Alex Lake’s life is centered on helping people. Her job as a social worker in a British seaside town is more than a career: It’s the very essence of who she is. And though there are frustrations, Alex takes to heart the rewards of placing a child in a safe and loving home. But when she encounters three-year-old Ottilie Wade, Alex is completely unprepared for the effect the sweet, shy little girl has on her. Though on the surface Ottilie seems to want for nothing—she’s perfectly healthy and lives in a very nice home—she’s mysteriously silent and asocial. Alex knows that something is not right in the Wade house. And the deeper she looks into the case, the more Alex comes to feel that she and Ottilie are being drawn together by fate.   As disturbing evidence mounts and Alex’s superiors seem unwilling to help, Alex knows she will have to risk everything—her job and the life she loves—to save Ottilie. But Alex will also have to wrestle the demons of her own past before she can secure a future for this child in need.Look for special features inside. Join the Random House Reader’s Circle for author chats and more.

    Rosamund Stacey is young and inexperienced at a time when sexual liberation is well on its way. She conceals her ignorance beneath a show of independence, and becomes pregnant as a result of a one night stand.

    When the firm of Meadows, Meade & Grindley hires Dougal Douglas (a.k.a. Douglas Dougal) to do "human research" into the private lives of its workforce, they are in no way prepared for the mayhem, mutiny, and murder he will stir up. "Not only funny but startlingly original," declared The Washington Post, "the legendary character of Dougal Douglas...may not have been boasting when he referred so blithely to his association with the devil." In fact this Music Man of the thoroughly modern corporation changes the lives of all the eccentric characters he meets, from Miss Merle Coverdale, head of the typing pool, to V.R. Druce, unsuspecting Managing Director.

    In private houses and public parks, at work and at play, these Londoners inhabit a complicated place, as beautiful as it is brutal, where the thoroughfares hide the back alleys and taking the high road can sometimes lead you to a dead end. Depicting the modern urban zone—familiar to city-dwellers everywhere—NW is a quietly devastating novel of encounters, mercurial and vital, like the city itself.

    At the same time, the novel explores the boundaries of love and friendship and the allegiances that we have to one another. The depth of feeling that the inhabitants of Aldwinter share are matched by their city counterparts as they strive to find the courage to express and understand their deepest desires, and strongest fears.

    In Bookforum, James Greer called it ambitious in a way few works of fiction are. This summer it is being republished in an all-new Harper Perennial trade paperback, significantly revised by the author, and including an extensive P.S. section including never before published outtakes, an interview with the author, and a new essay by Zambreno.Zambreno's heroine, Ruth, is a young American in London, kin to Jean Seberg gamines and contemporary celebutantes, by day spritzing perfume at the department store she calls Horrids, by night trying desperately to navigate a world colored by the unwanted gaze of others and the uncertainty of her own self-regard. Ruth, the green girl, joins the canon of young people existing in that important, frightening, and exhilarating period of drift and anxiety between youth and adulthood, and her story is told through the eyes of one of the most surprising and unforgettable narrators in recent fiction—a voice at once distanced and maternal, indulgent yet blackly funny. And the result is a piercing yet humane meditation on alienation, consumerism, the city, self-awareness, and desire, by a novelist who has been compared with Jean Rhys, Virginia Woolf, and Elfriede Jelinek.

     This is the dark but humourous tale of Sarah Pemberton, who is not a happy woman. A down to earth, inventive soul who despises her stuck up pompous husband Neil, who believes he is much more intelligent and important than she is. When he refuses her a divorce and emotionally blackmails her into staying with him by threatening to take custody of their daughter, she's decides to make life a little more entertaining for herself, by subtly torturing him at every available opportunity. Creative and adaptable by nature, with a wicked sense of humour, she comes up with more and more ways to ridicule him, without him ever knowing she has a hand in it. ...."During 1993-1994 amongst other things, I cooked him a meat pie with pedigree chum; Stole his car more times than I can count; put chilli powder in his underpants, sent a stripagram to his work (a fat one), and subscribed him to a gay porn mag! (Our paperboy avoided him like the plague after that.)"..... Finding accomplices in the form of her Aunt May, who lives in a crumbling old former hotel which was damaged during WWII, and May's two lodgers, a shy young hippy named Darren, along with his brother Matthew a former life model, they try to get rid of her husband by either 'Plan A', which consists of 'frame him for a crime so that he gets incarcerated', or 'Plan B' drive him to a nervous breakdown. Both plans are designed to discredit Neil in case of a custody battle for their daughter. There is only one little prerequisite for every little torturous idea though, and that is, IT HAS TO MAKE THEM LAUGH! Unbeknown to Sarah at first, she isn't the only one with a vendetta against her husband, his entire workforce hate his guts and exploit any opportunity to make him look bad. When plans A & B go disastrously wrong, Sarah and co set their sights on a new target, her in-laws. Interwoven throughout the story is the tale of Aunt May, the lynch pin of her little make shift family, who harbours secrets of her own that go back to the night the bomb fell on the east wing of the hotel. This is not a tale of a submissive woman suffering at the hands of abuse; this is the tale of a strong courageous woman having one last laugh at other people's expense. Contains very occasional strong language, and scenes that should not be repeated at home. Volume One of 'The Cuckoo' series

