When Keet starts school, it’s even worse than she expected, as the kids tease her about her southern accent. Now Keet, who can “talk the whiskers off a catfish,” doesn’t want to open her mouth. Slowly, though, while fishing with her grandfather, she learns the art of listening. Gradually, she makes her first new friend. But just as she’s beginning to settle in, her grandfather has a stroke, and even though he’s still nearby, he suddenly feels ever-so-far-away. Keet is determined to reel him back to her by telling him stories; in the process she finds her voice and her grandfather again. This lyrical and deeply emotional novel-in-verse celebrates the power of story and of finding one’s individual voice.

    War has always been a game to him, and he’s eager to glimpse it firsthand–until the freighter he and his mother are traveling to the United States on is torpedoed.   When Phillip comes to, he is on a small raft in the middle of the sea. Besides Stew Cat, his only companion is an old West Indian, Timothy. Phillip remembers his mother’s warning about black people: “They are different, and they live differently.”    But by the time the castaways arrive on a small island, Phillip’s head injury has made him blind and dependent on Timothy.

    . .Bryan knows what's tight for him--reading comics, drawing superheroes, and hanging out with no drama. But drama is every day where he's from, and that gets him tight, wound up.And now Bryan's friend Mike pressures him with ideas of fun that are crazy risky. At first, it's a rush following Mike, hopping turnstiles, subway surfing, and getting into all kinds of trouble. But Bryan never really feels right acting so wrong, and drama really isn't him. So which way will he go, especially when his dad tells him it's better to be hard and feared than liked?But if there's one thing Bryan's gotten from his comic heroes, it's that he has power--to stand up for what he feels . . .Torrey Maldonado delivers a fast-paced, insightful, dynamic story capturing urban community life. Readers will connect with Bryan's journey as he navigates a tough world with a heartfelt desire for a different life.

    True, there were no other recorded female survivors from the shipwreck which left baby Sophie floating in the English Channel in a cello case, but Sophie remembers seeing her mother wave for help. Her guardian tells her it is almost impossible that her mother is still alive, but that means still possible. You should never ignore a possible. So when the Welfare Agency writes to her guardian threatening to send Sophie to an orphanage, she takes matters into her own hands and flees to Paris to look for her mother, starting with the only clue she has - the address of the cello maker. Evading the French authorities, she meets Matteo and his network of rooftoppers - urchins who live in the sky. Together they scour the city for Sophie's mother before she is caught and sent back to London, and most importantly before she loses hope.

    No one knows, and Mia wants to keep it that way. But when trouble at school finally forces Mia to reveal her secret, she must learn to accept herself and embrace her ability, called synesthesia, a mingling of the senses.

    But when Comrade Li, one of Mao's political officers, moves into a room in their apartment, Ling begins to witness the gradual disintegration of her world. In an atmosphere of increasing mistrust, Ling fears for the safety of her neighbors and, soon, for herself and family. Over the course of four years, Ling manages to grow and blossom, even as she suffers more horrors than many people face in a lifetime.

    The niece of Syvia Perlmutter, one of only twelve child survivors of the Lodz ghetto in Poland, shares her aunt's experiences of the Holocaust in free verse that relates the courage and heartbreak she lived during a time of terrible circumstances.

    . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko, this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.

    December, 1950.Twelve-year-old Sora and her family live under an iron set of rules: No travel without a permit. No criticism of the government. No absences from Communist meetings. Wear red. Hang pictures of the Great Leader. Don't trust your neighbors. Don't speak your mind. You are being watched.But war is coming, war between North and South Korea, between the Soviets and the Americans. War causes chaos--and war is the perfect time to escape. The plan is simple: Sora and her family will walk hundreds of miles to the South Korean city of Busan from their tiny mountain village. They just need to avoid napalm, frostbite, border guards, and enemy soldiers.But they can't. And when an incendiary bombing changes everything, Sora and her little brother Young will have to get to Busan on their own. Can a twelve-year-old girl and her eight-year-old brother survive three hundred miles of war zone in winter?

    Especially when his older (and best friend), Stick, begins to drift away from him for no apparent reason. And then it happens: Sam finds something that changes everything forever. Sam has always had faith in his father, but when he finds literature about the Black Panthers under Stick's bed, he's not sure who to believe: his father or his best friend. Suddenly, nothing feels certain anymore. Sam wants to believe that his father is right: You can effect change without using violence. But as time goes on, Sam grows weary of standing by and watching as his friends and family suffer at the hands of racism in their own community. Sam beings to explore the Panthers with Stick, but soon he's involved in something far more serious -- and more dangerous -- than he could have ever predicted. Sam is faced with a difficult decision. Will he follow his father or his brother? His mind or his heart? The rock or the river?

