104 pages of gossiping, loving and pestering of the British upper class, accompanied by illustrations, will definitely not disappoint.

    One day, I might perhaps become something so small and insignificant to you that you only think of me as often as you think of the little particles of dust that you can see floating around the window in the late afternoon sun.If I'm lucky enough, you'll think of me as often as never thinking of me again at all.

    The Assírio e Alvim edition is a bilingual edition, starting with the translation to Portuguese and then with the original version. It contains photos and drawings.

    Some poems read as conversations, some as internal monologues, others as observations, but they all work together to tell one couple's love story.

    it is the facade that many of us peruse our lives carrying, often neglecting our pain, our mental health, and most importantly, the way we are more prone to hurting others when we lack this self-awareness. (w)holehearted seeks to encompass as many stories as possible, touching on several topics, namely, spirituality, feminism, colorism, domestic violence, intersectionality, mental health and more. it aims to depict that anyone with the darkest past and pitfalls can still save themselves from drowning in the difficulties that not only plague our world, but also plague our hearts.

    As she’s bending it his eyes pop open and I move towards the bed, watching as he struggles to take a breath. Zoe smiles while tears roll down her face. I look on watching him fight for his life. He reaches out, trying to grab for Zoe and I grab a pillow from off the couch behind me and place it over his face. I press down hard. Zoe releases the tube and begins pressing down on the pillow with me too. We both press with all our might.

    She didn’t know what waited for her or why the village folk avoided her, or why the live in help moved out when she arrived. She should have believed the Hag. When foreign correspondent Catherine Davis inherits her grand aunt’s castle, it’s enough to convince her to leave her globe-trotting life behind and write her novel. But before she ever steps one foot out of London, a Hag, warns her that she is cursed. The always sceptical, Catherine disregards the Hag’s warnings. But when she arrives at Highcliff Hall and discovers that most of the villagers are afraid of her, she begins to wonder. What do the caretaker and the housekeeper know about Highcliff? What aren’t they telling her? Why is the house strewn with herbs? And why is the tower locked? Can Catherine survive the lethal confrontation with paranormal forces long enough to discover the answers, or is she doomed like those before her.If you love ghosts and Haunted houses, you really should be reading Cat Knight’s other books. List of Books The Haunting of Elleric LodgeThe Haunting of Grayson HouseThe Haunting of Weaver HouseThe Haunting of Fairview HouseThe Haunting of Keira O’ConnellThe Haunting of Ferncoombe HouseThe Haunting of Stone Street CemeteryThe Haunting of Knoll HouseIf you read stories in the occult, occultism, horror, supernatural and paranormal genres then add these to your reading list.

    One snowy night, exhausted parents Evelyn and Gabe Mitchell have just put their colicky four month old baby, Abigail, to sleep in the nursery of their farmhouse. Afraid their large mixed breed dog, Girl, will wake the baby, they unsuccessfully try to coax her out from under the crib where she has slept since the baby was born. Girl refuses to budge, because Girl senses what nobody else knows: something is catastrophically wrong. Told in lean, luminous prose, and inspired by a real life rescue, Miracle on Wolf Hollow Lane is a riveting story about one dog’s power of fortitude and gritty determination to live, to beat the odds, to return home, and maybe, just maybe, save the family from impending tragedy.OTHER BEST SELLING AND AWARD-WINNING BOOKS BY BLAKE O'CONNOR:Trust MeUnspoken Bond

    All the poems are in William Stafford's familiar, reflective voice, and some had been freshly typed at the time of Stafford's death in August of 1993. The book is hospitable to a full range of experiences, moods, stunts with language, tones, expressive landmarks, and intimacies with the universe. Long considered a major voice in twentieth century American poetry, William Stafford is also one of our nation's most popular poets.

    She speaks of sexual politics and family in a fierce, determined tone voracious in its opinions about freedom and responsibility.    The author engages in mythology and art history, musically wooing the reader with texture and voice. As she references such disparate cultural figures as filmmaker Lars Von Trier, Annie from the film Annie Get Your Gun, Nabokov’s Lolita, facebook entries and Greek gods, they appear as part of the poet’s cultural critique.    Phrases such as “the caustic domain of urchins” and “the gelatin shiver of tea’s surface” take the poems from lyrical images to comic humor to angry, intense commentary. On writing about “downgrading into human,” she says, “Then what? Amorality, osteoporosis and not even a marble estuary for the ages.”     Giménez Smith’s poetic arsenal includes rapier-sharp wordplay mixed with humor, at times self-deprecating, at others an ironic comment on the postmodern world, all interwoven with imaginative language of unexpected force and surreal beauty. Revealing a long view of gender issues and civil rights, the author presents a clever, comic perspective. Her poems take the reader to unusual places as she uses rhythm, images, and emotion to reveal the narrator’s personality. Deftly blending a variety of tones and styles, Giménez Smith’s poems offer a daring and evocative look at deep cultural issues.

    'Asphodel' celebrates unforgettably Williams' love for his wife Floss, (going) so far as to say, 'Death is not the end of it'...'Asphodel' strands impressively as the poet's personal credo, a late, long poem central to his entire work.' -- World Literature Today

    Lyne's techniques, which he developed through twenty years of teaching poetry workshops, flow from an understanding that poetry is an art form open to everyone. We all can-and should-write poetry.In this enchanting and inspiring volume, Lyne will introduce you to the pleasures and surprises of writing poetry, and his methods and insights will help you tap into your own unique voice and perspective to compose poems of your own in as little as a few minutes. Whether you are an experienced writer looking for new techniques and sources of inspiration or a novice poet who has never written a poem in your life, Writing Poetry from the Inside Out will help you to craft the poems you've always longed to write.

    Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.

    And BAD… But the lengths he will go through to accomplish this may become the reason he would want her to be more than just a fling. As Adrian sees the side of Emily that’s headstrong and stubborn, he can't help but be drawn to her little quirks as well. Everything about her intrigues him. A heated debate ensues after she refused to participate in a business deal he wants to do with her help. As anger and frustration creeps into his head, it leads to a sexual tension that results in a moment that will change the whole dynamic of their relationship.