-Reconstruction Atlanta, and he produced seven Uncle Remus books. He wrote these stories to represent the struggle in the Southern United States, and more specifically in the plantations. He did so by introducing tales that he had heard and framing them in the plantation context. He wrote his stories in a dialect which represented the voice of the narrators and their subculture. For this choice of framing, his collection has encountered controversy.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    It is this loss of faith, together with his vulnerability and disequilibrium, his pronounced sense of evil, his desperate challenge to established values and beliefs, that carries Kleist more forcefully than Goethe or Schiller across the gap between the eighteenth century and today.

    Now penniless and banished to a room in the attic, Sara is demeaned, abused, and forced to work as a servant. How this resourceful girl's fortunes change again is at the center of A Little Princess, one of the best-loved stories in all of children's literature. This unique and fully annotated edition appends excerpts from Frances Hodgson Burnett's original 1888 novella Sara Crewe and the stage play that preceded the novel, as well as an early story, "Behind the White Brick," allowing readers to see how A Little Princess evolved. In his delightful introduction, U. C. Knoepflmacher considers the fairy-tale allusions and literary touchstones that place the book among the major works of Victorian literature, and shows it to be an exceptionally rich and resonant novel.

    Wealthy cannibals who dine on the discarded limbs of peculiars. A fork-tongued princess. The origins of the first ymbryne. These are but a few of the truly brilliant stories in Tales of the Peculiar—known to hide information about the peculiar world—first introduced by Ransom Riggs in his Miss Peregrine’s Peculiar Children series.Riggs now invites you to share his secrets of peculiar history, with a collection of original stories, as collected and annotated by Millard Nullings, ward of Miss Peregrine and scholar of all things peculiar.

    When Heidi goes to Frankfurt to work in a wealthy household, she dreams of returning to the mountains and meadows, her friend Peter, and her beloved grandfather.

    Widely regarded as a masterpiece of 19th century stories for children. Includes four black and white illustrations by Maria L. Kirk. Suitable for ages 8 and up.

    With bitter sarcasm, he describes his refusal to become a worker in the ‘ant-hill’ of society and his gradual withdrawal to an existence ‘underground’. The seemingly ordinary world of St Petersburg takes on a nightmarish quality in The Double when a government clerk encounters a man who exactly resembles him – his double perhaps, or possibly the darker side of his own personality. Like Notes from Underground, this is a masterly study of human consciousness.Jessie Coulson’s introduction discusses the stories’ critical reception and the themes they share with Dostoyevksy’s great novels.

    But this great novelist began and ended his writing career as a poet. In-between, he wrote a number of books that many readers find emotionally-wrenching, but which are considered among the classics of 19th Century British literature, including Far from the Madding Crowd, and Tess of the D'Urbervilles. Readers will experience Hardy's uncompromising, unsentimental realism in Wessex Tales, and for those seeking a taste of the Dorset poet and novelist, they represent an ideal start.

    His sense of isolation lies at the heart of these later works. "Billy Budd, Sailor," a classic confrontation between good and evil, is the story of an innocent young man unable to defend himself against a wrongful accusation. The other selections here--"Bartleby," "The Encantadas," "Benito Cereno," and "The Piazza"--also illuminate, in varying guises, the way fictions are created and shared with a wider society.In his introduction Frederick Busch discusses Melville's preoccupation with his "correspondence with the world," his quarrel with silence, and why fiction was, for Melville,"a matter of life and death."Bartleby --The piazza --The Encantadas --The bell-tower --Benito Cereno --The paradise of bachelors and the tartarus of maids --Billy Budd, sailor.