But now that her marriage to a New York high society heir has fallen apart in a very public, very embarrassing fashion, a pregnant Caroline decides to escape the gossipmongers with her nine-year-old daughter and head home to her mother, Ansley. Ansley has always put her three daughters first, especially when she found out that her late husband, despite what he had always promised, left her with next to nothing. Now the proud owner of a charming waterfront design business and finally standing on her own two feet, Ansley welcomes Caroline and her brood back with open arms. But when her second daughter Sloane, whose military husband is overseas, and youngest daughter and successful actress Emerson join the fray, Ansley begins to feel like the piece of herself she had finally found might be slipping from her grasp. Even more discomfiting, when someone from her past reappears in Ansley's life, the secret she’s harbored from her daughters their entire lives might finally be forced into the open. Exploring the powerful bonds between sisters and mothers and daughters, this engaging novel is filled with Southern charm, emotional drama, and plenty of heart.

    But so far, all she has to show for her efforts is a single line in an ad for ugly Christmas sweaters and a degrading waitressing job. She lives in Brooklyn with two roommates - Jane, her best friend from college, and Dan, a sci-fi writer, who is very definitely not boyfriend material - and is struggling with her feelings for a suspiciously charming guy in her acting class, all while trying to find a hair-product cocktail that actually works. Meanwhile, she dreams of doing "important" work, but only ever seems to get auditions for dishwashing liquid and peanut butter commercials. It's hard to tell if she'll run out of time or money first, but either way, failure would mean facing the fact that she has absolutely no skills to make it in the real world. Her father wants her to come home and teach, her agent won't call her back, and her classmate Penelope, who seems supportive, might just turn out to be her toughest competition yet. Someday, Someday, Maybe is a funny and charming debut about finding yourself, finding love, and, most difficult of all, finding an acting job.

    This is the story of the girl who stole it.Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.Set when the women’s suffrage movement was at its height and the Great War loomed, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. It’s a delightful, lyrical and deeply thought-provoking celebration of words, and the power of language to shape the world and our experience of it.

    Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life.But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a former mill town now dotted with wind turbines. They head up a halfway house, where they live alongside castoffs like the jawless Tim Gary and the headstrong Lawnmower Jill. Agatha is forced to venture out into the world alone, to teach math at a local all-girls high school, where for the first time in years she will have to reckon with what she sees and feels all on her own. Who will she be if she isn't with her sisters? These women, the church, have been her home--or has she just been hiding?Disarming, delightfully deadpan, and full of searching, Claire Luchette's Agatha of Little Neon offers a view into the lives of women and the choices they make. It is a novel about female friendship and devotion, the roles made available to us, and how we become ourselves.

     War's over, cherry-print dresses, parking above the city lights, swing dancing. Beautiful, seventeen-year-old Violet lives in a perfect world. Everybody loves her. In 2012, she's still beautiful, charming, and surrounded by admirers. Veronica "Ronni" Johnson, licensed practical nurse and aspiring writer, meets the captivating Violet in the assisted living facility where Violet requires no assistance, just lots of male attention. When she dies, she leaves Ronni a very generous bequest―only if Ronni completes a book about her life within one year. As she's drawn into the world of young Violet, Ronni is mesmerized by life in a simpler time. It's an irresistible journey filled with revelations, some of them about men Ronni knew as octogenarians at Fairfield Springs.Struggling, insecure, flailing at the keyboard, Ronni juggles her patients, a new boyfriend, and a Samsonite factory of emotional baggage as she tries to craft a manuscript before her deadline.But then the secrets start to emerge, some of them in person. And they don't stop.Everything changes.Alternating chapters between Homecoming Queen Violet in 1947 and can't-quite-find-her-crown Ronni in the present, IT ALL COMES BACK TO YOU is book club fiction at its hilarious, warm, sad, outrageous, uplifting, and stunning best. In the tradition of Major Pettigrew's Last Stand and Olive Kitteridge, Duke delivers an unforgettable elderly character to treasure and a young heroine to steal your heart.

