It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs RobinsonCalifornia in the 60s. Benjamin's got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him… A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin's disastrous sexual odyssey is brought vividly to life in this world stage premiere production."Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    How to Fish is a gem of a book that gets to the heart of the passion for angling: that there's more to fishing than catching fish.

    Raised by her father, a ruthless Mexican drug cartel boss, and her mother, a strong-spirited black woman with an MBA from Harvard, it's no surprise that when Alexus graduates from high school text books to kilos of cocaine and heroin, she quickly becomes one of the best to ever do it in the dope game. After her father, Juan "Papi" Costilla, is sent away to federal prison, Alexus soon finds herself in Michigan City, Indiana with her mother, Rita Mae Bishop. With $250,000 in cash and 48 kilos of pure cocaine--stuffed inside large soup cans and smuggled into the country through her family's drug tunnel-- Alexus sets out to build herself a BMF-like drug-dealing ring, utilizing the connections of her numerous lovers to maximize her bankroll. But will she survive the wrath of the Costilla cartel when a portion of it turns against her? Find out in...

    Initially cast as target-spotters for gunships and air-assault forces, the scout pilots evolved into live bait as enemy weapons and tactics improved. Their small helicopters were vulnerable even to minor damage, and parachuting from a damaged bird was impossible. Casualty rates could be as high as 50%; a scout unit often resembled a WWI fighter squadron, with replacements dying almost before they could unpack. Yet fresh volunteers kept coming, even if only to stay out of the infantry. In his visceral memoir, Smith tells the familiar story of a young man who flunked out of college, sampled the 1960s counterculture and found himself first in the army, then in Vietnam. For Smith, the war was a theater of the absurd whose only meaning was survival. His narrative of low-altitude, high-risk operations in 1969-70 replicates that of others: initial confusion giving way first to proficiency and pleasure in stalking and killing anonymous enemies, later to a sense that both his skill and his luck are running out. Gritty enough to appeal to adventure fans, this memoir makes a useful contribution to a subject, American helicopter pilots in Vietnam, whose recorded history is largely still in its anecdotal stage.

    Boom tells the story of an elderly woman and her property agent son in Singapore, who are struggling over the potential en bloc sale of their home. Their destinies become interwoven with that of an idealistic civil servant, Jeremiah, who is facing the greatest challenge of his career—persuading a reluctant corpse to yield its memories. Boom is a quirky yet poignant tale about the relocation of both dead and living, and how personal stories get left behind in the inexorable march of progress.Written by economist-turned-playwright Jean Tay, Boom was conceptualised at the Royal Court Theatre in London in 2007, and developed and staged by the Singapore Repertory Theatre in September 2008. It was nominated for Best Original Script for The Straits Times’ Life! Theatre Awards in 2009 and is now an O- and N-Level Literature text in Singapore schools.“Jean Tay is one of the most gifted playwrights I have come across in years.” —Gaurav Kripalani, Artistic Director, Singapore Repertory Theatre

     For Annie and Will, who have left their marriages to be together, the future is fraught with the complications of starting over. Both have left pieces of themselves behind: For Annie, it is the husband and friend she has known since childhood; for Will, it is the five-year-old daughter he adores. And for the Korean-born Sungae, one of Annie's English-as-a-second-language students, it is a search for the words that will help her resolve the sorrows of her tragic history. As Sungae struggles with the new language and with her memories, her story unfolds in ways that will have profound consequences not only for Sungae, but for Annie, Will, and their former spouses. A lyrical and deeply moving novel about love, loss, and language-and about confronting life's tough choices-The Language of Good-bye "weaves a wonderful story [about] letting go of the past and moving forward into the future" (Gail Tsukiyama, author of The Language of Threads).

    Being in a relationship with ladies' man, Jay'vion, Asia is ready to throw in the towel. Jay'vion is the true definition of the song 'Can't Raise a Man.' Having a hard time being faithful and committing himself to Asia, he finds himself alone and lonesome. The last woman has approached Asia for the last time, and though letting go might be the hardest thing she's ever had to endure, she knows it's something she has to do. What hurts the most is falling for another man when you already have one of your own. Tangela has always lived by the rule of loyalty, even if her man is serving a five-year sentence. When she meets irresistible, fresh out of prison Quintez, she knows to stay far away from his kind. Little does she know, whatever Quintez wants, he gets. That includes her. Will Tangela continue to be loyal to her man, or will Quintez be one temptation she will not be able to fight? This is one rollercoaster ride you don't want to miss.

    When she gets the chance to move away to Los Angeles, she hops on it and doesn't look back. Laine's plans to focus only on her career and nothing else, are suddenly thrown to the wind when she meets the dangerous and unbalanced Mischief. Mischief, a music producing banger from Compton, only cares about three things; music, his money, and his brothers. Having to be raised by his aunt, because he was born to unfit parents, he's callous, rude, frank, and downright out of his mind. Upon meeting Laine, Mischief finds himself interested in the tough beauty, while trying to still maintain the life he has lived from day one. With secrets, lies, and betrayal laced through each page, this budding love story between the Chicago beauty and the Compton terrorizer is sure to keep you on your toes.

    After years of being a victim of domestic violence, Skye is caught between their extravagant lifestyle and his controlling behavior, but knows she has to get out. In a desperate attempt, Skye flees the abusive marriage with her three children in tow, and vows never to go back. She even begins a new life with a new identity, but lives in fear, knowing that Sandino won t rest until he finds them. Brace yourself as a shattered woman is determined to rebuild her life and protect her family at all cost, even if it means death. Besides, who wouldn t fight against their most treacherous enemy; even if it is your own husband?

    Someone - or something - is leaving bite marks in the avocados, Clay and Kelly's little daughter has an itch, and Carol can't remember who played Gandhi. This work takes a look at phoney liberal values.

    She is willing to do whatever it takes to ensure that this time they make it without fault.Tamar on the other hand is knee deep in the game, further than ever before. With a set of new demands; he is forced to recruit a new team that pushes him to prove why he is and will always be the boss.Taron and Journey are deeply in love and looking forward to becoming one. They thought they had everything a couple could ever want until another woman-Latoya, shows the both of them exactly what they’re missing.New couple Jamir and Erica will show you just how Justice is served.Will these couples overcome what’s being thrown their way or will they let it destroy everything they’ve built?Find out in this drama-filled 4th installment of Rozalyn.

    

    When a Tibetan lama and a monk come to their home unexpectedly, asking to take their child away for a life of spiritual training in India, the parents must make a life-altering choice that will test their strength, their marriage, and their hearts.The Oldest Boy is a richly emotional journey filled with music, dance, puppetry, ritual, and laughter—Sarah Ruhl at her imaginative best. A meditation on attachment and unconditional love, the play asks us to believe in a world in which sometimes the youngest children are also the oldest and wisest teachers.

    Ayckbourn's series of plays for 4-5 actors typify his black comedies of human behaviour. The plays are alternately naturalistic, stylised and farcical, but underlying each is the problem of loneliness. The Mother Figure shows a mother unable to escape from baby talk; in The Drinking Companion, an absentee husband attempts seduction without success; in Between Mouthfuls, a waiter oversees a fraught dinner encounter. A garden party gets out of hand in Gosforth's Fete, whilst A Talk in the Park is a revue style curtain call piece for the five actors. Whether the comedies concern marital conflict, infidelity or motherhood and take place on a park bench or at a village fete, the characters are familiar and their cries for help instantly recognisable. Principally he is respected as a radical re-inventor of form - Dominic Dromgoole.