The Kinks are the quintessential British sixties band, revered for an incredible series of classic songs ("You Really Got Me," "Waterloo Sunset" and "Lola" to name but a few) and critically acclaimed albums such as The Village Green Preservation Society. Featuring original interviews with key band members Ray Davies, his brother Dave Davies and Mick Avory, as well as Chrissie Hynde and many others close to the group, every stage of their career is covered in fascinating detail: the hits, the American successes of the 1970s and the legendary band in-fighting.  Nearly 50 years after they formed, the Kinks' influence is still being felt today as strongly as ever.

    In a short amount of time her lively interiors and custom furnishings have made her one of today's most in-demand creatives. Heuman's rooms, colorful spaces enlivened by exuberant elements and poetic inspirations, capture her signature quirkiness and Scandinavian attention to detail while staying rooted in practicality. Lauded for international residential and commercial projects, Heuman has also garnered praise for her growing collection of bespoke fabrics, wallpaper, lighting, homewares, and furniture.This beautifully crafted volume presents Heuman's innovative approach in book form for the very first time. Organized according to design principle, each chapter offers fresh ways to think about decorating a home, finding your voice, making ordinary details extraordinary, and forging a truly unique space. Vibrant photographs showcase standout properties--including several London town houses and a Nantucket vacation residence--that are brought to life by cheerful color palettes, unexpected contrasts, and a d�gag� use of bold patterns and texture. With original drawings and whimsical graphic details, this new tome is a dynamic look into the ethos and work of one of the most exciting names in interior design today.

    They have a loud voice, a wealth of choice and their expectations are higher than ever. This book covers ten principles you can use to make real world improvements to your customers’ experiences, whatever your business does and whoever you are. For managers, leaders and those starting a new business, the book shows that making improvements customers will appreciate doesn’t need to be complicated or cost a fortune.

    Much as he tries, he cannot get her harsh words out of his mind. As he travels to Pemberley, an encounter with carousing phaeton drivers causes him to be thrown from his horse. When he opens his eyes, he can remember nothing. But the beautiful face of the young woman leaning over him is strangely familiar, even if he does not know her name.Elizabeth Bennet only agreed to visit Pemberley, the home of Mr. Darcy, because she was assured he was away. Walking back to Lambton, she finds an unconscious, injured man on the path. As she rushes to his side, she is horrified to discover it is none other than the man she rejected. Her horror increases when he opens his eyes and has no idea who he or she is.When an illness forces Elizabeth to remain at Pemberley, she fears Darcy will resent her when he recovers his memory. And though Darcy is falling in love with the spirited young woman, he knows there is something about their shared past she is not telling him. But as they spend more time together, they cannot fight their growing feelings. How can Elizabeth know if the kind and caring man she is falling in love with is the real Darcy or a result of his accident? Can she risk that his former coldness and pride will not return with his memory?As they grow closer, there are those who seek to take advantage of Darcy’s situation. And when Elizabeth’s family is embroiled in scandal, Elizabeth loses her last hope that they might ever be together. But when Darcy’s memory loss requires Elizabeth to accompany him in his pursuit of his former friend and her wayward sister, their unexpected journey might be the very thing that unites them.

    Charles Goodwin, the garden committee president, would like the garden to stay just the way it is. Lord Vernon of Barnstable, the appalling life peer, has plans for the garden. Bryony Mullins, the gusset-mouthed harridan, doesn't give a flying knicker elastic what happens to the garden as long as it's not what Vernon wants. Angel Tenby, the sexually organic gardener, wants the garden to run free. Mrs Kotzen, the neighbour, wants the garden to be chic. The vicar wants the garden to be accessible and relevant. Lily Ng, the teenage daily, would probably think the garden silly if she thought about it at all; she wants to offer sex in lieu of ironing. Mona Corinth, the Hollywood legend, is dead and may be about to become part of the garden. Iona Wallace is the obligatory love interest. She would like to be a garden: laid, forked, plucked, seeded, mulched, vigorously pollarded, bedded and admired for her natural beauty. The garden wants absolutely nothing at all.Sap Rising may well be a story about dark dank nature both human and vegetable and our uneasy relationship with the mystic natural forces that move the earth. It may be a parable on the fragile consensus that maintains and tends green England. On the other hand, it might just be a farcical love story set in a garden about nothing of any consequence performed by comic grotesques with a lot of swearing and unnatural sex.