    Every day she endures taunts for the birthmark on her face—though her beloved Pauline, the only person who has ever cared for her, tells her it is a precious diamond. When Pauline is sent to work for another carnival, Bee is lost.Then a scruffy dog shows up, as unwanted as she, and Bee realizes that she must find a home for them both. She runs off to a house with gingerbread trim that reminds her of frosting. There two mysterious women, Mrs. Swift and Mrs. Potter, take her in. They clothe her, though their clothes are strangely out of date. They feed her, though there is nothing in their house to eat. They help her go to school, though they won't enter the building themselves. And, strangely, only Bee seems able to see them.Whoever these women are, they matter. They matter to Bee. And they are helping Bee realize that she, too, matters to the world--if only she will let herself be a part of it.This tender novel beautifully captures the pain of isolation, the healing power of community, and the strength of the human spirit.

    Seventh grader Georges moves into a Brooklyn apartment building and meets Safer, a twelve-year-old self-appointed spy. Georges becomes Safer's first spy recruit. His assignment? Tracking the mysterious Mr. X, who lives in the apartment upstairs. But as Safer becomes more demanding, Georges starts to wonder: what is a lie, and what is a game? How far is too far to go for your only friend? Like the dazzling When You Reach Me, Liar & Spy will keep readers guessing until the end. Praise for Liar & Spy: A Junior Library Guild Selection - A New York Times Bestseller - An Indie Bestseller - Kirkus Reviews starred review - Publishers Weekly starred review - The Horn Book starred review - School Library Journal starred review - The Bulletin of the Center for Children's Books starred review - Autumn 2012 Kids' Indie Next List -Nominated for the Best Fiction for Young Adults 2013 - Kirkus Reviews Best of Children's Books 2012 List - Publishers Weekly Best of Children's Fiction 2012 - School Library Journal Best of Children's Fiction 2012 List - The Horn Book 's Best of 2012 List - Barnes & Noble Best Books of 2012 for Kids List - Amazon's Best of the Year, Middle Grade (3) - A New York Times Book Review Notable Children's Book of 2012 - Holiday gift guides: Chicago Tribune, San Francisco Chronicle, LA Times - NPR Outstanding "Backseat" Reads for Ages 9-14, NPR's Backseat Book Club - One of The Atlantic Wire's 25 favorite middle grade and young adult book covers of 2012 - The Wall Street Journal 's Best Children's Books of 2012 - The Chicago Public Library Best of the Best 2012 - The Bulletin of the Center for Children's Books 2012 Blue Ribbons List

    All she wants to do is to follow the rules. (Oh, and she’d also like to make it through seventh grade with her best friendships intact, learn to run track, and have a cute boy see past her giant forehead.)But in junior high, it’s like all the rules have changed. Now she’s suddenly questioning who her best friends are and some people at school are saying she’s not black enough. Wait, what?Shay’s sister, Hana, is involved in Black Lives Matter, but Shay doesn't think that's for her. After experiencing a powerful protest, though, Shay decides some rules are worth breaking. She starts wearing an armband to school in support of the Black Lives movement. Soon everyone is taking sides. And she is given an ultimatum.Shay is scared to do the wrong thing (and even more scared to do the right thing), but if she doesn't face her fear, she'll be forever tripping over the next hurdle. Now that’s trouble, for real.

    They are sent to their uncle in London, but when they arrive, he is missing and they are abandoned, passed between foster homes. Their father escapes to England to find them -- but he will be sent back to Nigeria unless Sade can find a way to tell the world what happened to her family.A Silver Medal winner of England's Smarties Book Prize, Beverly Naidoo's new novel explores the issues of family, exile, and freedom wtih eloquence and stunning realism.

    With The Birchbark House, award-winning author Louise Erdrich's first novel for young readers, this same slice of history is seen through the eyes of the spirited, 7-year-old Ojibwa girl Omakayas, or Little Frog, so named because her first step was a hop. The sole survivor of a smallpox epidemic on Spirit Island, Omakayas, then only a baby girl, was rescued by a fearless woman named Tallow and welcomed into an Ojibwa family on Lake Superior's Madeline Island, the Island of the Golden-Breasted Woodpecker. We follow Omakayas and her adopted family through a cycle of four seasons in 1847, including the winter, when a historically documented outbreak of smallpox overtook the island. Readers will be riveted by the daily life of this Native American family, in which tanning moose hides, picking berries, and scaring crows from the cornfield are as commonplace as encounters with bear cubs and fireside ghost stories. Erdrich--a member of the Turtle Mountain Band of Ojibwa--spoke to Ojibwa elders about the spirit and significance of Madeline Island, read letters from travelers, and even spent time with her own children on the island, observing their reactions to woods, stones, crayfish, bear, and deer. The author's softly hewn pencil drawings infuse life and authenticity to her poetic, exquisitely wrought narrative. Omakayas is an intense, strong, likable character to whom young readers will fully relate--from her mixed emotions about her siblings, to her discovery of her unique talents, to her devotion to her pet crow Andeg, to her budding understanding of death, life, and her role in the natural world. We look forward to reading more about this brave, intuitive girl--and wholeheartedly welcome Erdrich's future series to the canon of children's classics. (Ages 9 and older) --Karin Snelson