He doesn't solve problems, enforce rules or arrest criminals. He knows that nobody in tiny Potts County actually wants to follow the law and he is perfectly content lazing about, eating five meals a day, and sleeping with all the eligible women.Still, Nick has some very complex problems to deal with. Two local pimps have been sassing him, ruining his already tattered reputation. His girlfriend Rose is being terrorized by her husband. And then, there's his wife and her brother Lenny who won't stop troubling Nick's already stressed mind. Are they a little too close for a brother and a sister? With an election coming up, Nick needs to fix his problems and fast. Because the one thing Nick does know is that he will do anything to stay sheriff. Because, as it turns out, Sheriff Nick Corey is not nearly as dumb as he seems.In Pop. 1280, widely regarded as a classic of mid-20th century crime, Thompson offers up one of his best, in a tale of lust, murder, and betrayal in the Deep South that was the basis for the critically acclaimed French film Coup de Torchon.

    With his guard down, he doesn’t think twice when he hears a knock on the door. The next day, he finds himself in the hospital, badly bruised and with his jaw wired shut. He thinks back over ten years of cases wondering who would want to beat him into unconsciousness, steal his gun and badge, and most importantly, make off with his prized dentures. But the pieces never quite add up to revenge, and the few clues he has keep connecting to a dimwitted hooker, and her ex-con boyfriend and the bizarre murder of a Hare Krishna pimp.Chronically depressed, constantly strapped for money, always willing to bend the rules a bit, Hoke Moseley is hardly what you think of as the perfect cop, but he is one of the the greatest detective creations of all time.

    Now he bangs out honky-tonk for drunks in a dive in Philadelphia. But then two people walk into Eddie's life--the first promising Eddie a future, the other dragging him back into a treacherous past.Shoot the Piano Player is a bittersweet and nerve-racking exploration of different kinds of loyalty: the kind a man owes his family, no matter how bad that family is; the kind a man owes a woman; and, ultimately, the loyalty he owes himself. The result is a moody thriller that, like the best hard-boiled fiction, carries a moral depth charge.

    First published in 1935, this novel reaffirmed James M. Cain as a virtuoso of the roman noir.

    But a cop named Foley is on to Eddie and he's leaning on him to finger Scalisi, a gang leader with a lot to hide. And then there's Dillon-a full-time bartender and part-time contract killer--pretending to be Eddie's friend. Wheeling, dealing, chasing, and stealing--that's Eddie, and he's got lots of friends.

    Edgar Hoover, Howard Hughes, Jimmy Hoffa, Cuban political exiles, and various loose cannons conspire in a covert anarchy...Where the right drugs, the right amount of cash, the right murder, buys a moment of a man's loyalty...Where three renegade law-enforcement officers—a former L.A. cop and two FBI agents—are shaping events with the virulence of their greed and hatred, riding full-blast shotgun into history....James Ellroy's trademark nothing-spared rendering of reality, blistering language, and relentless narrative pace are here in electrifying abundance, put to work in a novel as shocking and daring as anything he's written: a secret history that zeroes in on a time still shrouded in secrets and blows it wide open.Chosen by Time magazine as one of the ten best books of the year."Hard-bitten ... ingenious ... Ellroy segues into political intrigue without missing a beat." —The New York Times"Vastly entertaining." —Los Angeles Times"One hellishly exciting ride." —Detroit Free Press"A supremely controlled work of art." —The New York Times Book Review

    Marshal Raylan Givens of TV’s Justified fame), and, quite simply, some of the very best suspense novels written over the past century. Killshot is prime Leonard—a riveting story of a husband and wife caught in the crossfire when they foil a criminal act and are forced to defend themselves when the legal system fails them from the murderous wrath of a pair of vengeful killers. When it comes to cops and criminals stories, Killshot and Leonard are as good as it gets—further proof why “the King Daddy of crime writers” (Seattle Times) deserves his current place among John D. MacDonald, Dashiell Hammett, James M. Cain, and the other legendary greats of the noir fiction genre.