    From his window on one of the busiest street corners in the world, Littlewood watches the daily parade of fashion queens, prostitutes, gangsters, and celebrities that make up the population of this strangest of villages. Dirty White Boy is a vivid mosaic of modern London, caught between the ghosts of the past and the uncertainties of the future. With an unforgettable cast of characters ranging from Chico the camp queen to Pam the Fag Lady (with guest spots by stars like Kathy Griffin and Graham Norton), these compulsively readable true tales offer a wry panorama of Soho's rich and often raucous subcultures.

     But rather an essential tool for direction, motivation and innovation. No, No, No, No, No, Yes is the perfect inspirational Christmas gift for that someone in your life embarking on a great new challenge. Whether they just graduated from college, are changing careers, have set out to achieve something in the arts or the business realm, or just aspire to do something seemingly impossible, No, No, No, No, No, Yes will help them see that the “no’s” they will confront are simply directions on the map to “yes”. No. It is a word that every CEO, entrepreneur and creative professional has confronted. It is a word that both novices and seasoned professionals dread. It is a word that can easily seem like death to a dream. And yet it is also a word that can point in the right direction. It is a word that motivates us to do something differently, try something else, get better, innovate, keep going. No is a word that looms over every business person's, innovator's, and artist's life. And yet the word is universally met with trepidation and fear because the value of being told No is so little understood. ˃˃˃ No is a facilitator In No, No, No, No, No, Yes. Insights From A Creative Journey, award winning creator of visionary ad campaigns (Cannes Lions, Clios); ad exec (the Shalmor Avnon Amichay/Y&R agency); cartoonist (The New Yorker); speaker (TEDx); and teacher (School of Visual Arts) Gideon Amichay demonstrates that No is not a barrier to success it s a facilitator. No is not the end, but rather an essential tool for direction, motivation and innovation. Based on Amichay s best-selling book in Israel (published by Gordon Books in 2011) and 2013 TEDx talk of the same name, No, No, No, No, No, Yes takes the reader on an illustrated journey of the author's own lifetime confrontation, negotiation and relationship with No . Walking the reader through critical No s in his own 25 year career pitching cartoons to the New Yorker, risky ad campaign concepts as head of one of Israel s biggest ad agencies, impossible outdoor ad installations -- Amichay reveals the wisdom that No rarely ends with an exclamation point. ˃˃˃ No ends with a comma Rather, Amichay demonstrates that No usually ends with a comma: No comma, we don't have the time. No comma, we don't have the budget. No comma, can we see another option? By discovering which No comma he was confronting, Amichay shows how No s in fact led him to eventual Yes s -- including the waiting, the rejections, and the revisions and demonstrates that No, forces us to reexamine, to explore, to rethink, to change directions, to get better. ˃˃˃ No can be the best answer to get In No, No, No, No, No, Yes Amichay shares the essential revelation that sometimes No can be the best answer to get. Through illuminating anecdotes from his own illustrious career running the gamut between business and the arts, Gideon Amichay demonstrates unequivocally that No's, whether from colleagues, from clients, from life, or from within have great power, and are simply directions on the map to Yes. Authoritative, funny, whimsical, wise, and pragmatic, No, No, No, No, No, Yes. Insights From A Creative Journey. is the essential companion for every executive, innovator and artist to navigate the unavoidable odyssey of No in order to find the eventual Yes. Scroll up and grab a copy today.

    They built a fleet of turbine cars--automobiles with jet engines--and loaned them out to members of the public. The fleet logged over a million miles; the exercise was a raging success.            These turbine engines would run on any flammable liquid--tequila, heating oil, Chanel #5, diesel, alcohol, kerosene. If the cars had been mass produced, we might have cars today that do not require petroleum-derived fuels. The engine was also much simpler than the piston engine--it contained one-fifth the number of moving parts and required much less maintenance. The cars had no radiators or fan belts and never needed oil changes.             Yet Chrysler crushed and burned most of the cars two years later; the jet car's brief glory was over. Where did it all go wrong? Controversy still follows the program, and questions about how and why it was killed have never been satisfactorily answered.            Steve Lehto has interviewed all the surviving members of the turbine car program--from the metallurgist who created the exotic metals for the interior of the engine to the test driver who drove it at Chrysler’s proving grounds for days on end. Lehto takes these first-hand accounts and weaves them into a great story about the coolest car Detroit ever produced.

