Even as he grounded his narratives in the intimate daily life of Germany, Broch was identifying the oceanic changes that would shortly sweep that life into the abyss.Whether he is writing about a neurotic army officer The Romantic, a disgruntled bookkeeper and would-be assassin The Anarchist, or an opportunistic war-deserter The Realist, Broch immerses himself in the twists of his characters psyches, and at the same time soars above them, to produce a prophetic portrait of a world tormented by its loss of faith, morals, and reason.

    That was what he said, standing at the door to the cabin where I was spending the summer with my father. I was fifteen. It was 1948 and one of the first days of July.Trond’s friend Jon often appeared at his doorstep with an adventure in mind for the two of them. But this morning would turn out to be different. What began as a joy ride on “borrowed” horses ends with Jon falling into a strange trance of grief. Trond soon learns what befell Jon earlier that day—an incident that marks the beginning of a series of vital losses for both boys. Set in the easternmost region of Norway, Out Stealing Horses begins with an ending. Sixty-seven-year-old Trond has settled into a rustic cabin in an isolated area to live the rest of his life with a quiet deliberation. A meeting with his only neighbor, however, forces him to reflect on that fateful summer.

    Mary is a gripping tale of youth, first love, and nostalgia--Nabokov's first novel.  In a Berlin rooming house filled with an assortment of seriocomic Russian émigrés, Lev Ganin, a vigorous young officer poised between his past and his future, relives his first love affair.  His memories of Mary are suffused with the freshness of youth and the idyllic ambience of pre-revolutionary Russia.  In stark contrast is the decidedly unappealing boarder living in the room next to Ganin's, who, he discovers, is Mary's husband, temporarily separated from her by the Revolution but expecting her imminent arrival from Russia.

    The trouble began in Venice ...'Mihály has dreamt of Italy all his life. When he finally travels there on his honeymoon with wife Erszi, he soon abandon her in order to find himself, haunted by old friends from his turbulent teenage days: beautiful, kind Tamas, brash and wicked Janos, and the sexless yet unforgettable Eva. Journeying from Venice to Ravenna, Florence and Rome, Mihály loses himself in Venetian back alleys and in the Tuscan and Umbrian countryside, driven by an irresistible desire to resurrect his lost youth among Hungary's Bright Young Things, and knowing that he must soon decide whether to return to the ambiguous promise of a placid adult life, or allow himself to be seduced into a life of scandalous adventure.Journey by Moonlight (Utas és Holdvilág) is an undoubted masterpiece of Modernist literature, a darkly comic novel cut through by sex and death, which traces the effects of a socially and sexually claustrophobic world on the life of one man.Translated from the Hungarian by the renowned and award-winning Len Rix, Antal Szerb's Journey by Moonlight (first published as Utas és Holdvilág in Hungary in 1937) is the consummate European novel of the inter-war period.

    Our hero tells of his childhood: his passion for hunting, his love of the wild landscape of Romania, his ridiculous social snobbery. He leads us through his youth, and between fantastic and colourful stories of Bucharest in the late twenties and early thirties, he dissects his own complicated, at times agonizing, development as a moral creature. We are with him as the Nazis take over Austria; as his own anti-semitism - already such a mixture of belief, caprice, and compromise - is shaken to its core. And later on we meet him as a much older man, one haunted by his own protean character, by the beautiful but tragic web of memories and events that together form his history, and by the greatest love of his life, a beautiful Jewess.

    In The Captive, Proust’s narrator describes living in his mother’s Paris apartment with his lover, Albertine, and subsequently falling out of love with her. In The Fugitive, the narrator loses Albertine forever. Rich with irony, The Captive and The Fugitive inspire meditations on desire, sexual love, music, and the art of introspection. For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).

    was first published in East Germany in 1968, there was an immediate storm: bookshops in East Berlin were given instructions to sell it only to well-known customers professionally involved in literary matters; at the annual meeting of East German Writers Conference, Mrs Wolf's new book was condemmed. Yet the novel has nothing explicitly to do with politics.Praise for The Quest for Christa T.On the surface we merely have the story of a sensitive woman as recalled by her friend. On this level Christa T. was a good citizen who did as she was told and lived a seemingly unexceptional life. But between the lines lies the real story of Christa T. -- the story of an individual crushed by the pressures of uniformity. If you bear in mind it is the first novel of any consequence to emerge from Ulbricht's East Germany, then it becomes something of a literary landmark. - John Barkman, New York PostThe contours of silence and the outline of things articulately left unsaid loom large in the muted brilliance of this novel. - Ernst Pawek, The New York Review of BooksIt is a courageous book that breaks taboos and, as we have come to expect from Christa Wolf, it is infused with an integrity and a deep moral concern. . . - The (London) Times Literary Supplement

    Trapped, he knows that Hitler has already lost the war ... yet he is suddenly galvanised by the thought that he is on the way to his death.As the train hurtles on, he riffs through prayers and memories, talks with other soldiers about what they've been through, and gazes desperately out the window at his country racing away. With mounting suspense, Andreas is gripped by one thought over all: Is there a way to defy his fate?