    On the same day that Roy Cady is diagnosed with a terminal illness, he senses that his boss, a dangerous loan-sharking bar-owner, wants him dead. Known “without affection” to members of the boss’s crew as “Big Country” on account of his long hair, beard, and cowboy boots, Roy is alert to the possibility that a routine assignment could be a deathtrap. Which it is. Yet what the would-be killers do to Roy Cady is not the same as what he does to them, which is to say that after a smoking spasm of violence, they are mostly dead and he is mostly alive.Before Roy makes his getaway, he realizes there are two women in the apartment, one of them still breathing, and he sees something in her frightened, defiant eyes that causes a fateful decision. He takes her with him as he goes on the run from New Orleans to Galveston, Texas—an action as ill-advised as it is inescapable. The girl’s name is Rocky, and she is too young, too tough, too sexy—and far too much trouble. Roy, Rocky, and her sister hide in the battered seascape of Galveston’s country-western bars and fleabag hotels, a world of treacherous drifters, pickup trucks, and ashed-out hopes. Any chance that they will find safety there is soon lost. Rocky is a girl with quite a story to tell, one that will pursue and damage Roy for a very long time to come in this powerful and atmospheric thriller, impossible to put down. Constructed with maximum tension and haunting aftereffect, written in darkly beautiful prose, Galveston announces the arrival of a major new literary talent.

    Now one of Sampson's friends may have arranged his kidnapping.Lew Archer follows the clues from the canyon sanctuaries of the mega-rich to jazz joints where you get beaten up between sets.Welcome to the first Lew Archer, private investigator - a roving conscience who walks the treacherous frontier between criminal guilt and human sin. You are sure to find that Ross Macdonald's "The Moving Target" blends sex, greed, and family hatred into an explosively readable crime novel.

    They're not criminals. They're outlaws. They have made a living by driving anything and everything for the Stanleys, the criminal family who has been employing them for decades. It's ended with Tucker. He's gone straight, much to the disappointment of his father, Webb. When Webb vanishes after a job, and with him a truck load of drugs, the Stanleys want their drugs back or their money. With the help from his grandfather, Calvin-the original lead foot-Tucker is about to learn a whole lot about the family business in a crash course that might just get him killed.Praise for RUMRUNNERS:“A killer. If you dug Bull Mountain, you’ll love it.”—Brian Panovich, author of Bull Mountain“The best word to sum up this book is ’FUN’, in capital letters.”—Stuart MacBride, author of The Missing and the Dead“Buckle up...RUMRUNNERS is a fast and furious read.”—Samuel W. Gailey, author of Deep Winter“Few contemporary writers do justice to the noir tradition the way Eric Beetner does. Others try to emulate and mimic; Beetner just takes the form and cuts his own jagged, raw and utterly readable path.”—Gar Anthony Haywood, author of Assume Nothing, Cemetery Road and the Aaron Gunner series“Rumrunners just never lets up. It's a fuel-injected, mile-a-minute thrill ride. I had a blast.”—Grant Jerkins, author of A Very Simple Crime and Done In One

    "Red Harvest" is more than a superb crime novel: it is a classic exploration of corruption and violence in the American grain.The Op was in Personville, derogatory nickname aside, as the result of a letter to the Continental Detective Agency in San Francisco from Donald Willsson, publisher of the local paper, asking for an agent to visit. No other information. As soon as the OP arrives, the body count begins. It starts with his client!

    Rush has achieved the kind of critical and commercial success most authors only dream about: He has a top agent and publisher in New York, and his twenty-eight mystery novels have sold millions of copies. Only Stephen King, one of the few mystery writers whose fame exceeds his own, is capable of inspiring a twinge of envy in Rush. But Rush is hiding a dark secret. Under the pseudonym "Jack of Spades," he pens another string of novels—noir thrillers that are violent, lurid, masochistic. These are novels that the upstanding Rush wouldn't be caught reading, let alone writing. When his daughter comes across a Jack of Spades novel he has carelessly left out, she picks it up and begins to ask questions. Meanwhile, Rush receives a court summons in the mail explaining that a local woman has accused him of plagiarizing her own self-published fiction. Before long, Rush's reputation, career, and family life all come under threat—and in his mind he begins to hear the taunting voice of the Jack of Spades.

    The one book Black Lizard never published, it's the dream-like tale of a man after a jailbreak, who meets up with the woman of his dreams... and his nightmares. Phenomenal work of the period, ranking with the best efforts of Thompson, Woolrich, Goodis et al.

    But that's the life she was trapped in - until she met Jack.Now Shirley and Jack have a plan to put the old man out of his misery and walk away with a suitcase full of cash. But there's nothing like money to come between lovers – money, and other women...

    This novel of the drug trade takes you deep inside a world riddled with corruption, betrayal, and bloody revenge. Art Montana is an obsessive DEA agent. The Barrera brothers are heirs to a drug empire. Nora Hayden is a jaded teenager who becomes a high-class hooker. Father Parada is a powerful and incorruptible Catholic priest. Callan is an Irish kid from Hell’s Kitchen who grows up to be a merciless hitman. And they are all trapped in the world of the Mexican drug Federaci. From the streets of New York City to Mexico City and Tijuana to the jungles of Central America, this is the war on drugs like you’ve never seen it.