Urzila talks candidly about her childhood with a great family, apart from her abusive dad, and about growing up in South Africa. She shares crazy but true tales about her OE, her move to New Zealand, coming out, getting married and having children, and her life in comedy. This is a great listen from one of our most loved and most popular comedians.

    In this memoir, George Hamilton shares his life story, from growing up with an elitist but broke mother who shipped him to boarding schools and boyfriends' homes, to having an MGM contract that launched his five-decade long acting career.

     The pianist Leon  Fleisher—whose student–teacher lineage linked him to Beethoven by way of his instructor, Artur Schnabel—displayed an exceptional gift from his earliest years. And then, like the hero of a Greek tragedy, he was struck down in his prime: at thirty-six years old, he suddenly and mysteri­ously became unable to use two fingers of his right hand. It is not just Fleisher’s thirty-year search for a cure that drives this remarkable memoir. With his coauthor, celebrated music critic Anne Midgette, the pianist explores the depression that engulfed him as his condition worsened and, perhaps most powerfully of all, the sheer love of music that rescued him from complete self-destruction. Miraculously, at the age of sixty-six, Fleisher was diagnosed with focal dystonia, and cured by experimental Botox injections. In 2003, he returned to Carnegie Hall to give his first two-handed recital in over three decades, bringing down the house. Sad, reflective, but ultimately triumphant, My Nine Lives com­bines the glamour, pathos, and courage of Fleisher’s life with real musical and intellectual substance. Fleisher embodies the resilience of the human spirit, and his memoir proves that true passion always finds a way.

    If there was a sport to play, a party to throw, a celebrity to amaze, a fireworks display to ignite, Plimpton was front and center hurling the pitch, popping the corks, lighting the fuse. And then, of course, writing about it with incomparable zest and style. His books made him a legend. The Paris Review, the magazine he founded and edited, won him a throne in literary heaven. Somehow, in the midst of his self-generated cyclones, Plimpton managed to toss off dazzling essays, profiles, and New Yorker “Talk of the Town” pieces. This delightful volume collects the very best of Plimpton’s inspired brief “excursions.”Whether he was escorting Hunter Thompson to the Fear and Loathing movie premiere in New York or tracking down the California man who launched himself into the upper atmosphere with nothing but a lawn chair and a bunch of weather balloons, Plimpton had a rare knack for finding stories where no one else thought to look. Who but Plimpton would turn up in Las Vegas, notebook in hand, for the annual porn movie awards gala?Among the many gems collected here are accounts of helping Jackie Kennedy plan an unforgettable children’s birthday party, the time he improvised his way through amateur night at Harlem’s famed Apollo Theater, and how he managed to get himself kicked out of Exeter just weeks before graduation.The grand master of what he called “participatory journalism,” George Plimpton followed his bent and his genius down the most unbelievable rabbit holes–but he always came up smiling. This exemplary, utterly captivating volume is a fitting tribute to one of the great literary lives of our time.From the Hardcover edition.

    Along the way, a whole sideshow troupe began to sprout, and the Jim Rose Circus Sideshow received national attention from the likes of Time, Newsweek, Rolling Stone and Howard Stern. With extraordinary photos, this is a ringside seat at the most astounding circus in the world.

    Author of the popular momsieblog.com, she leads and presents workshops on both writing and addiction, with a special emphasis on being a woman in recovery while parenting young children.

    Broccoli’s Eon Productions has navigated the ups and downs of the volatile British film industry, enduring both critical wrath and acclaim in equal measure for its now legendary James Bond series. Latterly, this family-run business has been crowned with box office gold and recognized by motion picture academies around the world. However, it has not always been smooth sailing. Changing tax regimes forced 007 to relocate to France and Mexico; changing fashions and politics led to box office disappointments; and changing studio regimes and business disputes all but killed the franchise while the rise of competing action heroes displaced Bond’s place in popular culture. But against all odds the filmmakers continue to wring new life from the series, and 2012’s Skyfall saw both huge critical and commercial success, crowning 007 as the undisputed king of the action genre. Some Kind of Hero recounts this remarkable story, from its origins in the early 1960s right through to the present day, and draws on hundreds of unpublished interviews with the cast and crew of this iconic series.

    In the 1950s he was one of the few American filmmakers, with Paths of Glory, to achieve the gravitas of European cinema. To 1960s audiences he was the man who made Dr. Strangelove, the influential anti-war movie, and the counterculture favorite 2001: A Space Odyssey. In the 1970s he created his hymn to urban violence, A Clockwork Orange, and in the 1980s distilled the nature of private madness and collective insanity in The Shining and Full Metal Jacket.Yet little is still known of the man and the influence exerted by his private life on his public art. Born in the Bronx, Kubrick has lived since 1961 in seclusion in rural England. From in-depth interviews with a range of people who have known the man best, from his childhood to the present, John Baxter has extracted the most complete account available of Kubrick's life: the conflicts with partners and stars, the failure to make Napoleon, the failed marriages and broken friendships, the use and abuse of writers and other creative collaborators.Kubrick emerges from this detailed and complex telling as a man both sensitive and ruthless, petulant and generous: a man who adulates reason but whose films reflect the wildest excesses of passion and who, above all, has dared to live life on his terms, whatever the price.

