Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    This was published as a Clarkesworld audiobook podcast in 2020.

    Invasion by the warlike Ousters looms, and the mysterious schemes of the secessionist AI TechnoCore bring chaos ever closer.On the eve of disaster, with the entire galaxy at war, seven pilgrims set fourth on a final voyage to the legendary Time Tombs on Hyperion, home to the Shrike, a lethal creature, part god and part killing machine, whose powers transcend the limits of time and space. The pilgrims have resolved to die before discovering anything less than the secrets of the universe itself.THE FALL OF HYPERIONThe mysterious Time Tombs are opening and the Shrike that has risen from them may well control the fate of all mankind. The Ousters are laying siege to the Hegemony of Man and the AIs we created have turned against us to build the Ultimate Intelligence; God. The God of Machines. His genesis could mean annihilation for man.Something is drawing the Hegemony, the Ousters, the Als, the entire universe to the Shrike.Here is a superb vision of future technology and ancient religions, of scientific revelation and timeless mystery, of transcendent joy and mind-bending horror. Here is a Hugo Award-winning landmark in Science Fiction.

    Set on a mysterious island, Bioy’s novella is a story of suspense and exploration, as well as a wonderfully unlikely romance, in which every detail is at once crystal clear and deeply mysterious.Inspired by Bioy Casares’s fascination with the movie star Louise Brooks, The Invention of Morel has gone on to live a secret life of its own. Greatly admired by Julio Cortázar, Gabriel García Márquez, and Octavio Paz, the novella helped to usher in Latin American fiction’s now famous postwar boom. As the model for Alain Resnais and Alain Robbe-Grillet’s Last Year at Marienbad, it also changed the history of film.

    From the Book of Revelation to The Road Warrior, from A Canticle for Leibowitz to The Road, storytellers have long imagined the end of the world, weaving eschatological tales of catastrophe, chaos, and calamity. In doing so, these visionary authors have addressed one of the most challenging and enduring themes of imaginative fiction: The nature of life in the aftermath of total societal collapse. Gathering together the best post-apocalyptic literature of the last two decades from many of today's most renowned authors of speculative fiction - including George R. R. Martin, Gene Wolfe, Orson Scott Card, Carol Emshwiller, Jonathan Lethem, Octavia E. Butler, and Stephen King - Wastelands explores the scientific, psychological, and philosophical questions of what it means to remain human in the wake of Armageddon. Whether the end of the world comes through nuclear war, ecological disaster, or cosmological cataclysm, these are tales of survivors, in some cases struggling to rebuild the society that was, in others, merely surviving, scrounging for food in depopulated ruins and defending themselves against monsters, mutants, and marauders. Wastelands delves into this bleak landscape, uncovering the raw human emotion and heart-pounding thrills at the genre's core. --back coverContains the following stories:Introduction by John Joseph AdamsThe End of the Whole Mess by Stephen KingSalvage by Orson Scott CardThe People of Sand and Slag by Paolo BacigalupiBread and Bombs by M. RickertHow We Got In Town and Out Again by Jonathan LethemDark, Dark Were the Tunnels by George R. R. MartinWaiting for the Zephyr by Tobias S. BuckellNever Despair by Jack McDevittWhen Sysadmins Ruled the Earth by Cory DoctorowThe Last of the O-Forms by James Van PeltStill Life With Apocalypse by Richard KadreyArtie’s Angels by Catherine WellsJudgment Passed by Jerry OltionMute by Gene WolfeInertia by Nancy KressAnd the Deep Blue Sea by Elizabeth BearSpeech Sounds by Octavia E. ButlerKillers by Carol EmshwillerGinny Sweethips’ Flying Circus by Neal Barrett, Jr.The End of the World as We Know It by Dale BaileyA Song Before Sunset by David GriggEpisode Seven... by John LanganAppendix: For Further Reading

    It didn't give you the date and it didn't give you specifics. It just spat out a sliver of paper upon which were printed, in careful block letters, the words DROWNED or CANCER or OLD AGE or CHOKED ON A HANDFUL OF POPCORN. It let people know how they were going to die." Machine of Death tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out. Featuring stories by: * Randall Munroe* Ben "Yahtzee" Croshaw* Tom Francis* Camille Alexa* Erin McKean* James L. Sutter* Douglas J. Lane* and many others.Featuring illustrations by: * Kate Beaton* Kazu Kibuishi* Aaron Diaz* Jeffrey Brown* Scott C.* Roger Langridge* Karl Kerschl* Cameron Stewart* and many others