    Jean McClellan is in denial—this can't happen here. Not in America. Not to her.This is just the beginning.Soon women can no longer hold jobs. Girls are no longer taught to read or write. Females no longer have a voice. Before, the average person spoke sixteen thousand words a day, but now women only have one hundred to make themselves heard.But this is not the end.For herself, her daughter, and every woman silenced, Jean will reclaim her voice.

    At the stroke of midnight she will turn nineteen, and the year ahead promises to be one of consequence. Should she go to London to study economics, or remain at home in Brooklyn to pursue her passion for music and be with her boyfriend? As the countdown to the New Year begins, Oona faints and awakens thirty-two years in the future in her fifty-one-year-old body. Greeted by a friendly stranger in a beautiful house she’s told is her own, Oona learns that with each passing year she will leap to another age at random. And so begins Oona Out of Order...Hopping through decades, pop culture fads, and much-needed stock tips, Oona is still a young woman on the inside but ever changing on the outside. Who will she be next year? Philanthropist? Club Kid? World traveler? Wife to a man she’s never met? Surprising, magical, and heart-wrenching, Margarita Montimore has crafted an unforgettable story about the burdens of time, the endurance of love, and the power of family.

    No body—only a hiking boot—has ever been found. Billie’s husband and teenage daughter cope with her death the best they can: Jonathan drinks, Olive grows remote.But then Olive starts having waking dreams—or are they hallucinations?—that her mother is still alive. Jonathan worries about Olive’s emotional stability, until he starts unearthing secrets from Billie’s past that bring into question everything he thought he knew about his wife. Together, Olive and Jonathan embark on a quest for the truth—about Billie, their family, and the stories we tell ourselves about the people we love.

    When she was eight years old, Lily Decker somehow survived the auto accident that killed her parents and sister, but neither her emotionally distant aunt nor her all-too-attentive uncle could ease her grief. Dancing proves to be Lily's only solace, and eventually she receives a "scholarship" to a local dance academy--courtesy of a mysterious benefactor.Grown and ready to leave home for good, Lily changes her name to Ruby Wilde and heads to Las Vegas to be a troupe dancer, but her sensual beauty and voluptuous figure land her work instead as a showgirl performing everywhere from Les Folies Bergere at the Tropicana to the Stardust's Lido de Paris. Wearing costumes dripping with feathers and rhinestones, five-inch heels, and sky-high headdresses, Ruby may have all the looks of a Sin City success story, but she still must learn to navigate the world of men--and figure out what real love looks like.With her uncanny knack for understanding the hidden lives of women, Elizabeth J. Church captures both the iconic extravagance of an era and the bravery of a young woman who dances through her sadness to find connection, freedom, and, most important, herself.Advance praise for All the Beautiful Girls"A riveting novel, at once raw and tender, of a woman's struggle to heal the wounds of a devastating childhood . . . Elizabeth J. Church makes us feel Ruby Wilde's pain and root for her to survive. This is a heartbreaking story, passionately told."--Ellen Feldman, author of Next to LovePraise for Elizabeth J. Church's The Atomic Weight of Love"Oh, what an incandescent debut! Church follows one extraordinary woman who is brave to enough to challenge the times, take defiant wing, and chart her own extraordinary flight path. The Atomic Weight of Love is so engrossing I couldn't wait to read another page, and so alive I never wanted the story to end."--Caroline Leavitt, author of Is This Tomorrow"A tightly crafted novel."--The New York Times Book Review"Exquisite . . . the beautifully written story of a woman who must negotiate the tricky terrain of love, responsibility, ambition, and sacrifice. . . . It shows the impossible choices women faced--and still face--between family and self."--Tara Conklin, author of The House Girl"What does love require of us? How does one strike a balance between compromise and self-fulfillment? In her debut novel, Church writes to these issues in a style that is thoughtful and elegant. . . . Church hits the mark in this emotionally driven debut."--Library Journal"A striking story of a woman forced to choose between the future she desires or the path society insists she take." --Harper's Bazaar "An elegant glimpse into the evolution of love and womanhood."--Kirkus Reviews

