A face-off between a man and a boy. The same blood runs through their veins. One, Daniele Mallarico, is a successful illustrator at the peak of his career. The other, Mario, is his four-year-old grandson who has barely learned to talk but has a few tricks up his loose-fitting sleeves all the same. The older combatant has lived for years in almost complete solitude. The younger one has been dumped with a grandfather he barely knows for 72 hours. Starnone’s sharp novella unfolds within the four walls (and a balcony!) of the apartment where the grandfather grew up, now the home of his daughter and her family, where the rage of an aging man meets optimism incarnate in the shape of a four-year-old child. Lurking, ever present in the conflict, is the memory of Naples, a wily, violent, and passionate city where the old man spent his youth and whose influence is not easily shaken.

    Set against the political upheavals of Italy in the 1860s, it focuses on Don Fabrizio, a Sicilian prince of immense sensual appetites, wealth, and great personal magnetism. Around this powerful figure swirls a glittering array of characters: a Bourbon king, liberals and pseudo liberals, peasants and millionaires.

    Their lives are shaped by hunger, theft, betrayal, and prostitution, and they celebrate their triumphs with brutal abandon and die bleak deaths. This harsh world is portrayed with an understanding that humanity and even humor can exist amidst a hard and amoral society. A novel that caused a scandal upon its first publication more than 50 years ago, this new translation eloquently captures the gritty Roman slang of the Italian original and tells a story that still resonates powerfully to this day.

    Giovanna, he says, looks more like her Aunt Vittoria every day. But can it be true? Is she really changing? Is she turning into her Aunt Vittoria, a woman she hardly knows but whom her mother and father clearly despise? Surely there is a mirror somewhere in which she can see herself as she truly is.Giovanna is searching for her reflection in two kindred cities that fear and detest one another: Naples of the heights, which assumes a mask of refinement, and Naples of the depths, a place of excess and vulgarity. She moves from one to the other in search of the truth, but neither city seems to offer answers or escape.Named one of 2016’s most influential people by TIME Magazine and frequently touted as a future Nobel Prize-winner, Elena Ferrante has become one of the world’s most read and beloved writers. With this new novel about the transition from childhood to adolescence to adulthood, Ferrante proves once again that she deserves her many accolades. In The Lying Life of Adults,/i>, readers will discover another gripping, highly addictive, and totally unforgettable Neapolitan story.

    Across the chessboard of Europe, from the German plains to the flourishing Dutch cities and down to Venice, the gateway to the East, our hero, a 'Survivor', a radical Protestant Anabaptist who goes under many names, and his enemy, a loyal papal spy and heretic hunter known mysteriously as "Q" play a game in which no moves are forbidden and the true size of the stakes remain hidden until the end. What begins as a personal struggle to reveal each other's identity becomes a mission that can only end in death.

    When she’s called to investigate a gruesome murder near a mountainside town, she’s paired with a young male inspector she’s not sure she trusts. But she has no choice—in this remote town full of secrets, eerie folktales and primal instincts, the killer seems drawn to a group of local children, who may be in grave danger.As Teresa inches closer to the truth, she must confront the possibility that her faculties, no longer what they once were, may fail her before the chase is over.

    Roux, the narrator, is in pursuit of a mysterious friend named Xavier. His search, which develops into a quest, takes him from town to town across the subcontinent.

    Forced to flee, they are then cruelly separated, and must face many dangers including plague, famine and imprisonment, and confront a variety of strange characters—the mysterious Nun of Monza, the fiery Father Cristoforo and the sinister “Unnamed”—in their struggle to be reunited. A vigorous portrayal of enduring passion, The Betrothed‘s exploration of love, power, and faith presents a whirling panorama of seventeenth-century Italian life and is one of the greatest European historical novels.“The 19th-century Italian literary classic renowned for its vivid descriptions of the 1630 pestilence that gutted Milan.” —The New York Times“Compulsory reading for Italian high school students, The Betrothed gives a historically accurate account of the bubonic plague that wiped out a quarter of Milan’s population in 1629-1631.” —Politico“This is not just a book; it offers consolation to the whole of humanity.” —Giuseppe Verdi

    Her life has been characterized by honor and fierce passion, and above all by an abiding search for perfect love that has spanned much of the twentieth century. Ever in the background of this remarkable woman's story is the stunning Sardinian landscape, the deep blues of the Mediterranean, the rugged mountains of the Sardinian back-country dotted with charming villages lost in time.With warmth, great humor, and deep insight Milena Agus writes about the customs and the beauty of her native Sardinia, about love, family, immigration, war, and peace. From the Land of the Moon is the moving English debut of one of Italy s most important new literary talents.

