Far from being meek and mild, they were violent, ruthless and fundamentally intolerant. Unlike the polytheistic world, in which the addition of one new religion made no fundamental difference to the old ones, this new ideology stated not only that it was the way, the truth and the light but that, by extension, every single other way was wrong and had to be destroyed. From the 1st century to the 6th, those who didn't fall into step with its beliefs were pursued in every possible way: social, legal, financial and physical. Their altars were upturned and their temples demolished, their statues hacked to pieces and their priests killed. It was an annihilation.Authoritative, vividly written and utterly compelling, this is a remarkable debut from a brilliant young historian.

    This newly annotated, free verse translation conveys the full force of Lucan's writing and his grimly realistic view of the subject. The work is a powerful condemnation of civil war, emphasizing the stark, dark horror of the catastrophies which the Roman state inflicted upon itself. Both the introduction and glossary set the scene for readers unfamiliar with Lucan and explore his relationship with earlier writers of Latin epic, and his interest in the sensational.

    Roma recounts the tragedy of the hero-traitor Coriolanus, the capture of the city by the Gauls, the invasion of Hannibal, the bitter political struggles of the patricians and plebeians, and the ultimate death of Rome’s republic with the triumph, and assassination, of Julius Caesar.     Witnessing this history, and sometimes playing key roles, are the descendents of two of Rome’s first families, the Potitius and Pinarius clans:  One is the confidant of Romulus. One is born a slave and tempts a Vestal virgin to break her vows. One becomes a mass murderer. And one becomes the heir of Julius Caesar. Linking the generations is a mysterious talisman as ancient as the city itself.     Epic in every sense of the word, Roma is a panoramic historical saga and Saylor’s finest achievement to date.

    Justinian II assumed the throne at the youthful age of sixteen and expanded Rome's rule over the Arabs, the Slavs, and most significantly, over the priests of the Eastern Church. Headstrong and stubborn, he eventually overstepped his bounds and was overthrown by the nobles. No one may rule Rome who is not a whole man...so to ensure his powerlessness, his nose was cut off and he was exiled across the Black Sea.

    Illustrated with both color photos and black-and-white drawings, this groundbreaking study goes back more than 3,000 years to a village where the workers who created the tombs of the Pharaohs and the Valley of the Kings resided. "John Romer is an archeologist with a genius for raising the busy ghosts of ancient Egypt."--Sunday Times

    Vicki Le?n brought a light and thoughtful touch to women's history in her earlier books, and she brings the same joy and singular voice to the daily work of the ancient world. You'll be surprised to learn how bloody an editor's job used to be, how even a slave could purchase a vicarius to carry out his duties and that early Greeks had their own ghost-busters with the apt title of psychopompus.In addition to stand-alone profiles on callings, trades, and professions, Le?n offers numerous sidebar entries about actual people who performed these jobs, giving a human face to the ancient workplace. Combining wit and rich scholarship, Working IX to V is filled with anecdotes, insights, and little-known facts that will inform and amuse readers of all ages. For anyone captivated by the ancient past, Working IX to V brings a unique insight into the daily grind of the classical world. You may never look at your day-to-day work in the same way!

    But to tell the story on only that level leaves many questions unanswered, not only about the Romans but about the barbarians, as well.Who were the Celts, Goths, Huns, Persians, and so many others met by the Romans as they marched to the north and east? And what made them barbarians in the eyes of Rome?What were the political, military, and social institutions that made Rome so stable, allowing its power to be wielded against these different cultures for almost three centuries?

    In this sweeping chronicle, historical figures and major campaigns such as Charlemagne, the Magyars, and the Crusades are presented not as icons but as a living part of their times, with all their achievements and human failures. Santosuosso asserts that war, for most of the Middle Ages, was carried out for God, personal gain, and honor. Both Christians and Muslims often explained their acts of violence in war as the will of God. Besides the religious motivation, soldiers, if upper class, believed that acts of bravery were a necessary aspect of gaining honor in society. Finally, war constituted a way to make material gains in a period of chronic underemployment and low prosperity. Particular emphasis is given to massive transitions from one period to the next in the medieval era. The author explains how these changes reflected an environment where charismatic leaders, the Church, and the aristocracy played leading roles as "managers" of the art and practice of war and normally as main actors on the battlefield.

    Cartledge highlights the role of such renowned cities as Athens (birthplace of democracy) and Sparta, but he also examines Argos, Thebes, Syracuse in Sicily, and Alexandria in Egypt, as well as lesser known locales such as Miletus (home of the West's first intellectual, Thales) and Massalia (Marseilles today), where the Greeks introduced the wine grape to the French. The author uses these cities to illuminate major themes, from economics, religion, and social relations, to gender and sexuality, slavery and freedom, and politics.