    He has a single room, a job on a decaying London barge, and an on-off affair with a doctor's daughter called Victoria, who claims to have seen her first corpse at age thirteen.It's not ideal, but it's a life. Or it would be if Shaw hadn't got himself involved in a conspiracy theory that, on dark nights by the river, seems less and less theoretical...Meanwhile, Victoria is up in the Midlands, renovating her dead mother's house, trying to make new friends. But what, exactly, happened to her mother? Why has the local waitress disappeared into a shallow pool in a field behind the house? And why is the town so obsessed with that old Victorian morality tale, The Water Babies?As Shaw and Victoria struggle to maintain their relationship, the sunken lands are rising up again, unnoticed in the shadows around them.

    Though initially employed as a maid, Mary soon becomes the daughter the couple were never able to have. With Britain at war, unable to remain idle, Mary finds employment in the local steel works but when her fiancé Tom Downing is killed in action Mary is convinced it is retribution for their night of sin during Tom's Christmas leave. However, Mary grows to love Jack Holmes, a local miner. They marry and move into a humble terrace house with little but their love to keep them going. As the years pass Mary is determined to achieve success for herself and her family. She sets up her own dressmaking business and it seems as if she has finally found peace of mind. But the business starts to dominate her life until tragedy once more threatens to destroy all she most cherishes...

    An epic chronicle of one man's judgement and death, "The Death of Bunny Munro" is an achingly tender portrait of the relationship between father and son.

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    Amongst Millbank’s murderers and common thieves, Margaret finds herself increasingly fascinated by an apparently innocent inmate, the enigmatic spiritualist Selina Dawes. Selina was imprisoned after a séance she was conducting went horribly awry, leaving an elderly matron dead and a young woman deeply disturbed. Although initially skeptical of Selina’s gifts, Margaret is soon drawn into a twilight world of ghosts and shadows, unruly spirits and unseemly passions, until she is at last driven to concoct a desperate plot to secure Selina’s freedom, and her own.

    Isolated by a disfiguring injury since the age of 17, Sean Phillips crafts imaginary worlds for strangers to play in. From his small apartment in Southern California, he orchestrates fantastic adventures where possibilities, both dark and bright, open in the boundaries between the real and the imagined. As the creator of Trace Italian - a text-based, roleplaying game played through the mail - Sean guides players from around the world through his intricately imagined terrain, which they navigate and explore, turn by turn, seeking sanctuary in a ravaged, savage future America. Lance and Carrie are high school students from Florida, explorers of the Trace. But when they take their play into the real world, disaster strikes, and Sean is called to account for it. In the process, he is pulled back through time, tunneling toward the moment of his own self-inflicted departure from the world in which most people live.Brilliantly constructed, Wolf in White Van unfolds in reverse until we arrive at both the beginning and the climax: the event that has shaped so much of Sean’s life. Beautifully written and unexpectedly moving, John Darnielle’s audacious and gripping debut novel is a marvel of storytelling brio and genuine literary delicacy.

    . .Sight is about X-rays, psychoanalysis, and the origins of modern surgery. It is about being a parent, and being a child. Fiercely intelligent, brilliantly written and suffused with something close to forgiveness, it is a novel about how we see others and how we imagine ourselves.

    A former NYPD cop, she now lives in London making million-dollar book deals while trying to make partner at her firm . . . all the while sleeping with the boss man. Lily Wright is an author who believes in karma, and is waiting for the sky to fall after stealing her former best friend's man. Though her first book failed to sell, her life turns upside down when her most recent book becomes a huge bestseller. Gemma Hogan is an event designer extraordinaire, but her personal life is nonexistent after losing the love of her life and her best friend in one fell swoop. To make matters worse, her father has just left her mother. While taking care of her mother, she e-mails a close colleague about her frustrations, who in turn forwards the hilarious e-mails to a famous literary agent named Jojo Harvey, who just happens to represent her former friend, now enemy, Lily Wright. . . . Written in the charming and chatty voice that has become Marian Keyes's signature style, this hilarious and heartwarming novel proves there are three sides to every story . . . especially in the world of publishing!