    Forget minor hazards like nuclear bombs. The discovery of time travel means that everything we know, anyone we know, might not only vanish, but never even have existed. Against that possibility stand the men and women of the Time Patrol, dedicated to preserving the history they know and protecting the future from fanatics, terrorists, and would-be dictators who would remold the shape of reality to suit their own purposes. But Manse Everard, the Patrol's finest temporal trouble-shooter, bears a heavy burden. The fabric of history is stained with human blood and suffering which he cannot, must not do anything to alleviate, lest his tampering bring disastrous alterations in future time. Everard must leave the horrors of the past in place, lest his tampering or that of the Patrol's opponents, the Exaltationists, erase all hope of a better future, and instead bring about a future filled with greater horrors than any recorded by past history at its darkest and most foul. Contents: * Time Patrol [Time Patrol • 1] (1955) / novelette by Poul Anderson: In the mid-20th century Manse Everard answers a job ad and gets hired as a time cop. Time travel will be invented centuries in the future; untold centuries beyond that mankind has evolved into a species called the Danellians, who persuaded the early time travellers to set up the Time Patrol with the aim of protecting all of time from any alteration by interfering temponauts that might risk the Danellians' existence. Manse's first mission is to go back to the late 19th century to correct the circumstances that led to the appearance of an anachronistic item in an old burial mound * Brave to Be a King [Time Patrol • 2] (1959) •/ novelette by Poul Anderson: A Time Patrol friend of Manse's, Keith, has gone missing in 6th-century Iran, and Keith's wife begs Manse to go find him. Trouble is, Manse has always had the serious hots for the wife, despite her somewhat whiny voice, so it's very tempting not to try very hard -- to assume that Keith has landed on his feet and is happy where he is, sort of thing. But his honourable self knows better. He discovers Keith has been forced to adopt the persona of Cyrus the Great; rescuing him while preserving the course of history proves to be a far more tortuous business than one might imagine. * Gibraltar Falls [Time Patrol • 3] (1975) / short story by Poul Anderson: What must have been the most remarkable spectacle of known prehistory, the collapse of the isthmus at the Gates of Hercules and the inundation of the basin that is now the Mediterranean Sea by the waters of the Atlantic * The Only Game in Town [Time Patrol • 4] (1960)/ novelette by Poul Anderson: Manse and a friend manage to head off the Chinese colonization, pre-Columbus, of the Americas. 8 Delenda Est [Time Patrol • 5] (1955) / novelette by Poul Anderson: Manse and a friend return from a holiday in the Pleistocene to their own time, only to discover it considerably changed; clearly there's been an unauthorized change to history. Eventually they trace it to an incident during the Punic Wars, which incident made it possible for Hannibal to defeat Rome. They succeed in reversing the change, but know that in so doing they're wiping out all the people they've befriended in the alternative 1950s. They succeed, though, in saving the laughing-eyed Hoirish colleen whom Manse's friend has fallen for. * Ivory, and Apes, and Peacocks [Time Patrol • 6] (1983) / novella by Poul Anderson: Tells of the Exaltationists, the 23rd-century cult whose obsessive pursuit of hedonism renders them unimpressed by the effects their vicious power-and pleasure-seeking could do to the timestream, including the possibility of their wiping the existence of their own culture out of history. Pummairam, a youth who takes Manse under his wing when first the patrolman arrives in Tyre, engineers much of the tricksterism Manse must use to thwart the baddies. * The Sorrow of Odin the Goth [Time Patrol • 7] (1983) / novella by Poul Anderson: A history prof, Carl Farness, has allowed himself to become the personification of the god Odin to a 4th-century tribe of Goths; he has also allowed himself to become far too personally involved with the people whom he's there to study, marrying one of them (with the knowledge of his 20th-century wife) and keeping an eye on the usually somewhat messy fates of his children, grandchildren, etc. Manse gets involved because incarnations of gods are the kind of thing that cause history to be altered; in fact, as Carl points out, all kinds of Goth tribes were convinced they'd been visited by various deities, and their stories were usually quickly dismissed as myths, then forgotten. Still, he must extract himself from the situation with care. * Star of the Sea [Time Patrol • 8] (1991) / novella by Poul Anderson: Europe in the 1st century, and various peoples, led by the likes of Civilis, are rebelling against corrupt Roman rule -- with the violence continuing even after it becomes clear that an honourable peace could be struck. A major factor keeping them at war is the zeal of a visionary/prophetess called Veleda, who for reasons unknown has had a far greater and longer influence in a revealed timeline than she had in the known history of the period. Manse and a historian called Floris, who becomes his first real love, manage to sort out the situation. * The Year of the Ransom [Time Patrol • 9] (1988) / novel by Poul Anderson: Heroine Wanda Tamberley's Uncle Steve, living among Pizarro's brutal conquistadors at the time of the ransoming of Atahuallpa, is attacked by the Exaltationists and then abducted into a very distant past by a quick-witted Spanish soldier who believes him to be a demon. Manse and Wanda to the rescue, of course. * Death and the Knight [Time Patrol] (1995) / novelette by Poul Anderson: how to rescue an errant time agent without changing history. Hugues Marot, a time traveler from the future who towers over most men with his great height, is a member of the Templars. He has accurately predicted some future events: when he is arrested and detained by his fellow Templars, he grasps a crucifix which is a "...symbol and source of help from beyond this world". A source of help indeed, as it conceals his Time Patrol communicator..

