The Secret River is the tale of William and Sal’s deep love for their small, exotic corner of the new world, and William’s gradual realization that if he wants to make a home for his family, he must forcibly take the land from the people who came before him. Acclaimed around the world, The Secret River is a magnificent, transporting work of historical fiction.

    It grew out of the red dust of the desert over the world's richest vein of gold. Like the gold it guarded, Kalgoorlie was a magnet to anyone with a sense of adventure, anyone who could dream. People were drawn there from all over the world, settling to start afresh or to seek their fortunes. They called it Kal; it was a place where dreams came true or were lost forever in the dust. It could reward you or it could destroy you, but it would never let you go. You staked you claim in Kal and Kal staked its claim in you. In a story as breathtaking and as sweeping as the land itself, bestselling author Judy Nunn brings Kal magically to life through the lives of two families, one Australian and one Italian. The Australian family are the Brearleys: Maudie, who runs the miners' pub in Kalgoorlie and who was brought up in a tent on the goldfields; her husband 'Flash Harry' Brearley, charismatic conman and shyster; and his young son, Jack. The Italian family are the Giannis, railway workers from a small village in the Italian Alps, who dream of making a better life for themselves 'at the bottom of the world' after they hear about the Western Australian goldrush of the late 1880s. Rico, the elder brother, is a larger-than-life bull of a man, very protective of his sensitive younger brother Giovanni, a handsome dreamer. When the rich and frustrated widow Serena di Cretico spies Giovanni, she pursues him relentlessly, and they begin having an affair. Giovanni is terrified of her powerful landowner brothers-in-law, and tries to end the relationship, but she tells him if he attempts to do so, she will tell them he raped her. Rico and Giovanni decide they must leave as soon as they can, as the de Cretico brothers are bound to hear about the affair and come after Giovanni. Before their plans can be carried out, the brothers strike, killing Serena and storming the miners' camp in search of Giovanni, who is actually down in the village. Believing Rico to be Giovanni, they break both his knees with iron bars. Rico takes Giovanni's terrible punishment in silence, and is crippled for life. Guilt-stricken, Giovanni is persuaded by Rico to take their savings and sail to Western Australia to prepare the way for Rico and his family.Gio works like a dog for several years and is evenually joined by Rico, his wife Teresa and their young family. Rico is severely crippled, with an awkward swinging gait and has become terribly bitter and defensive about his disability. His aggression often leads to violence, particularly in Kalgoorlie, where the Australian population resents the invasion of 'dago' miners who are prepared to work longer hours for less pay and are taking all the jobs. Rico and Giovanni go into partnership with Harry Brearley, who owns a mine called the Clover, where the brothers work hard and start making a go of things. Then out of the blue they hear that Harry has sold their mine. He had led them to believe they were equal partners with him, but because neither could read, the actual contract was for them to be working partners with Harry for as long as he kept the mine. The brothers feel betrayed and murderous, and a terrible vendetta is started between the Brearleys and the Giannis that is not resolved until years later when Harry's son Jack and Rico's son Enrico find themselves fighting alongside each other at Gallipoli. After experiencing the trauma of war, the two resolve to end the vendetta if they ever return to Kal. Only one does, but he returns to Kal at the end of World War I to find a town riven by racism and rioting. The climax of Kal is extraordinarily moving and vivid, and will stay with readers forever. Apart from telling the story of the two families over two generations, Kal is also a moving love story and a page-turning action adventure novel. From the heady, early days of the gold rush to the horrors of the First World War in Gallipoli and France, to the shame and confrontation of the post-war riots

    She is taken in by her estranged grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak. But Alice also learns that there are secrets within secrets about her past. Under the watchful eye of June and The Flowers, women who run the farm, Alice grows up. But an unexpected betrayal sends her reeling, and she flees to the dramatically beautiful central Australian desert. Alice thinks she has found solace, until she falls in love with Dylan, a charismatic and ultimately dangerous man.The Lost Flowers of Alice Hart is a story about stories: those we inherit, those we select to define us, and those we decide to hide. It is a novel about the secrets we keep and how they haunt us, and the stories we tell ourselves in order to survive. Spanning twenty years, set between the lush sugar cane fields by the sea, a native Australian flower farm, and a celestial crater in the central desert, Alice must go on a journey to discover that the most powerful story she will ever possess is her own.