    With his new book he turns his eye to how Great Britain has been transformed by its free press down the years. He shows how, while the press likes to pretend it's independent, they have enjoyed the power they have over the events they report and have at times exercised it irresponsibly. He examines how it changed the world and changed itself over the course of the last hundred years, from the creation of the Daily Mail and the first stokings of anti-German sentiment in the years leading up to the First World War, to the Sun's propping up of the Thatcher government, and beyond. In this self-analysis from one of the pillars of modern journalism some searching questions are asked, including whether the press can ever be truly free and whether we would desire it to be so.Always incisive, brilliantly readable and never shy of controversy, "Lies Like Truth "sees John Simpson at the height of his game as one of Britain's foremost commentators.

    

    Changing the function of a word, or a room, can produce surprise and meaning. In How to Architect, Patt--an architect and the creator of a series of wildly popular online videos about architecture--presents the basics of architecture in A-Z form, starting with A is for Asymmetry (as seen in Chartres Cathedral and Frank Gehry), detouring through N is for Narrative, and ending with Z is for Zeal (a quality that successful architects tend to have, even in fiction--see The Fountainhead's architect-hero Howard Roark.)How to Architect is a book to guide you on the road to architecture. If you are just starting on that journey or thinking about becoming an architect, it is a place to begin. If you are already an architect and want to remind yourself of what drew you to the profession, it is a book of affirmation. And if you are just curious about what goes into the design and construction of buildings, this book tells you how architects think. Patt introduces each entry with a hand-drawn letter, and accompanies the text with illustrations that illuminate the concept discussed: a fallen Humpty Dumpty illustrates the perils of fragile egos; photographs of an X-Acto knife and other hand tools remind us of architecture's nondigital origins.How to Architect offers encouragement to aspiring architects but also mounts a defense of architecture as a profession--by calling out a defiant verb: architect!

    Sometimes we just take our own route to find it. When Ryan spots a young woman on the tube on his commute, he can’t take his eyes off her. Instantly attracted and intrigued, he’s keen to find out more about his mysterious fellow passenger.Sylvie spends all day travelling the underground, unable to leave for reasons unbeknownst to Ryan. But Ryan hasn’t dated for nearly ten years, when he was at university and the love of his life tragically died.For some inexplicable reason, he just can’t shake the feeling he wants to help Sylvie. In a world of missed opportunities and what-ifs, a connection has been made. This is a story of love and loss from the author of The First Time Lauren Pailing Died, perfect for fans of Anna Hope’s Expectation, David Nicholls’s Sweet Sorrow and Kate Atkinson’s Life After Life.

    Set in Brixton, 20 years after the race riots, The Dirty South follows the adventures of Bricky teenager Dennis Huggins as he drifts into the easy, dangerous life of the shotter - or drug dealer - and discovers that hard as the struggle for respect on the streets is, the struggle for love is harder still. At least Dennis has involved parents looking out for him; too many of his friends have no guidance other than that offered by their fellow shotters, or the dubiously motivated black Muslims. Wheatle brilliantly evokes the temptations of the thug life for young black men growing up in London's Dirty South - a fast, compelling novel that offers no easy answers, but refuses to shy away from asking the difficult questions.

    It is the idea that each of us carries an infinity - an oblivion - and love, of any kind, is a falling upward; a falling in. Each chapter explores a different stage of that journey.

    Dave Kelly and Andy Zymanczyk are classmates at a strict Catholic school. Both, desperate to escape their stifling backgrounds, get part-time work in the local cinema. Here they form a binding friendship and, with the help of one charismatic cinema manager, embark on a voyage of discovery. Dave falls in love with Rachel, a Jewish girl who also wants to escape from her strict religious background, while Andy falls for a girl he knows he can never have. When the cinema is threatened with closure, the boys realise that more than their new-found freedom is at risk...