Shanice is just a young vibrate teenage girl that is trying to focus on graduating college and making something out of herself. When she meets Money, a young rapper that captures her heart and changes the course that she is directed in, instead of only doing her she does him, but will loving him get her burned in the end? JaeCia is going through the motions being that her dad is locked up and her mother doesn’t care about her. She finds solace from her crazy world in TJ, someone who has always been there for her but will she allow her heart to open and be loved? Amora is living her days in hell, hiding secrets left and right but trying to keep a cool exterior. She just wants to be loved and focus on school but when she meets Bangga she finds herself doing things she would have never done and telling him things she never would tell even her two bffs. Will Bangga he be her diary? Or will their pages be burned?Authors Shantay, Yanni and Lola Bandz weave together a story of young love, heartbreak, truth and lies and will have you asking yourself is it worth it to really love a thug in this 1 part of a 2 book explosive love series. Come find out why Every Girl Needs a Thug.

    Gale has fashioned a spare but powerful tale that thrusts the indignities of slavery and the stupidity of racism out of the murky 18th century and into the here and now.—Martin Morrow, Calgary Herald

    She's just 17, hates her parents, skives college and prefers life in the chatrooms. What she's looking for is someone honest and direct. Instead she finds Tim, a man twice her age, who thinks she is 11 and a boy.What seems at first to be a case of crossed wires, ends up as an unlikely, and unsettling friendship between the two, which culminates in a shocking, and morally challenging revelation.

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    It contains his only novel, The Portrait of Dorian Gray as well as his plays, stories, poems, essays and letters. Illustrated with many photographs, the book includes introductions to each section by Wilde's grandon, Merlin Holoand, Owen Dudley Edwards, Declan Kibertd and Terence Brown. A comprehensive bibliography of works by and about Oscar Wilde together with a chronological table of his life and work are also included.

    Vocal selections from the popular Broadway musical, including: 25th Annual Putnam County Spelling Bee * My Friend, the Dictionary * Pandemonium * I'm Not That Smart * Magic Foot * Prayer of the Comfort Counselor * My Unfortunate Erection * Woe Is Me * I Speak Six Languages * The I Love You Song.

    A collection of the notoriously private Beckett's reminiscences about his life and remembrances of Beckett fromthose who knew him.

    This is the most complete and generous sampling of the first half of an indispensable American writer's career.

    Now at 23, she's starting to realize she's nothing more than a human punching bag to him. Locked inside the house of hell, alone with no family or friends, physically and emotionally battered, Blaize continues to hold on to a relationship that may eventually kill her or place the one she cherishes the most in danger. After finally escaping the torment, she runs to the only person she knows. Detective Gregory Knight is at the top of his game in his career. After losing his wife to an unexplained death, he's determined to move on with life with his 7-year-old daughter. He has been working on Blaize's domestic abuse case for the last 3 years. Knight breaks the number one rule of never mixing business with pleasure when he starts growing feelings for Blaize. With Detective Knight to the rescue, he helps her through her most difficult times and helps build her into a stronger woman. With her newfound strength and not missing the fact that Blaize is one of the most beautiful women he has ever laid eyes on, his feelings for Blaize start to grow, and his willingness to protect her may jeopardize everything he has worked hard for. Will this damsel be worth his distress?

    Real and his lady, Constance, were living in the lap of luxury, with fancy cars, expensive clothes and a million dollar home until someone close to them alerted the feds to their illegal activity.At the blink of an eye their perfect life was turned upside down. Just as Real was sorting things out on the home front, the head of Miami's most powerful Cartel gave him an ultimatum that would eventually force him back into the life he had swore off forever. Knowing this lifestyle would surely put Constance in danger, he made plans to send her away until the score was settled but things spiraled out of control. Now Real and Constance are in a fight for survival where friends become enemies and murder is essential. Atlanta's underworld to Miami's most affluent community—no stone was left unturned as Real fought to keep Constance safe while attempting to regain control of the lifestyle he once would kill for.From the city of Atlanta to the cell block of Georgia's most dangerous prison, life under the City Lights would never be the same.

    They are the “it” girls in school, the ones other girls want to be like. Samariah, however, doesn’t want to share her shine with anyone; she’ll do anything to get what she wants, even if that means sabotaging her best friends’ relationships. Bria speaks her mind and is as real as they come. She has been with David since freshman year of high school and they are madly in love. Will that change when a baby is introduced into the picture? Monique is too naive; she tries to see the best in everybody. She finally gets the man of her dreams; only to find out he has been harboring a secret. Will the love she has for him keep them together? Will this friendship stand the test of time or will lies, betrayal, heartache, and secrets tear them apart?

    Hunter's A Bright New Boise is a earnest comedy about the meager profits of modern faith. In the bleak, corporate break room of a craft store in Idaho, someone is summoning The Rapture. Will, who has fled his rural hometown after a scandal at his Evangelical church, comes to the Hobby Lobby, not only f

    A mixture of poetry, metaphysics, and common sense, they are ideal for the imaginative director and are easily adapted for radio or small acting areas.