    But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    Sally Morgan traveled to her grandmother’s birthplace, starting a search for information about her family. She uncovers that she is not white but aborigine—information that was kept a secret because of the stigma of society. This moving account is a classic of Australian literature that finally frees the tongues of the author’s mother and grandmother, allowing them to tell their own stories.

    If a man can still ride, if he hasn't totally lost the use of his legs, if he hasn't died to the part of his heart that understands such things, then he should go for a gallop. At the very least he should stand at the road by the river imagining that he's pushing a horse up the steep hill that leads to the house on the farm once known as One Tree.

    In the sparsely populated northern Queensland town of Desperance, loyalties run deep and battle lines have been drawn between the powerful Phantom family, leaders of the Westend Pricklebush people, and Joseph Midnight's renegade Eastend mob, and their disputes with the white officials of neighboring towns. Steeped in myth and magical realism, Wright's hypnotic storytelling exposes the heartbreaking realities of Aboriginal life. By turns operatic and everyday, surreal and sensational, the novel teems with extraordinary, larger-than-life characters. From the outcast savior Elias Smith, religious zealot Mossie Fishman, and murderous mayor Bruiser to activist Will Phantom and Normal Phantom, ruler of the family, these unforgettable characters transcend their circumstances and challenge assumptions about the downtrodden "other." Trapped between politics and principle, past and present, the indigenous tribes fight to protect their natural resources, sacred sites, and above all, their people. Already an international bestseller, Carpentaria has garnered praise from around the world.

    From the civil rights struggle in the United States to the Nazi crimes against humanity in Europe, there are more stories than people passing one another every day on the bustling streets of every crowded city. Only some stories survive to become history.Recently released from prison, Lamont Williams, an African American probationary janitor in a Manhattan hospital and father of a little girl he can’t locate, strikes up an unlikely friendship with an elderly patient, a Holocaust survivor who was a prisoner in Auschwitz-Birkenau.A few blocks uptown, historian Adam Zignelik, an untenured Columbia professor, finds both his career and his long-term romantic relationship falling apart. Emerging from the depths of his own personal history, Adam sees, in a promising research topic suggested by an American World War II veteran, the beginnings of something that might just save him professionally, and perhaps even personally.As these men try to survive in early-twenty-first-century New York, history comes to life in ways neither of them could have foreseen. Two very different paths—Lamont’s and Adam’s—lead to one greater story as The Street Sweeper, in dealing with memory, love, guilt, heroism, the extremes of racism and unexpected kindness, spans the twentieth century to the present, and spans the globe from New York to Chicago to Auschwitz.Epic in scope, this is a remarkable feat of storytelling.

    An 11-year-old boy witnesses a murder as he spies through the window of a strange house. God, whom he no longer counts as a friend, obviously has a pretty screwed-up sense of humour: just one year before, the boy had looked on helplessly as his twin brother, Tom, suffered a violent death. Now, having been seen by the angry murderer, he is a kid on the run. With only a shady grandfather, a professional standover man and an incongruous local couple as adult mentors, he takes refuge in the dark drains and grimy tunnels beneath the city, transforming himself into a series of superheroes and creating a rather unreliable map to plot out places where he is unlikely to cross paths with the bogeyman.

    Little by little the two sisters grow complicit with his obsessions, his cruelty, his need to control.Set in the leafy northern suburbs of Sydney during the 1940's, The Watch Tower is a novel of relentless and acute psychological power.

    And you can talk about a Mallee tree. And you can talk about the Mallee itself: a land and a place full of red sand and short stubby trees. Silent skies. The undulating scorch of summer plains. Quiet, on the surface of things. But Elise wasn't from the Mallee, and she knew nothing of its ways. Discover the world of a small homestead perched on the sunburnt farmland of northern Victoria. Meet Elise, whose urbane 1950s glamour is rudely transplanted to the pragmatic red soil of the Mallee when her husband returns to work the family farm. But you cannot uproot a plant and expect it to thrive. And so it is with Elise. Her meringues don't impress the shearers, the locals scoff at her Paris fashions, her husband works all day in the back paddock, and the drought kills everything but the geraniums she despises.As their mother withdraws more and more into herself, her spirited, tearaway daughters, Marjorie and Ruby, wild as weeds, are left to raise themselves as best they can. Until tragedy strikes, and Marjorie flees to the city determined to leave her family behind. And there she stays, leading a very different life, until the boy she loves draws her back to the land she can't forget...'In the same vein as Rosalie Ham, Brinsden weaves a compelling story of country Australia with all its stigma, controversy and beauty.' Fleur McDonald

