These newspaper comics were stand-alone funny in their time and, almost always, topical and thought provoking. The world of these lovable characters carried the flavor of the times in which they were penned and offered commentary on many of the political happenings - greed, political faux pas, scandals, sloth, feminism, racism and the pitfalls of love and having a tender heart were all fair game for this artist.

    Then in "Barbecue Blunder," sometimes it's fun to reminisce about picnics gone by!

    And boy does he make his first appearance count. --The Bob and Tom Radio ShowNominated by the National Cartoonist Society as Best Comic Strip, Jef Mallett's Frazz follows the life of Bryson Elementary School janitor and hit-songwriting-wonder Edwin Frazier. An all-round Renaissance man, role model, and friend rolled into one, Frazz feels as comfortable philosophizing with the students as he is with the teachers and principal.Always placing an emphasis on the importance of seizing opportunities to learn and grow, Frazz is a family favorite and multiple-year recipient of the Wilbur Award from the Religion Communicators Council for excellence in communicating values and ethics.

    The lead character in most is Bitchy Bitch, the perma-nently PMS'd and PO'd embodiment of the female id, who also stars in her own series of cartoon shorts on the Oxygen Network's X-Chromosome animated series.The raunchiest collection, focusing on Bitchy's sexual excapades.

    This applies appropriately to PINKI, the five year old little girl, who is often seen carrying her pet Kut-Kut, the squirrel. This strip was created by cartoonist Pran in 1978. The series became a tremendous hit in short period. Soon the hilarious encounters of PINKI started appearing in Punjab Kesari, JagBani, Hind Samachar, Sandhaya Times, Mayura, Lot Pot and several other newspapers. M/s Diamond Comics Pvt. Ltd. New Delhi, have compiled it into book forms in ten languages. Many manufactures have used this character on their children goods to promote the sales. The whole neighbourhood of Pinki is scared of menace of her doings. She wants to help uncle Jhapatji busy painting the furniture. "If you want to help me, go away!" He screms. Other characters in the series are, Champu, Bhiku, Didi, Principal Tasmut, PINKI'S parent and grand parents.

    A selection from Creature Comforts.

    But surely you can't eat pizza all day long? Read this book and find out ! This book is a funny, silly rhyming picture book for children, A wonderful rhyming children's book for early readers ages 2-8 and jam packed with lots of kids humor !

    Cannon's internationally popular strip features a disturbing and sidesplitting cast of characters that includes latex-clad fathers, sadistic milkmen, vomiting robots, malformed neighbors, incontinent interdimensional beings, decomposing clowns, and dozens of other bizarre Red Meat denziens who will keep you laughing until it hurts. Pure Gold!

    Perfectly Clear brings back into print stories that Hornschemeier published prior to his Three Paradoxes Fantagraphics debut from a variety of sources—his own self-published Forlorn Funnies, as well as strips that originally appeared in independent magazines and papers—none of which has been available to the book trade.The book is designed as a "flip book" in the tradition of the old Ace paperbacks, with one side featuring comedic work (or as comedic as Hornschemeier's mind allows), and the other decidedly more morose. With almost every page, we see a new style, a new direction; with the resultant effect being that of an anthology by creators of vastly contrasting sensibilities.On the "funny" menu, we are treated to Dr. Rodentia (an unfortunate-looking fellow with only apathy as his weapon), a detailed artist's catalogue exploring such modern masterpieces as "Accidental Late-Night Sex With a Radiator," musings on the cancerous nature of civilization as observed by a deceased cat and a cotton-based airbus, the scatological "Feelings Check," the ever pathetic Vanderbilt Millions and his fantasies of self-worth, and the multi-narrative story that started the Forlorn Funnies comics series: "The Men and Women of the Television."Clearly, there is a fine line in the Hornschemeier lexicon between funny and morose.On our "forlorn" plate we are served the cold examination of the dyslexic narcoleptic and his bungled plans of murder, a sea creature's balancing of morality and sustenance, the Western romance "Wanted," a metal man's self-destructive search for meaning, and the story the alternative website Ain't It Cool News describes as delivering "a complicated mixture of disgust and pity."Let Us Be Perfectly Clear demonstrates Paul Hornschemeier's versatility and breadth in an elegantly produced book that will appeal to connoisseurs of contemporary, cutting-edge cartoons and graphic novels.

