As Christmas approaches, she dreads what was once her favorite holiday, knowing that this Christmas was supposed to be the first one she and Albrecht shared together. Then, one December morning, Lucy discovers a Christmas card from an anonymous sender on her doorstep. Lucy receives more cards, all personal, all tender, all comforting. Who in the shadows is thinking of her at Christmas?Andy Peachey was born with a rare genetic disorder. Coming to grips with his predicament makes him feel a profound connection to Lucy Yoder. Seeking meaning in life, he uses his talents to give Christmas cheer. Will Andy's efforts touch Lucy's heart and allow her to smile again? Or will Lucy, herself, get in his way? The Christmas Cards is a story of loss and love and the ability to find yourself again in someone else. Instead of waiting for each part to be released, enjoy the entire Christmas Cards series in this exclusive collection!

    Sexton reads twenty-four poems selected from different periods in her creative life, all in a dramatic, resonant voice that complements the deeply personal quality of her dark poetic explorations.  Ms. Sexton had a wonderful, unique literary vision, and she ranks among the great poets of our century. Side 1:Her Kind, The Ambition Bird; Ringing the Bells, Music Swims Back toMe; The Truth the Dead Know, With Mercy for the Greedy; The StarryNight; Letter Written on a Ferry While Crossing Long Island Sound;Little Girl, My String Bean, My Lovely Woman; The Little PeasantSide 2:Self in 1958, Divorce, Thy Name Is Woman; Gods Making a Living;Jesus Cooks, Jesus Walking; The Fury of Overshoes; The Fury of Cocks;Rowing, Riding the Elevator in the Sky, The Play; The RowingEndeth; Us; The Touch

    She writes about giving up too much of yourself to someone else, not fitting in, endlessly Googling “how to be happy,” and ultimately figuring out who you are.This hardcover collection features completely new material plus some fan favorites from Caroline's account. Filled with haunting, spare pieces of original art, Light Filters In will thrill existing fans and newcomers alike.it’s okay if some thingsare always out of reach.if you could carry all the starsin the palm of your hand,they wouldn’t behalf as breathtaking

    He is considered by Octavio Paz to be instrumental to the genesis of modern Latin American poetry and “one of the best poets” of the Spanish language. Toward the end of his life, he had published for over fifty years and brought in crowds of more than 3,000 to a readings in his native country. Coined the “Sniper of Literature” by Cuban poet Roberto Fernández Retamar, Sabines brought poetry to the streets. His vernacular, authentic poems are accessible: meant not for other poets, or the established or elite, but for himself and for the people.In this translation of his fourth book, Tarumba, we find ourselves stepping into Sabines’ streets, brothels, hospitals, and cantinas; the most bittersweet details are told in a way that reaffirms: “Life bursts from you, like scarlet fever, without warning.” Eloquently co-translated by Philip Levine and the late Ernesto Trejo, this bilingual edition is a classic for Spanish- and English-speaking readers alike. Secretive, wild, and searching, these poems are rife with such intensity you’ll feel “heaven is sucking you up through the roof.” Jaime Sabines was born on March 25, 1926 in Chiapas, Mexico. In 1945, he relocated to Mexico City where he studied Medicine for three years before turning his attention to Philosophy and Literature at the University of Mexico. He wrote eight books of poetry, including Horal (1950), Tarumba (1956), and Maltiempo (1972), for which he received the Xavier Villaurrutia Award. In 1959, Sabines was granted the Chiapas Prize and, in 1983, the National Literature Award. In addition to his literary career, Sabines served as a congressman for Chiapas. Jaime Sabines died in 1999; he remains one of Mexico’s most respected poets.  Philip Levine (translator) was born in Detroit, Michigan, in 1928. He is the author of sixteen books of poetry, most recently Breath (Alfred A. Knopf, 2004). His other poetry collections include The Mercy (1999); The Simple Truth (1994), which won the Pulitzer Prize; What Work Is (1991), which won the National Book Award; New Selected Poems (1991); Ashes: Poems New and Old (1979), which received the National Book Critics Circle Award and the first American Book Award for Poetry; 7 Years From Somewhere (1979), which won the National Book Critics Circle Award; and The Names of the Lost (1975), which won the Lenore Marshall Poetry Prize. He has received the Ruth Lilly Poetry Prize, the Harriet Monroe Memorial Prize from Poetry, the Frank O'Hara Prize, and two Guggenheim Foundation fellowships. Philip Levine lives in New York City and Fresno, California, and teaches at New York University.