    The stories are told in a country villa outside the city of Florence by ten young noble men and women who are seeking to escape the ravages of the plague. Boccaccio's skill as a dramatist is masterfully displayed in these vivid portraits of people from all stations in life, with plots that revel in a bewildering variety of human reactions.Translated with an Introduction and Notes by G. H. McWilliam

    A few months ago, in the dead of night, her husband, an up-and-coming journalist, plunged to his death at the top of a high-rise construction site. The police ruled it an accident. Sanda is convinced it was anything but.Launching her own inquiries, Sanda finds herself on a dangerous trail, working the same case that she is convinced led to her husband's murder. An investigation which is deeply entwined with a series of disappearances that has swept the city, and brings Sandra ever closer to a centuries-old secret society that will do anything to stay in the shadows.

    As Marco tells the khan about Armilla, which "has nothing that makes it seem a city, except the water pipes that rise vertically where the houses should be and spread out horizontally where the floors should be," the spider-web city of Octavia, and other marvelous burgs, it may be that he is creating them all out of his imagination, or perhaps he is recreating fine details of his native Venice over and over again, or perhaps he is simply recounting some of the myriad possible forms a city might take.

    The Doge rules with an iron fist and the Holy Office harbors suspicions about everything and everyone. Even the walls have eyes. The Republic of Venice watches and listens, then passes judgment swiftly and definitively.In a city where everyone is assumed guilty of something, a young stonemason by the name of Michele has been accused of a crime he didn’t commit. Afraid for his life, he flees the city aboard a galley carrying gold coin, leaving behind his young wife, Bianca. Banished from his home, Michele embarks on a series of extraordinary adventures as the ship he travels on stops in every port and on every island of the Mediterranean. In order to survive this once naïve and immature boy must fast become a man, one possessed of cunning, courage and fortitude.Bianca remains alone in the cruel and treacherous Venice. She faces challenges that are, if anything, even more difficult than those of Michele, and will encounter all the terrors and mysteries that the labyrinthine city holds in its blind alleys and narrow passageways. And she, like Michele, will discover in herself a tenacious and indestructible will to survive.Land and sea, East and West, the arrogance of power and the indestructible pride of the poor and dispossessed. Two lives and one all embracing love. As richly imagined as Orhan Pamuk’s The White Castle, The Eyes of Venice is a grand and gripping tale of love and adventure that will also appeal to fans of the historical novels of Umberto Eco and Susan Dunant.

    He and his partner, Mike, made a reality show about roadies that skyrocketed them to fame. But now Salinger’s left that all behind, to move with his wife, Annelise, and young daughter, Clara, to the remote part of Italy where Annelise grew up—the Alto Adige. Nestled in the Dolomites, this breathtaking, rural region that was once part of the Austro-Hungarian Empire remains more Austro than Italian. Locals speak a strange, ancient dialect—Ladino—and root for Germany (against Italy) in the world cup. Annelise’s small town—Siebenhoch—is close-knit to say the least and does not take kindly to out-of-towners. When Salinger decides to make a documentary about the mountain rescue group, the mission goes horribly awry, leaving him the only survivor. He blames himself, and so—it seems—does everyone else in Siebenhoch. Spiraling into a deep depression, he begins having terrible, recurrent nightmares. Only his little girl Clara can put a smile on his face. But when he takes Clara to the Bletterbach Gorge—a canyon rich in fossil remains—he accidentally overhears a conversation that gives his life renewed focus. In 1985, three students were murdered there, their bodies savaged, limbs severed and strewn by a killer who was never found. Although Salinger knows this is a tightlipped community, one where he is definitely persona non grata, he becomes obsessed with solving this mystery and is convinced it is all that can keep him sane. And as Salinger unearths the long kept secrets of this small town, one by one, the terrifying truth is eventually revealed about the horrifying crime that marked an entire village.

    “Over there!” he cries to his brother, Carlo, sunning beside him. “Over there!”So begins the adventure that will tear a hole in Pietro’s life. For while he and his brother struggle to save two drowning swimmers, a tragedy is unfolding down the road at his summer cottage. Instead of coming home to a hero’s welcome, Pietro is greeted by the flashing lights of an ambulance, the wide-eyed stare of his young daughter, Claudia, and the terrible news that his fiancée, Lara, is dead.Life must go on. Or does it? Pietro, a true iconoclast, has to find his own way. When he drops Claudia off for the first day of school, he decides to wait outside for her all day, and then every day. To protect her. To protect himself. To wait for the heavy fist of grief to strike. But as the days and weeks go by, the small parking lot in front of the school becomes his refuge from the world as well as the place where family and colleagues come to relieve their own suffering—among them, the woman he rescued from the waves. And Pietro plunges deeper into the depths of his life before seeing the simple truth before his eyes.Sandro Veronesi makes art of every detail, creating a mosaic of humor, hope,profound insight, and emotional resonance. Quiet Chaos is an unprecedented portrayal of a life set adrift by death.