Falling under the de Greys’ spell, Alice believes the family will heal her own past sorrows. But then the twins’ adoration becomes deceitful and taunting. Their father, ever distant, turns spiteful and cruel. The manor itself seems to lash out. Alice finds her surroundings subtly altered, her air slightly chilled. Something malicious resents her presence, something clouding her senses and threatening her very sanity.In present day New York, art gallery curator Rachel Wright has learned she is a descendant of the de Greys and heir to Winterbourne. Adopted as an infant, she never knew her birth parents or her lineage. At long last, Rachel will find answers to questions about her identity that have haunted her entire life. But what she finds in Cornwall is a devastating tragic legacy that has afflicted generations of de Greys. A legacy borne from greed and deceit, twisted by madness, and suffused with unrequited love and unequivocal rage.

    But his plans are derailed when, passing through a country village, he discovers a helpless woman being auctioned off to the highest bidder--by her husband.In order to save her from being violated by another potential buyer, Atlas purchases the lady, Lilliana, on the spot to set her free. But Lilliana, desperate to be with her young sons and knowing the laws of England give a father all parental rights, refuses to be rescued--until weeks later when her husband is murdered and Atlas is the only one who can help clear her name of the crime.Fortunately, Atlas is a master at solving complicated puzzles, both with games and the intricacies of human motivation, and finds himself uniquely suited to the task, despite the personal peril it may put him in. But soon Altas learns the dead man had many secrets--and more than a few enemies willing to kill to keep them quiet--in Murder in Mayfair, the first in a new historical mystery series by D. M. Quincy.

    Sealed with a distinctive family crest, it contains just five words: SHE KNOWS THAT YOU LIVE. But before Minou can decipher the mysterious message, a chance encounter with a young Huguenot convert, Piet Reydon, changes her destiny forever. For Piet has a dangerous mission of his own, and he will need Minou’s help if he is to get out of La Cité alive. Toulouse: As the religious divide deepens in the Midi, and old friends become enemies, Minou and Piet both find themselves trapped in Toulouse, facing new dangers as sectarian tensions ignite across the city, the battle-lines are drawn in blood and the conspiracy darkens further. Meanwhile, as a long-hidden document threatens to resurface, the mistress of Puivert is obsessed with uncovering its secret and strengthening her power.

    Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black.The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.

    Among the guests are an actress, a journalist, an artist, and a mystery novelist. The unlucky thirteenth is John Foss, injured at the local train station and brought to the house to recuperate – but John is nursing a secret of his own.Soon events take a sinister turn when a painting is mutilated, a dog stabbed, and a man strangled. Death strikes more than one of the house guests, and the police are called. Detective Inspector Kendall’s skills are tested to the utmost as he tries to uncover the hidden past of everyone at Bragley Court.This country-house mystery is a forgotten classic of 1930s crime fiction by one of the most undeservedly neglected of golden age detective novelists.

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    . . Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York—for her first London season. No sooner has Frances begun her new life than the ghosts of her old one make an unwelcome appearance. The Metropolitan police receive an anonymous letter implicating Frances in her husband’s death. Frances assures Inspector Delaney of her innocence, but she’s also keen to keep him from learning the scandalous circumstances of Reggie’s demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily’s behalf, and worrying if Reggie really was murdered, Frances learns of mysterious burglaries plaguing London’s elite. The investigation brings death to her doorstep, and Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst, perhaps even among her sister’s suitors. And Frances must unmask the villain before Lily’s season—and their lives—come to a most unseemly end . . .