    104 pages of gossiping, loving and pestering of the British upper class, accompanied by illustrations, will definitely not disappoint.

    Great Freedom, whereby you are not bound by the life you live in.The writings of Truth that guides you to the life of wisdom, cleanses your mind and leads you to the true and eternal world.

    Iron Word, a book that pulls at the strings of our beliefs about the nature of love until they unravel.Through the bravado of his writing and the painstaking clarity of his voice, Iron Word has crafted a work of art that encompasses how love has the power to transform and transcend us all.

    Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.

    Written in museums, ex-girlfriends’ kitchens, and Mexico, the chapbook shows Neil’s breadth of style as well as his humor.

     Book One: Beneath the Secrets. What happens when the only girl you’ve ever lusted comes crashing back into the picture? Nothing. Don’t construe my lack of interest the wrong way. The last time I saw Ava, she was no doubt attractive. Although she’s always been a little nerdy, and her head never left the inside of a book during her entire schooling experience, she could garner the attention of any hot-blooded male she feigned an interest in – myself included. Just one flash of her killer smile and I wanted to drop to my knees and kiss her f*cking feet. But a lot has changed since Ava left town six years ago with a flood of tears streaming down her face. Circumstances change. People change. I’ve changed. I’m no longer a teenage boy who can’t control his cock around a beautiful girl. I am a grown man. A man that has done two tours in Afghanistan. A man that has no troubles controlling his cock. A man that can still remember the sweet taste of her lips. What the f*ck? I'm screwed. From the Author that brought you the 'Enigma' series comes the next installment. An emotional story about being reacquainted with your high school crush. Does time really alter your interests? Or is using your age just an excuse to downplay real love? Let's find out - it's time to dive beneath the sheets Book Two: Beneath the Sheets. One Small Decision: One Epic Result. Five years ago, I made a mistake. If I’d known my hasty decision was going to have the consequences it did, I would have evaluated it with more diligence. I would have taken the time to properly assess the repercussions of my actions. But when my sister and unborn nephew were killed in an horrific accident, any chances of my grief-riddled brain forming a rational decision was lost. I was hurting too much. Losing Jorgie and Malcolm gutted me. Losing Ava the same week, utterly destroyed me. For the past five years, I’ve been a ghost, missing, presumed dead, hidden from the people who are seeking my demise. I knew eventually my past would catch up with me. I just never fathomed once it did, it would unravel even more secrets than the ones I've been hiding. But I'm tired of running and fighting fate. It's time to dive beneath the sheets, where all the best-kept secrets are exposed. Author Warning: This book is for people over the age of eighteen. It has swear words, sexual activities, and adult situations.

    It is deep dive into emotions, empathy, acceptance, healing and insights into a different perspective towards life. The book embraces you in silence and stillness of thoughts. The book is an attempt to connect to souls, to reflect upon them, unbiased and together embrace a new beginning and a beautiful journey called life.

    Swallowtail: A deep dive into the dissection of popular culture, and how the brightness and horrors of it can be mirrors into the daily lived experiences of women in America.

    ‘Hiraeth - A home that never was’ by Mansi Narula Kashyap is a collection of poetry and prose about a home that the author believes does not exist in the real world but still cast a shadow or instil a sense of belongingness towards the same. Each poem will enhance the reader’s imagination, coaxing them to understand the depth of a home that never was.“For just a moment, my heart believes.The home that never was,Still makes me homesick.I do not even remember when we started building it brick by brick?The thieves have come and robbed us of all that we had,Trust, loyalty and love are now just in twisted weaves.”

    On a cruise ship - Please do not lean on the widow. In a hotel - A sports jacket may be worn to dinner, but not trousers. In a London department store - Bargain basement upstairs.

    I searched for many years only to find that what I had been searching for, had been right in front of me all along.