Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state with austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This important book is an original contribution to film analysis and a key work by one of our most searching directors and writers.

    Their contents offer rare glimpses into Chopin's childhood environment, his mind and character, his tragic love for George Sand, the origins of many of his compositions, the various musical influences that shaped his creative ideas and habits, and the artistic circles in which he moved.Originally collected by the Polish musicologist Henryk Opienski, the letters have been translated and annotated by Chopin scholar E. L. Voynich. Students and admirers of Chopin will find in their pages vast resources to deepen their love and appreciation for — and wonderment at — the unique individuality and achievement of this great musical personality.

    Based on six years of research and hundreds of interviews—including conversations with Dietrich herself—this is the last, best word on one of the century's greatest movie actresses and performers, an icon who embodied glamour and sophistication for audiences around the globe.

    According to Vogel--founder of Cinema 16, North America's legendary film society--the book details the "accelerating worldwide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored." So ahead of his time was Vogel that the ideas that he penned some 30 years ago are still relevant today, and readily accessible in this classic volume. Accompanied by over 300 rare film stills, "Film as a Subversive Art" analyzes how aesthetic, sexual and ideological subversives use one of the most powerful art forms of our day to exchange or manipulate our conscious and unconscious, demystify visual taboos, destroy dated cinematic forms, and undermine existing value systems and institutions. This subversion of form, as well as of content, is placed within the context of the contemporary world view of science, philosophy, and modern art, and is illuminated by a detailed examination of over 500 films, including many banned, rarely seen, or never released works.

    It was an accident which altered his army career, a mistake which launched him into films. This second volume charts the ups and downs Bogarde experienced on the way to becoming one of the finest cinema actors of our time. It is also about the people who helped him in this game of 'snakes and ladders' - family and friends, actors and actresses, directors and producers, including Judy Garland.

    The Republic of Whores takes place on an army base in rural Czechoslovakia, where the draftees of the Seventh Tank Battalion reluctantly prepare for the inevitable war with America. This is life in the Czechoslovak Stalinist People's Democratic Army at its most insane, bawdy, and raw. It's a romp through the idiocies that prevailed under Soviet occupation and bred fear and nonsense. For all the rules and regulations of oppression, though, the human spirit triumphs here. With endearing ideological indifference, the young men fake tank maneuvers, study Russian texts with horror novels tucked inside, and mock patriotic songs with their own lyrics. Tank Commander Danny Smiricky, the hero of many Skvorecky novels, is at his most subversive and charming. While Danny tries to cope with his boisterous, not-too-bright, homesick troop, he dreams of love and of getting out of the army by fair means or foul. Behind Skvorecky's characteristic ironic humor and sensual detail is the menacing shadow of thoughtless political dogma, personified in Major Borvicka (the Pygmy Devil). The Major would sell his soul (and his fellow soldiers) for Soviet accolades. Meanwhile, the troops will do whatever possible to undermine their rigid, Soviet-loving officers, while taking instructions on everything from compulsory reading tests to history, sex, and love. The drama comes to a head at the Cultural Farewell Party where the soldiers show exactly what they think of "political correctness" and their doctrine-drunk Major.

    . . a wonderfully vivid writer . . . He reaches the parts that others do not reach.”—Richard Davy, The Times“The best single account of what happened—and why.”—NewsweekThe definitive account of Solidarity’s spectacular rise and tragic fall . . . a book to set the record straight . . . amply documented, indispensable.”—John Darnton, New York Times Book ReviewA brilliant eyewitness and analyst, Timothy Garton Ash in this book offers a gripping account of the Polish shipyard workers who defied their communist rulers in 1980. He describes the emergence of the improbable leader Lech Walesa, the ensuing tumult that culminated in martial law, and—for this updated edition—the fate of the Solidarity movement in subsequent years.

    The author provides vivid descriptions of classic pictures such as The Birth of a Nation, Intolerance, Sunrise, The Covered Wagon, and Greed, and lucidly discusses their technical and artistic merits and weaknesses. He pays tribute to acknowledged masters like D. W. Griffith, Charlie Chaplin, Buster Keaton, Douglas Fairbanks, Mary Pickford, and Lillian and Dorothy Gish, but he also gives ample attention to previously neglected yet equally gifted actors and directors. In addition, the book covers individual genres, such as the comedy, western gangster, and spectacle, and explores such essential but little-understood subjects as art direction, production design, lighting and camera techniques, and the art of the subtitle. Intended for all scholars, students, and lovers of film, this fascinating book, which features over 150 film stills, provides a rich and comprehensive overview of this unforgettable era in film history.

