As a poet, he founded the Imagist movement (c. 1909–17), which advocated the use of precise, concrete images in a free-verse setting. As an editor, he fostered the careers of William Butler Yeats, T. S. Eliot, and Robert Frost. As a force in the literary world, he championed James Joyce and Wyndham Lewis. Pound also helped to create a modern movement in poetry in which, in T. S. Eliot's words, "English and American poets collaborated, knew each other's works, and influenced each other."Long an expatriate, Pound's questionable political activities during World War II distracted many from the value of his literary work. Nevertheless, his status as a major American poet has never been in doubt, as this choice collection of fifty-seven early poems amply proves. Here are poems — including a number not found in other anthologies — from Personae (1909), Exultations (1909), Ripostes (1912), and Cathay (1915) as well as selections from his major sequence "Hugh Selwyn Mauberley" (1920).

    While many of the poems utilize nature and spirituality as sophisticated metaphors, others are beautifully simplistic and elegant. This collection of poems exquisitely illustrates the difficulty and intensity of facing one's demons, shame, and secrecy. They offer a provocative glimpse inside the mind of an individual struggling with grief, trauma, depression, and stigma. Despite the dark imagery some of the poems conjure, they often transcend these painful shadows into messages of hope, inspiration, and healing. They have a distinctive ability to evoke tears as well as courage and valor during life's obstacles.

     Dark truths of his lustful past, revelations during his ongoing battle with heartbreak, and empowering words of wisdom leave readers with a renewed faith in a love they may have lost hope in finding. His signature way with words seasons all 178 pages of "I Still Want It" which will not only evoke a cocktail of emotions but leave the unforgettable and gratifying taste that Derrick is known for in his previous titles.

    But wanting to be with him, she endured the trip, only to fall desperately ill years later with a disease that leaves her husband with more questions than answers. When the anthropologist discovers a deception that shatters his grief and guilt, he begins to reevaluate his love for his wife as well as his friendship with one of the nomads he studied. He returns to Africa to make sense of what happened, traveling into the far reaches of the Chalbi Desert, where he must sift through the layers of his memories and reconcile them with what he now knows. Set in a windswept wilderness menaced by hyenas and lions, The Names of Things weaves together the stories of an anthropologist's journey into the desert, his firsthand accounts of the nomads' death rituals, and his struggle to find the names of things for which no words exist. Anthropologist John Colman Wood's debut novel is an exquisite, haunting exploration of the meaning of love and the rituals of grief.

    

    In order to write, you need to get rid of notions about language, poetic form, and esoteric subject matter ? all the things that the poetry police have told you are essential if you are to write. I wanted to start from a different place, a place controlled by instinct rather than by intelligence. Revision, the shaping and honing of the poem, should come later, and, in revising, care always needs to be taken to retain the vitality and electricity of the poem. Anyone can learn to craft a capable poem, but it is the poems that retain that initial vitality that we remember; these are the poems that teach us how to be human.

    – Shubhangi Swarup (Latitudes of Longing)

    It features new revelations about high-profile, unsolved hits and the intricate relationships between known criminals and police officers at all levels. It delves into the current power struggle between opposing factions in Cape Town's security industry and the suspected involvement of state operatives in the bloody standoff.Wiener has gained exclusive access to and on-the-record interviews with key underworld characters and police generals accused of colluding with criminals. These have helped her track the parallel narrative of the capture of law-enforcement agencies and unravel how players with inexplicable political backing have been able to pillage secret slush funds and abuse organs of state for their own benefit.Against this backdrop, prominent underworld figures - Radovan Krejcir key among them - have been able to thrive, setting up elaborate networks with the assistance of police. While crime is flourishing, the top echelons of the police and prosecution have been at war with themselves.The proximity of politics, law enforcement and organised crime over the past decade is frighteningly intertwined. The story of the rise and reign of the Ministry of Crime winds its way from the depths of the underworld, via multiple mysterious unsolved murders, to senior politicians and the very top ranks of the country's police force.

    Color these images and recite these poetries together at Sunset/evening. The love quotients between you would increase exponentially.

    The artistry of QUESTIONS FOR ADA defies words, embodying the pain, the passion, and the power of love rising from the depths of our souls.  Ijeoma Umebinyuo’s poetry is a flower that will blossom in the spirit of every reader as she shares her heart with raw candor.  From lyrical lushness to smoky sensuality to raw truths, this tome of transforming verse is the book every woman wants to write but can’t until the broken mirrors of their lives have healed.  In this gifted author’s own words—“I am too full of life to be half-loved.”  A bold celebration of womanhood.

    small chapbook of poems about an almost love.

    Guest editor Lyn Hejinian, acclaimed for her own innovative writing, has chosen seventy-five important new poems and contributed a provocative introductory essay. Through her selections, Hejinian has created an essential nexus -- a meeting place for readers to encounter an extraordinary range of poets. With illuminating comments from the writers, and series editor David Lehman's insightful foreword evaluating the current state of the art, The Best American Poetry 2004 is an indispensable addition to a series that has established itself as the first word on what's new and noteworthy in the poetry of our times.

    Containing the popular poems, Self Portrait, The Soul Lives Contented and Revelation Must be Terrible, the book traverses internal and external landscapes with evocative imagery, insight into the deepest patterns of human life, and the sure, elemental voice that has made David beloved as a poet and speaker around the world.

    I disagree. We are made up of stories. The stories we hear from our mothers, the ones we tell our daughters. The tales we share with sisters and friends. The ones we never say out loud, but are heavy on our minds and run like a fever in our blood.There are a multitude of great divides between us; race, religion, cultures, the way we dress, the languages we speak, but the stories we tell bridge us together in the universal tongue of smiles, tears, pain and laughter. They remind us that, as women, we’re all chasing similar fairy-tales.This book is a call to celebrate the bridges, delight in our stories and to focus on the joy in our lives right now, rather than racing behind the happily-ever-after. That will come in it’s own time.

    Feel Free, his fourth collection, effortlessly spans the Atlantic, combining the acoustic expansiveness of Whitman or Ashbery with the lyricism of Laird's forebears Heaney, MacNeice and Yeats. With characteristic variety, invention and wit (here are elegies, monologues, formal poems and free verse) the poet explores the sundry patterns of freedom and constraint - the family, the impress of history, the body itself - and how we might transcend them.Feel Free is always daring, always renewing, and Laird's most remarkable work to date.