    Bright and brilliant, they are destined for great things, and the youngest of the group—Aurora Jackson—is delighted to be allowed to tag along. The evening starts like any other—they drink, they dance, they fight, they kiss. Some of them slip off into the woods in pairs, others are left jealous and heartbroken. But by morning, Aurora has disappeared. Her friends claim that she was safe the last time they saw her, right before she went to sleep. An exhaustive investigation is launched, but no trace of the teenager is ever found.Thirty years later, Aurora’s body is unearthed in a hideaway that only the six friends knew about, and Jonah Sheens is put in charge of solving the long-cold case. Back in 1983, as a young cop in their small town, he had known the teenagers—including Aurora—personally, even before taking part in the search. Now he’s determined to finally get to the truth of what happened that night. Sheens’s investigation brings the members of the camping party back to the forest, where they will be confronted once again with the events that left one of them dead, and all of them profoundly changed forever.

    The year is 1018 and the war is finally over, but the unified kingdom is far from peaceful.Halfdan’s mixed lineage—half Danish, half Saxon—has made him a pauper in the new kingdom. His father, his brother, and the land he should have inherited were all taken by the new king’s men. He lost everything to the war but his sense of humor. Once a proud nobleman, Halfdan now wanders the country aimlessly, powered only by his considerable charm and some petty theft. When he finds an unlikely ally in Winston, a former monk, he sees no reason not to accept his strange invitation to travel together to Oxford. Winston has been commissioned to paint a portrait of the king at the invitation of his new wife, and the protection of a clever man like Halfdan is well worth its price in wine and bread.But when the pair’s arrival in court coincides with news of a murder, the king has a brilliant idea: Why not enlist the newly arrived womanizing half-Dane and the Saxon intellectual to defuse a politically explosive situation? The pair represents both sides of the conflict and seem to have crime-solving skills to boot. In their search for the killer, Halfdan and Winston find seduction, adventure, and scandal in the wild early days of Cnut’s rule.

     THE CORONER’S TALE In the remote Devonshire town of Crediton, a young girl is found dead in an alleyway, raped and murdered. As the local Bailiff and a visiting knight investigate the crime, it comes to light that the bailiff holds an incriminating secret – one that has the potential to place this agent of the government on the wrong side of the law. FOR THE LOVE OF OLD BONES A group of monks journeying from Launceston Abbey across the wild wastelands of Dartmoor are waylaid by brigands. During the brawl, their abbot is put to death at the blade of a knife, but the murderer neglected to steal his money filled purse. When the local bailiff discovers that the group are conducting a holy relic overseas to France, he begins to suspect that there are murkier motivations at play. THE AMOROUS ARMOURER A blacksmith is found dead in his lodgings, the door locked from the inside. As the town’s meticulously minded bailiff goes about his investigation, a veritable rogue’s gallery of culprits drift in and out of focus - but the guilty party is the least suspect of all. A CLERICAL ERROR One of the king’s forresters lies dead in a gully on the moor, his head smashed in with a rock, and the only witness to the murder being the forrester’s loyal mastiff, who stands vigil over his master’s body. As the list of suspects increases with every local rivalry which comes to light, the outcome of the case will surprise all involved. DANCE OF DEATH 1348, the year of the Great Death. Refugees flood into the city of Exeter from the plague-ravaged countryside surrounding the city. A man and a young boy from the village of Rookford arrive separately, yet both share knowledge of a horrifying secret and come to the realisation that even in these times of turmoil, the past is inescapable. Praise for Michael Jecks: "An instant classic British spy novel - mature, thoughtful, and intelligent ... but also raw enough for our modern times. Highly recommended." Lee Child, author of the Reacher series "More magic by the master of the medieval” - Quintin Jardine "Michael Jecks is a national treasure" - Scotland on Sunday “A textbook example of how to blend action and detection in a historical” - Publishers Weekly Michael Jecks is the author of the bestselling Knights Templar series, comprising thirty-two novels starring Baldwin de Furnshill. Fields of Glory is the first novel in a new trilogy, set around the Hundred Years' War. A regular speaker at library and literary events, he is a past Chairman of the Crime Writers' Association and a Fellow of the Royal Literary Fund at Exeter University. He was shortlisted for the Harrogate/Theakston’s Old Peculier prize for the best crime novel of the year 2007, the year Allan Guthrie won. He lives with his wife, children and dogs in northern Dartmoor. To find out more visit his website http://www.michaeljecks.com, follow him on twitter @michaeljecks, or find him on facebook: http://www.facebook.com/Michael.Jecks... Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com.