    This volume contains the complete screenplay as well as a behind-the-scenes look at how the Oscar-winning movie was made, by one of its writers, Howard Koch. Charles Champlin, Roger Ebert, Umberto Eco, and others contribute incisive analyses of the movie's timeless appeal, and twenty-five beautifully reproduced stills capture the dramatically charged scenes of this true American classic.

    He begins to lead a double life: a powerful wizard in the dress of an ordinary boy. It’s all great fun using magic to cause strange incidents in his school and neighborhood, but soon Kaytek’s increasing powers cause major chaos around the city of Warsaw. Disillusioned, he leaves the country and wanders the world in search of the meaning of his good intentions, his unique abilities, and their consequences. Revolving around the notion that power is not without responsibility, nor without repercussions, this story speaks to every child's dream of freeing themselves from the endless control of adults, and shaping the world to their own designs.

    It tells the story of a disgruntled factory worker who, finding himself on the streets, takes the opportunity to poison Paris's water supply with a deadly virus. With the deaths piling up, we encounter Chinese communists, rabbis, disillusioned scientists, American millionaires and a host of others as the city sections off into ethnic enclaves and everyone plots their route of escape. At the heart of the cosmopolitan city is a deep-rooted xenophobia and hatred — the one thread that binds all these groups together. As Paris lies in ruin, Jasienski issues a rallying cry to the downtrodden of the world while mixing "The Internationale" with a broadcast of popular music.With its montage strategies reminiscent of early avant-garde cinema and fist-to-the-gut metaphors, I Burn Paris has lost none of its vitality and vigor. Ruthlessly dissecting various utopian fantasies, Jasienski is out to disorient, and he has a seemingly limitless ability to transform the Parisian landscape into the product of disease-addled minds. An exquisite example of literary Futurism and Catastrophism, the novel presents a filthy, degenerated world where factories and machines have replaced the human, but rather than cliché and simplistic propaganda, these features are given an immediacy that depicts the modern metropolis as only superficially cosmopolitan, as hostile and animalistic to its core.

    

    Dangerous Men takes a close look at the images of manhood during this pre-Code era, which coincided with an interesting time for men-the culmination of a generation-long transformation in the masculine ideal. By the late twenties, the tumult of a new century had made the nineteenth century's notion of the ideal man seem like a repressed stuffed shirt, a deluded optimist. The smiling, confident hero of just a few years before fell out of favor, and the new heroes who emerged were gangsters, opportunists, sleazy businessmen, shifty lawyers, shell-shocked soldiers-men whose existence threatened the status quo. In this book, LaSalle highlights such household names as James Cagney, Clark Gable, Edward G. Robinson, Maurice Chevalier, Spencer Tracy, and Gary Cooper, along with lesser-known ones such as Richard Barthelmess, Lee Tracy, Robert Montgomery, and the magnificent Warren William. Together they represent a vision of manhood more exuberant and contentious-and more humane-than anything that has followed on the American screen.

    Essential Deren: Collected Writings on Film contains all of Deren's essays on her own films as well as more general essays on film theory, the relation of film to dance, various technical aspects of film production, the distinction between amateur and professional filmmaking, and the famous 1946 chapbook titled "An Anagram of Ideas on Art, Form and Film," which has been reset here for the first time. There are hard-to-find articles written for magazines and art journals, as well as lectures, Q&A sessions, program notes, and manifestoes. This book will be particularly welcomed by the large audience that saw Martina Kudlacek's documentary, "In the Mirror of Maya Deren," during its theatrical release in the U.S. and Europe in 2002. The importance of Maya Deren's films and writings is further evidenced by the American Film Institute having named its highest award for independent filmmaking the "Maya Deren."

    It is here that she meets two streetwise girls, Kasia and Eva, who--each in her own way--begin to teach her the secrets of life. Marysia's drab life suddenly gains color, as she discovers not only the ostensible ways of the world, but also the subtler experiences of love, sex, desire, passion, and--finally, in the novel's breathtaking conclusion--betrayal. Combining elements of straightforward contemporary fiction, the metaphysical, fairytales, and the epic, richly layered styles of Dostoevsky, Flaubert, and Mann (to whom many international critics have compared him), Tomek Tryzna has made an astonishing literary debut.