    It chronicles the adventures of Skeeve, a hapless apprentice magician, and his demonic teacher, Aahz, who has been stripped of his powers, as they battle with an insane wizard who is determined to drain the world of magic. Long out of print, this fantasy classic is fondly remembered by and greatly sought after by a wide audience of comics fans, gamers and fantasy readers. It was also the first professional comics work by both Phil Foglio and his inker, Tim Sale. Also available in a hardcover edition (ISBN-13: 978-1-8908-5643-4).

    An anthology of cartoons from the syndicated comic strip, "Bloom County" encompasses highlights from the five-year span of the strip.

    You might know Al from his zines Burn Collector and Natural Disasters or from the band Milemarker or his so-true-it-kicks-your-face-off column in Punk Planet. This, however, is Al's collection of comics published in the late '90s by designer and fellow zinester Ian Lyman. From Portland to Providence, Al patrols his world with a dark, stoic humor. He's a Saul Bellow-ian everyman, up against the wall, suffering the blows, looking for love and loving the metal. Like Al's latest issue of Burn Collector, the comic-heavy #14, the drawing here is simple but it's the kind of simple that doesn't come with beginner's luck. The stuff here is the result of years of fighting and trouble-making, of mistakes made and a life scratched out among the sticks and stones. As says Al, "These are things drawn on napkins in airports, xeroxed illicitly during work." So goes the work and world of Al Burian.

    Join creator Dan Mendoza for the all new adventures of the cult hit series featuring his undead anti-hero, Zombie Tramp, now brought to life by the amazing talents of new superstar artist, TMChu.It's kinky supernatural fun as Zombie Tramp hits the road, starting in... Sin City of course!

    Sometimes it takes Europeans to make gold of tuckered-out American tropes.Add to those instances of inspired global cross-pollination the Spanish cartoonist Martí’s eye-popping The Cabbie, which spins off Martin Scorsese’s sordid urban-justice drama Taxi Driver with a graphic style that unapologetically appropriates and even refines the brutal slabs of black, squashed perspectives, and grotesque approach to human physiognomy (and its ability to withstand punishment) that define Chester Gould’s Dick Tracy.And as Art Spiegelman (who was the first to publish Martí’s work in English, in RAW magazine) notes in his introduction, while “Gould’s graphic black and white precision and his diagrammatic clarity live on in Martí’s work,” he points out that “more interestingly, perhaps, so does Gould’s depravity.” Indeed, if anything, The Cabbie is even more savage than the legendarily brutal Dick Tracy, with its pimps, whores, petty thieves, corrupt businessmen, all swirling around the ingenuously violent “Cabbie” whose self-administered “upstanding citizen” status entitles him — in his view — to even more shocking acts of violence — especially on his quest for the stolen coffin of his father, which he’s told includes his entire inheritance!

    Liv­ing in the same tenement as Emile are Boreal Rince, the exiled king of Outer Canthus, and Elijah Salamis, a supranationalist determined to erase the cultural and geographic boundaries that separate the citizens of the Earth. Although they rarely meet, their lives in­tertwine through the elaborate fictions they construct and inhabit: a vast panorama of humane hamburger stands, exquisitely ethereal ethnic restaurants, ancient restroom ruins, and wild tracts of land that fit neatly next to high-rise hotels. The Cardboard Valise is a graphic novel as travelogue; a canvas of semi-surrealism; and a poetic, whimsical, beguiling work of Ben Katchor’s dazzling imagination.