    Phaethon, of Radamanthus House, is attending a glorious party at his family mansion celebrating the thousand-year anniversary of the High Transcendence. There he meets an old man who accuses him of being an imposter, and then a being from Neptune who claims to be an old friend. The Neptunian tells him that essential parts of his memory were removed and stored by the very government that Phaethon believes to be wholly honorable. It shakes his faith. Is he indeed an exile from himself? He can't resist investigating, even though to do so could mean the loss of his inheritance, his very place in society. His quest must be to regain his true identity and fulfill the destiny he chose for himself.The Golden Age is just the beginning of Phaethon's story, which will continue in The Phoenix Exultant, forthcoming from Tor.

    He likes to stretch things out over precisely seven coffees. No one knows whether he actu-ally travels to the stars, but he tells the best tall tales in the city, so why doubt him? By the light of the chaste electronic moon --The sense of the circle --Of navigators --The best day of the year --The González family's fight for a better world ----Interval with my aunts. Trafalgar and Josefina. --End of the interval --Mr. Chaos --Constancia --Strelitzias, Lagerstroemias, and Gypsophila --Trafalgar and I

    Altho they have no bodies to move around with, they're free to mentally visit any of the other residents, & engage in all the emotional, intellectual & pseudo-sexual congress that they desire. This is the story of a projection of life in the 25th century. People have been reduced to Cerebromorphs--disembodied brains stored in tanks in huge Depositories & wired up to computers, memory files & mammoth study programmes. In the tanks they're supposed to pass thru various levels of understanding before they are liberated, implanted in hatchery-nurtured perfect bodies & sent back into a pastoral paradise flourishing outside. The novel follows a small group of these brains: that of a 12-year-old boy killed in an air crash; an ex-movie queen, fastidious, rich & lethal; a former Nigerian sculptor & the last of the great humanists.

    Contents:Frame story that follows Miles' time on Earth in Brothers in ArmsThe Mountains of Mourning (1989)Labyrinth (1989)The Borders of Infinity (1987)

    "Anda's Game" is a spin on the bizarre new phenomenon of "cyber sweatshops," in which people are paid very low wages to play online games all day in order to generate in-game wealth, which can be converted into actual money. Another tale tells of the heroic exploits of "sysadmins" — systems administrators — as they defend the cyber-world, and hence the world at large, from worms and bioweapons. And yes, there is a story about zombies, too.

    Taking the Three Laws of Robotics literally, Prime Intellect makes every human immortal and provides instantly for every stated human desire. Caroline finds no meaning in this life of purposeless ease, and forgets her emptiness only in moments of violent and profane exhibitionism. At turns shocking and humorous, Prime Intellect looks unflinchingly at extremes of human behavior that might emerge when all limits are removed.

    Le Guin is one of the greatest science fiction writers and many times the winner of the Hugo and Nebula Awards. Her career as a novelist was launched by the three novels contained in Worlds Of Exile And Illusion. These novels, Rocannon's World, Planet Of Exile, and City Of Illusions, are set in the same universe as Le Guin's ground-breaking classic, The Left Hand Of Darkness.Tor is pleased to return these previously unavailable works to print in this attractive new edition.

    His assignment: to detect any signs of latent aggression in this planet’s population.To his astonishment, he finds that his own latent extrasensory powers have suddenly blossomed, and he is invited to join the company of “gods” on this planet.And people place certain expectations on their gods….