    Revolinski relates in candid style his encounters in a foreign culture, all told with an open mind and a sense of humor. An enjoyable read for anyone who has spent time in Turkey or who plans to do so.

    Only thing is, it's owned by a doll collector. The awkward intimacies of a little country inn provide the backdrop for this hilarious story from Augusten Burrough's new collection, Possible Side Effects.If you like the story, be sure to download the whole audiobook.

    It’s a journey deep within, in a way that’s respectful and non-invasive; a journey for which we will all pay a heavy price, even if you’ve waited for the smaller paperback edition.Ayoade argues for the canonisation of this brutal masterpiece, a film that celebrates capitalism in all its victimless glory; one we might imagine Donald Trump himself half-watching on his private jet’s gold-plated flat screen while his other puffy eye scans the cabin for fresh, young prey."

    The book is short - around an hour of reading - and details everything from when I first decided naturism appealed to me, to my thoughts after the holiday.

    If trouble comes calling, Carlton isn't afraid to let his fists do the talking and woe betide anyone who crosses him, or those close to him. At last Carlton gives the full account of his life including how his story has been made into a hugely successful film. Born and raised in East London, Carlton was a key member of the notorious Essex Boys gang and the West Ham InterCity Firm, one of the most violent hooligan gangs to trouble the football terraces during the 1980s. He's been shot at, stabbed, glassed—he's even had an axe in his head. Yet the event that really brought turmoil into his life was the murder of his best friend in the infamous Range Rover murders. Carlton vowed that he would find those responsible and make them pay. There isn't much that Carlton hasn't seen or experienced in his life and his tales of violence, gang wars and close calls with death will have you on the edge of your seat. He knows how close he has come to dying and has therefore shut the door on a gangland life. He may have changed but, as he himself says, "I'll always need to exercise the Carlton Leach brand of justice. It's in me."

    It's a distinction he's long been building, through a directing career that includes such cinematic landmarks as "The Terminator," "Aliens," "The Abyss," and the highest grossing movie of all time, "Titanic." The Futurist is the first in-depth look at every aspect of this audacious creative genius--culminating in an exclusive behind-the-scenes glimpse of the making of "Avatar," the movie that promises to utterly transform the way motion pictures are created and perceived. As decisive a break with the past as the transition from silents to talkies, "Avatar" pushes 3-D, live action, and photo-realistic CGI to a new level. It rips through the emotional barrier of the screen to transport the audience to a fabulous new virtual world. With cooperation from the often reclusive Cameron, author Rebecca Keegan has crafted a singularly revealing portrait of the director's life and work. We meet the young truck driver who sees "Star Wars" and resolves to make his own space blockbuster--starting by building a futuristic cityscape with cardboard and X-Acto knives. We observe the neophyte director deciding over lunch with Arnold Schwarzenegger that the ex-body builder turned actor is wrong in every way for the Terminator role as written, but perfect regardless. After the success of "The Terminator," Cameron refines his special-effects wizardry with a big-time Hollywood budget in the creation of the relentlessly exciting "Aliens." He builds an immense underwater set for "The Abyss" in the massive containment vessel of an abandoned nuclear power plant--where he pushes his scuba-equipped cast to and sometimes past their physical and emotional breaking points (including a white rat that Cameron saved from drowning by performing CPR). And on the set of "Titanic," the director struggles to stay in charge when someone maliciously spikes craft services' mussel chowder with a massive dose of PCP, rendering most of the cast and crew temporarily psychotic. Now, after his movies have earned over $3 billion at the box office, James Cameron is astounding the world with the most expensive, innovative, and ambitious movie of his career. For decades the moviemaker has been ready to tell the "Avatar" story but was forced to hold off his ambitions until technology caught up with his vision. Going beyond the technical ingenuity and narrative power that Cameron has long demonstrated, "Avatar" shatters old cinematic paradigms and ushers in a new era of storytelling. The Futurist is the story of the man who finally brought movies into the twenty-first century.

    It's also a book for anyone who has ever mismatched her shoes or trimmed her own bangs when a professional might have been a better choice or added too much soap to the washer and watched it overflow.(Not that KariAnne Wood has ever done any of these things.)A debut memoir from the beloved Thistlewood Farms blogger, So Close to Amazing is a collection of hilarious and heartfelt reflections on getting it almost right--and how, instead of giving up, we can choose to simply embrace our real selves right where we are. It's a story of transparency and honesty and recognizing that perfection is completely overemphasized and overrated. It's about grace and learning from mistakes and rejoicing in every victory, no matter how small. Because when you find joy in the "you" God created you to be, you'll discover the amazing that was there all along.Contains beautiful DIY project ideas anyone can do, whether you're Pinterest perfect or craft challenged! Homemade signs, centerpieces, recipe walls, and more!