    . .December 1918: As a difficult year draws to a close, there is much to celebrate for nineteen-year-old Phoebe Renshaw and her three siblings at their beloved family estate of Foxwood Hall. The dreadful war is finally over; eldest daughter Julia's engagement to their houseguest, the Marquis of Allerton, appears imminent; and all have gathered to enjoy peace on earth, good will toward men. But the peace of Foxwood Hall is shattered on the morning of Boxing Day, when the Marquis goes missing. Not entirely missing, however, as macabre evidence of foul play turns up in gift boxes given to lady's maid Eva Huntford and a handful of others. Having overheard her sister and the Marquis in a heated exchange the night before, Lady Phoebe takes a personal interest in solving the mystery. As the local constable suspects a footman at Foxwood Hall, Phoebe and Eva follow the clues to a different conclusion. But both young women will need to think outside the box to wrap up this case--before a cornered killer lashes out with ill will toward them. . .

    Inside the peculiar case, he discovers a journal, written by the renowned Robert Louis Stevenson, which divulges ominous particulars about his creation of The Strange Case of Dr. Jekyll and Mr. Hyde. It also promises to reveal a terrible secret—the identity of Jack the Ripper.Unfortunately, the journal—whose macabre tale unfolds in an alternating narrative with Rafe’s—isn’t the only relic in the trunk, and Rafe isn’t the only one to purloin a souvenir. A mysterious flask containing the last drops of the grisly potion that inspired Jekyll and Hyde and spawned London’s most infamous killer has gone missing. And it has definitely fallen into the wrong hands.

     However there is more to the matter - a whisper of murder… Inspector John Joseph Lintott is sent in to investigate, and the further he delves into the mystery the more tangled it becomes. Is Laura the pious, meek wife she appears to be? Could the rumours be true about her unnatural relationship with Titus? Was Theodore Crozier murdered by someone in his household?

    Crispin Guest is a disgraced knight, stripped of his rank and his honor - but left with his life - for plotting against Richard II.  Having lost his bethrothed, his friends, his patrons and his position in society.  With no trade to support him and no family willing to acknowledge him, Crispin has turned to the one thing he still has - his wits - to scrape a living together on the mean streets of London.  In 1383, Guest is called to the compound of a merchant - a reclusive mercer who suspects that his wife is being unfaithful and wants Guest to look into the matter.  Not wishing to sully himself in such disgraceful, dishonorable business but in dire need of money, Guest agrees and discovers that the wife is indeed up to something, presumably nothing good.  But when he comes to inform his client, he is found dead - murdered in a sealed room, locked from the inside.  Now Guest has come to the unwanted attention of the Lord Sheriff of London and most recent client was murdered while he was working for him.  And everything seems to turn on a  religious relic - a veil reported to have wiped the brow of Christ - that is now missing.

    She’s not used to mixing work and friendship―after all, between her jealous boyfriend and his young daughter, she has enough on her plate. But the newest dancer is so clueless that Samantha feels compelled to help her learn the hustle and drama of the club: how to sweet-talk the boss, fit in with the other women, and make good money. One night, when the new girl needs a ride home, Samantha agrees to drive: a simple decision that turns deadly.Georgia, another dancer drawn into the ensuing murder and missing person investigation, gathers information for Holly, a grieving detective determined to solve the case. Georgia just wants to help, but her involvement makes her a target. As Holly and Georgia round up their suspects, the story’s point of view shifts between dancers, detectives, children, club patrons―and the killer.Drawing on her experience as a former dancer, Marie Rutkoski immerses us in the captivating world of the club, which comes alive with complicated people trying their best to protect themselves and those they love. Character-driven and masterfully plotted, Real Easy gets to the heart of the timeless question: How do women live their lives knowing that men can hurt them?