    it just happens to be narrated by a galah called Lucky.It's 1969 and a remote coastal town in Western Australia is poised to play a pivotal part in the moon landing. Perched on the red dunes of its outskirts looms the great Dish: a relay for messages between Apollo 11 and Houston, Texas.Radar technician Evan Johnson and his colleagues stare, transfixed, at the moving images on the console -although his glossy young wife, Linda, seems distracted. Meanwhile the people of Port Badminton have gathered to watch Armstrong's small step on a single television sitting centre stage in the old theatre. The Kelly family, a crop of redheads, sit in rare silence. Roo shooters at the back of the hall squint through their rifles to see the tiny screen.I'm in my cage on the Kelly's back verandah. I sit here, unheard, underestimated, biscuit crumbs on my beak. But fate is a curious thing. For just as Evan Johnson's story is about to end (and perhaps with a giant leap), my story prepares to take flight...SHORTLISTED FOR THE 2019 RUSSELL PRIZE FOR HUMOUR WRITINGSHORTLISTED FOR THE UST GLENDA ADAMS AWARD FOR NEW WRITING (2019 NSW PREMIER'S LITERARY AWARDS)SHORTLISTED FOR THE READINGS PRIZE FOR NEW AUSTRALIAN FICTION 2018LONGLISTED FOR THE INDIE BOOK AWARD FOR DEBUT FICTION 2019LONGLISTED FOR THE DUBLIN LITERARY AWARD 2020PRAISE FOR THE LUCKY GALAH"A fresh and surprising novel - thoroughly Australian, joyful and magnificently original" Charlotte Wood, author The Natural Way of Things"This book is a bundle of Australian kook ready to disarm, charm and move its readers. Embrace it." Booktopia"This clever and enjoyable book will appeal to a broad range of readers." Books + Publishing"The Lucky Galah is a bold and astoundingly brave novel..." The Newtown Review of Books"It is a book that is at once humorous and heartfelt, and evokes a specific era in Australian history very well." Readings

    The woman quotes a phrase from the Karlson fragments that Caddie knows does not exist—and yet to Caddie, who knows Inga Karlson’s work like she knows her name, it feels genuine.Caddie is electrified. Jolted her from her sleepy, no-worries life in torpid 1980s Brisbane, she is driven to investigate: to find the clues that will unlock the greatest literary mystery of the twentieth century

    Antarctic open sea whaling is booking and a territorial race for the mysterious continent is in full swing.Aboard a ship setting sail from Cape Town carrying the Norwegian whaling magnate Lars Christensen are three women: Lillemor Rachlew, who tricked her way on to the ship and will stop at nothing to be the first woman to land on Antarctica; Mathilde Wegger, a grieving widow who's been forced to join the trip by her calculating parents-in-law; and Lars's wife, Ingrid Christensen, who has longed to travel to Antarctica since she was a girl and has made a daunting bargain with Lars to convince him to take her.As they head south through icy waters, the race is on for the first woman to land on Antarctica. None of them expect the outcome and none of them know how they will be changed by their arrival.Based on the little-known true story of the first woman to ever set foot on Antarctica, Jesse Blackadder has captured the drama, danger and magnetic pull of exploring uncharted places in our world and our minds.

    How do you move on when the world won’t let you?12:46: Claire Bingley stands alone at a bus stop12:47: Ted Conkaffey parks his car beside her12:52: The girl is missing . . .Six minutes in the wrong place at the wrong time—that’s all it took to ruin Sydney detective Ted Conkaffey’s life. Accused but not convicted of a brutal abduction,Ted is now a free man—and public enemy number one. Maintaining his innocence, he flees north to keep a low profile amidst the steamy, croc-infested wetlands of Crimson Lake.There, Ted’s lawyer introduces him to eccentric private investigator Amanda Pharrell, herself a convicted murderer. Not entirely convinced Amanda is a cold-blooded killer, Ted agrees to help with her investigation, a case full of deception and obsession, while secretly digging into her troubled past. The residents of Crimson Lake are watching the pair's every move... and the town offers no place to hide.