    Boy, is she wrong. Lilian Hopkins has spent her life running Lipton's sweetshop, through wartime and family feuds. As she struggles with the idea that it might finally be time to settle up, she also wrestles with the secret history hidden behind the jars of beautifully coloured sweets. Welcome to Rosie Hopkins' Sweetshop of Dreams - a novel - with recipes. *Winner of the RNA Romantic Novel of the Year Award 2013*

    Amanda Wakes Up takes off as Amanda feels for the first time that she can make her mom and her best friend proud and think about an actual future with her boyfriend, Charlie. But she finds her journalistic ideals shredded as she struggles to keep up with the issues in a ratings-crazed madhouse—battling for hair and makeup time, coping with her sexist (but scathingly handsome) coanchor, Rob, mixing up the headlines with pajama modeling on the street, and showing Benji Diggs, her media maestro boss, that she’s got what it takes.As the news heats up in a hotly contested election season and a wild-card candidate, former Hollywood actor Victor Fluke, appears on the scene, Amanda’s pressure-cooker job gets hotter as her personal life unravels. Walking a knife’s edge between ambition and survival, and about to break the biggest story of her career, Amanda must decide what she’s willing to give up to get ahead—and what she needs to hold on to save herself.

    Though her own circumstances remain indistinct, she becomes the audience to a chain of narratives, as the people she meets tell her one after another the stories of their lives.Beginning with the neighbouring passenger on the flight out and his tales of fast boats and failed marriages, the storytellers talk of their loves and ambitions and pains, their anxieties, their perceptions and daily lives. In the stifling heat and noise of the city the sequence of voice begins to weave a complex human tapestry. The more they talk the more elliptical their listener becomes, as she shapes and directs their accounts until certain themes begin to emerge: the experience of loss, the nature of family life, the difficulty of intimacy and the mystery of creativity itself.Outline is a novel about writing and talking, about self-effacement and self-expression, about the desire to create and the human art of self-portraiture in which that desire finds its universal form.

    Gretel, a lexicographer by trade, knows this better than most. She grew up on a houseboat with her mother, wandering the canals of Oxford and speaking a private language of their own invention. Her mother disappeared when Gretel was a teen, abandoning her to foster care, and Gretel has tried to move on, spending her days updating dictionary entries.One phone call from her mother is all it takes for the past to come rushing back. To find her, Gretel will have to recover buried memories of her final, fateful winter on the canals. A runaway boy had found community and shelter with them, and all three were haunted by their past and stalked by an ominous creature lurking in the canal: the bonak. Everything and nothing at once, the bonak was Gretel’s name for the thing she feared most. And now that she’s searching for her mother, she’ll have to face it.

    In a narrative spanning several years, casting among the influence of her peers, partner, and her duties to her forbearers, she struggles to make a wise and moral choice. After seeking guidance from philosophy, her body, mysticism, and chance, she discovers her answer much closer to home.Motherhood is a courageous, keenly felt, and starkly original novel that will surely spark lively conversations about womanhood, parenthood, and about how—and for whom—to live.

    It begins with a secret."All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season."It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it's not serious. But the pregnancy that results from this teen romance—and the subsequent cover-up—will have an impact that goes far beyond their youth. As Nadia hides her secret from everyone, including Aubrey, her God-fearing best friend, the years move quickly. Soon, Nadia, Luke, and Aubrey are full-fledged adults and still living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently? The possibilities of the road not taken are a relentless haunt.In entrancing, lyrical prose, The Mothers asks whether a "what if" can be more powerful than an experience itself. If, as time passes, we must always live in servitude to the decisions of our younger selves, to the communities that have parented us, and to the decisions we make that shape our lives forever.