    When she discovers that her seventeen-year-old daughter, "stupid Sulfia," is pregnant by an unknown man she does everything to thwart the pregnancy, employing a variety of folkloric home remedies. But despite her best efforts the baby, Aminat, is born nine months later at Soviet Birthing Center Number 134. Much to Rosa's surprise and delight, dark eyed Aminat is a Tartar through and through and instantly becomes the apple of her grandmother's eye. While her good for nothing husband Kalganow spends his days feeding pigeons and contemplating death at the city park, Rosa wages an epic struggle to wrestle Aminat away from Sulfia, whom she considers a woefully inept mother. When Aminat, now a wild and willful teenager, catches the eye of a sleazy German cookbook writer researching Tartar cuisine, Rosa is quick to broker a deal that will guarantee all three women a passage out of the Soviet Union. But as soon as they are settled in the West, the uproariously dysfunctional ties that bind mother, daughter and grandmother begin to fray.Told with sly humor and an anthropologist's eye for detail, The Hottest Dishes of the Tartar Cuisine is the story of three unforgettable women whose destinies are tangled up in a family dynamic that is at turns hilarious and tragic. In her new novel, Russian-born Alina Bronsky gives readers a moving portrait of the devious limits of the will to survive.

    After a lifetime, her only real accomplishment is her longevity: everyone she reads about in the obituaries has died younger than she is now. Afraid that her life will be over before anyone knows that she lived, Mathea digs out her old wedding dress, bakes some sweet cakes, and heads out into the world—to make her mark. She buries a time capsule out in the yard. (It gets dug up to make room for a flagpole.) She wears her late husband’s watch and hopes people will ask her for the time. (They never do.) Is it really possible for a woman to disappear so completely that the world won’t notice her passing? The Faster I Walk, the Smaller I Am is a macabre twist on the notion that life “must be lived to the fullest.”

    And her father’s wisdom and empathy are as unusual as his despised profession. It is 1659, the Thirty Years’ War has finally ended, and there hasn’t been a witchcraft mania in decades. But now, a drowning and gruesomely injured boy, tattooed with the mark of a witch, is pulled from a river and the villagers suspect the local midwife, Martha Stechlin.Jakob Kuisl is charged with extracting a confession from her and torturing her until he gets one. Convinced she is innocent, he, Magdalena, and her would-be suitor race against the clock to find the true killer. Approaching Walpurgisnacht, when witches are believed to dance in the forest and mate with the devil, another tattooed orphan is found dead and the town becomes frenzied. More than one person has spotted what looks like the devil—a man with a hand made only of bones. The hangman, his daughter, and the doctor’s son face a terrifying and very real enemy.Page Numbers Source ISBN: 054774501X

    So he comes up with a foolproof plan: to buy a one-way ticket to a chaotic, war-ravaged country and put an end to it all.But on arriving at Hotel Silence, he finds his plans – and his anonymity – begin to dissolve under the foreign sun. Now there are other things that need his attention, like the crumbling hotel itself, the staff who run it, and his unusual fellow guests. And soon it becomes clear that Jónas must decide whether he really wants to leave it all behind; or give life a second chance, albeit down a must unexpected path…Hotel Silence won the Icelandic Literary Prize 2016 and was chosen Best Icelandic Novel in 2016 by booksellers in Iceland.

    This novella, first published in 1947 and now translated into English for the first time, shows Hans Keilson at his best: deeply ironic, penetrating, sympathetic, and brilliantly modern, an heir to Joseph Roth and Franz Kafka. In 2008, when Keilson received Germany’s prestigious Welt Literature Prize, the citation praised his work for exploring “the destructive impulse at work in the twentieth century, down to its deepest psychological and spiritual ramifications.” Published to celebrate Keilson’s hundredth birthday, Comedy in a Minor Key — and The Death of the Adversary, reissued in paperback — will introduce American readers to a forgotten classic author, a witness to World War II and a sophisticated storyteller whose books remain as fresh as when they first came to light.

    

    In the process of compacting, he has acquired an education so unwitting he can't quite tell which of his thoughts are his own and which come from his books. He has rescued many from jaws of hydraulic press and now his house is filled to the rooftops. Destroyer of the written word, he is also its perpetrator.But when a new automatic press makes his job redundant there's only one thing he can do - go down with his ship.This is an eccentric romp celebrating the indestructability- against censorship, political opression etc - of the written word.