Wry, profane, hilarious, and tragic, sometimes in a single line, Lush Life is his masterwork. I doubt anyone will write a novel this good for a long, long time." — Dennis Lehane"So, what do you do?" Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter… But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places--until two street kids stepped up to him and Eric one night and pulled a gun. At least, that's Eric's version.In Lush Life, Richard Price tears the shiny veneer off the 'new' New York to show us the hidden cracks, the underground networks of control and violence beneath the glamour. Lush Life is an X-ray of the street in the age of no broken windows and "quality of life" squads, from a writer whose "tough, gritty brand of social realism…reads like a movie in prose." — Michiko Kakutani, The New York Times.

    Soon. And that impending event brings his son Jimmy back to the Imperial Valley of southern California just north of the Calexico/Mexicali border. Jimmy hopes he can spend what time his father has left laughing and reminiscing. But Jack’s got one dying request. He needs Jimmy to find a Mexican prostitute named Yolanda.Enlisting the help of his boyhood friend Bobby Maves, the pair stumbles through the violent, the exploited, and the corrupted of Mexicali. It doesn’t take long before they’re in over their heads. And as Jimmy tries to survive the dangers of the Mexicali underworld, he unwittingly uncovers truths about his father he never imagined, forcing Jimmy to come to terms with the man he thought he knew, and to decide just what sort of man he wants to become.“[Johnny Shaw] is excellent at creating a sense of place with a few deft strokes... he moves effortlessly between dark comedy and moments that pack a real emotional punch, and he’s got a knack for off-kilter characters who are completely at home in their own personal corners of oddballdom.”– Tana French, author of In the Woods, Faithful Place

    No note, no trace, no return. Ever. Now, twenty-five years later, she'll learn the devastating truthSometimes better not to know. . . Cynthia is happily married with a young daughter, a new family. But the story of her old family isn't over. A strange car in the neighborhood, untraceable phone calls, ominous gifts, someone has returned to her hometown to finish what was started twenty-five years ago. And no one's innocence is guaranteed, not even her own. By the time Cynthia discovers her killer's shocking identity, it will again be too late . . . even for goodbye.

    Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett's tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness.

    The president of one of America's largest unions is running for re-election, but he has no idea that his fiercest opponent is a hired gun.

    “We are always telling a story to ourselves, about ourselves,” Dustin Tillman likes to say. It’s one of the little mantras he shares with his patients, and it’s meant to be reassuring. But what if that story is a lie?A psychologist in suburban Cleveland, Dustin is drifting through his forties when he hears the news: His adopted brother, Rusty, is being released from prison. Thirty years ago, Rusty received a life sentence for the massacre of Dustin’s parents, aunt, and uncle. The trial came to symbolize the 1980s hysteria over Satanic cults; despite the lack of physical evidence, the jury believed the outlandish accusations Dustin and his cousin made against Rusty. Now, after DNA analysis has overturned the conviction, Dustin braces for a reckoning.Meanwhile, one of Dustin’s patients gets him deeply engaged in a string of drowning deaths involving drunk college boys. At first Dustin dismisses talk of a serial killer as paranoid thinking, but as he gets wrapped up in their amateur investigation, Dustin starts to believe that there’s more to the deaths than coincidence. Soon he becomes obsessed, crossing all professional boundaries—and putting his own family in harm’s way.From one of today’s most renowned practitioners of literary suspense, Ill Will is an intimate thriller about the failures of memory and the perils of self-deception. In Dan Chaon’s nimble, chilling prose, the past looms over the present, turning each into a haunted place.

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

     THERE’S A KILLER INSIDE THE POLICE STATION. A police station should be a safe place. But not when there’s a psychotic serial killer working there. THE FIRST VICTIM IS FOUND GRUESOMELY MUTILATED IN HIS MOST SENSITIVE AREA. HE IS DRESSED IN A JUDGE’S WIG. Detective Superintendent Jack Fulton takes on the grisly murder enquiry and discovers that his murderer might actually be one of the police station staff. MORE EMINENT VICTIMS FOLLOW. KILLED IN THE SAME SADISTIC MANNER. The press nickname the razor-wielding assassin “The Slicer.” With the killer stalking the shadowy Victorian building, Fulton has to contend not only with press harassment and police who will stop at nothing to get a result, but also with other problems much closer to home. As the killer leads him on a grim game of cat and mouse, Fulton has little idea of just how personal that game is about to become . . . YOU WON’T WANT TO PUT THIS ONE DOWN Perfect for fans of Rachel Abbott, Robert Bryndza, Mel Sherratt, Angela Marsons, Colin Dexter, or Ruth Rendell. THE AUTHOR A former police superintendent, with thirty years’ service. Since ‘turning to crime’, he has received critical media acclaim, including a welcome accolade from Inspector Morse’s creator, the late great, Colin Dexter, and he is now a prolific novelist with eleven published crime novels and an autobiography on his police career to his credit. His previous police experience has enabled him to provide a gritty realism to his thrillers and his Somerset Murder Series, featuring feisty female detective, Kate, and her partner, Hayden, has gone from strength to strength, attracting interest in the United States as well as in the UK. DETECTIVE KATE HAMBLIN MYSTERY SERIES Book 1: MURDER ON THE LEVELS Book 2: REVENGE ON THE LEVELS Book 3: FEAR ON THE LEVELS Book 4: KILLER ON THE LEVELS Book 5: SECRETS ON THE LEVELS Book 6: DEATH ON THE LEVELS STANDALONES SLICE

    Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances surrounding Ashley's life and death, McGrath comes face-to-face with the legacy of her father: the legendary, reclusive cult-horror film director Stanislaus Cordova--a man who hasn't been seen in public for more than thirty years. For McGrath, another death connected to this seemingly cursed family dynasty seems more than just a coincidence. Though much has been written about Cordova's dark and unsettling films, very little is known about the man himself. Driven by revenge, curiosity, and a need for the truth, McGrath, with the aid of two strangers, is drawn deeper and deeper into Cordova's eerie, hypnotic world. The last time he got close to exposing the director, McGrath lost his marriage and his career. This time he might lose even more.

    The killer is still at large, and there’s only one surviving witness—the boy whose family was killed before his eyes. Whoever committed the crimes wanted this boy to die: he’s suffered more than one hundred knife wounds and lapsed into a state of shock. Desperate for information, Linna sees only one option: hypnotism. He enlists Dr. Erik Maria Bark to mesmerize the boy, hoping to discover the killer through his eyes.It’s the sort of work that Bark has sworn he would never do again—ethically dubious and psychically scarring. When he breaks his promise and hypnotizes the victim, a long and terrifying chain of events begins to unfurl.An international sensation, The Hypnotist is set to appear in thirty-seven countries, and it has landed at the top of bestseller lists wherever it’s been published—in France, Holland, Germany, Spain, Italy, Denmark. Now it’s America’s turn. Combining the addictive power of the Stieg Larsson trilogy with the storytelling drive of The Silence of the Lambs, this adrenaline-drenched thriller is spellbinding from its very first page.

    Keller goes in, does the job, gets out: usually at a few hours’ notice . . . Often Keller’s work takes him out of New York to other cities, to pretty provincial towns that almost tempt him into moving to the woods and the lakeshores. Almost but not quite. But then one job goes wrong in a way Keller has never imagined and it leaves him with a big problem. Finding himself with an orphan on his hands, Keller's job begins to interfere with his carefully guarded life. And once you let someone in to your life, they tend to want to know what you do when you're away. And killing for a living, lucrative though it is, just doesn't find favour with some folks.

    In the man's last breath, he whispers his confession: Samedi. What follows is a spellbinding game of cat and mouse as James is abducted, brought to an asylum, and seduced by a woman in yellow. Who is lying? What is Samedi? And what will happen on the seventh day?

    Harvey Burdell in his lower Manhattan home made front-page news across the United States in 1857. "Who killed Dr. Burdell?" was a question that gripped the nation. 31 Bond Street, a debut novel by Ellen Horan, interweaves fiction with actual events in a clever historical narrative that blends romance, politics, greed and sexual intrigue in a suspenseful drama. The story opens when an errand boy discovers Burdell's body in the bedroom of his posh Bond Street home. The novel's central characters are Dr. Harvey Burdell, a dentist and unscrupulous businessman; his lover, the ambitious, Brooklyn-born Emma Cunningham; the District Attorney, Abraham Oakey Hall (later to become mayor of New York); and Henry Clinton, a prominent defense lawyer. The enigmatic relationship between Emma and Dr. Burdell makes her the prime suspect, and her trial is nothing less than sensational. During the trial, the two lawyers fight for truth, justice and their careers. This novel is set against the background of bustling, corrupt New York City, just four years before the Civil War. The author intertwines two main narratives: the trial through the perspective of the defense attorney Henry Clinton, and the story of the lovely young widow Emma Cunningham whose search for a husband brings her into the arms and home of Dr. Burdell.

    In this hidden city haunted by a host of vividly drawn characters, Rilke comes face to face with the dark desires and illicit urges that lurk behind even the most respectable facades.

    The only thing is the sheriff can find neither the body nor someone to attest to the killing. Simply, almost elementally told through the voices of the sheriff, a local farmer, his beautiful wife, their son, and the sheriff's deputy, One Foot in Eden signals the bellwether arrival of one the most mature and distinctive voices in southern literature.