    Throughout the book the authors make use of original sources such as chronicles, charters, manuscripts and coins, works of art, archaelogical remains and surviving buildings.The nature of power and kingship, role of wealth, rewards, conquest and blood-feud in the perennial struggle for power, structure of society, the development of Christianity and the relations between church and secular authority are discussed at length, while particular topics are explored in 19 "picture essays".

    But what do those myths represent, and why are they so enduringly fascinating? Why do they seem to be such a potent way of talking about our selves, our origins, and our desires? This imaginative and stimulating Very Short Introduction goes beyond a simple retelling of the stories to explore the rich history and diverse interpretations of classical mythology. It is a wide-ranging account, examining how classical myths are used and understood in both high art and popular culture, taking the reader from the temples of Crete to skyscrapers in New York, and finding classical myths in a variety of unexpected places: from Arabic poetry and Hollywood films, to psychoanalysis, the Bible, and New Age spiritualism.#167

    to the fall of Rome in A.D. 476, Dark History of The Roman Emperors reveals the adultery, incest, profligacy, sadism, and insanity of Rome's 500-year empire, including:- A.D. 40 Caligula orders his troops to collect seashells as the 'spoils of war'- A.D. 54 The bumbling Claudius, who had his nymphomaniac third wife killed, was murdered himself by his fourth wife, his niece- A.D. 64 Nero sings and plays the lyre while Rome burns- A.D. 192 The megalomaniac Commodus is assassinated by his wrestling partner Narcissus- A.D. 193 Rome's Year of Shame: the office of Emperor is put up for sale to the highest bidder- A.D. 238 Six emperors hold the throne in one year - five were murdered

    Michael Kulikowski s history begins with the reign of Hadrian, who visited the farthest reaches of his domain and created stable frontiers, to the decades after Constantine the Great, who overhauled the government, introduced a new state religion, and founded a second Rome.Factionalism and intrigue sapped the empire from within, even at its apex. Roman politics could resemble a blood sport: rivals resorted to assassination; emperors rose and fell with bewildering speed, their reigns measured in weeks, not years; and imperial succession was never entirely assured. Canny emperors including Marcus Aurelius, Septimius Severus, and Diocletian constantly cultivated the aristocracy s favor to maintain a grip on power. Despite such volatility, the Roman Empire protected its borders, defeating successive attacks from Goths and Germans, Persians and Parthians. Yet external threats persisted and the imperial government sagged under its own administrative weight. Religion, too, was in flux with the rise of Christianity and other forms of monotheism. In the fourth century CE, Constantine and his heirs reformed imperial institutions by separating civilian and military hierarchies, restructuring the government of both provinces and cities, and ensuring the prominence of Christianity.The Triumph of Empire is a fresh, authoritative narrative of Rome at its height and of its evolution from being the central power of the Mediterranean world to becoming one of several great Eurasian civilizations."

    Conn Iggulden is just such a writer, bringing to vivid life one of the most fascinating eras in human history. In a true masterpiece of historical fiction, Iggulden takes us on a breathtaking journey through ancient Rome, sweeping us into a realm of tyrants and slaves, of dark intrigues and seething passions. What emerges is both a grand romantic tale of coming-of-age in the Roman Empire and a vibrant portrait of the early years of a man who would become the most powerful ruler on earth: Julius Caesar. On the lush Italian peninsula, a new empire is taking shape. At its heart is the city of Rome, a place of glory and decadence, beauty and bloodshed. Against this vivid backdrop, two boys are growing to manhood, dreaming of battles, fame, and glory in service of the mightiest empire the world has ever known. One is the son of a senator, a boy of privilege and ambition to whom much has been given and from whom much is expected. The other is a bastard child, a boy of strength and cunning, whose love for his adoptive family-and his adoptive brother-will be the most powerful force in his life. As young Gaius and Marcus are trained in the art of combat-under the tutelage of one of Rome's most fearsome gladiators-Rome itself is being rocked by the art of treachery and ambition, caught in a tug-of-war as two rival generals, Marius and Sulla, push the empire toward civil war. For Marcus, a bloody campaign in Greece will become a young soldier's proving ground. For Gaius, the equally deadly infighting of the Roman Senate will be the battlefield where he hones his courage and skill. And for both, the love of an extraordinary slave girl will be an honor each will covet but only one will win. The two friends are forced to walk different paths, and by the time they meet again everything will have changed. Both will have known love, loss, and violence. And the land where they were once innocent will be thrust into the grip of bitter conflict-a conflict that will set Roman against Roman...and put their friendship to the ultimate test. Brilliantly interweaving history and adventure, Conn Iggulden conjures a stunning array of contrasts-from the bloody stench of a battlefield to the opulence of the greatest city in history, from the tenderness of a lover to the treachery of an assassin. Superbly rendered, grippingly told, Emperor, The Gates of Rome is a work of vaulting imagination from a powerful new voice in historical fiction. "From the Hardcover edition."

    As emperor, Constantine enacted many administrative, financial, social, and military reforms to strengthen the empire. The government was restructured and civil and military authority separated. A new gold coin, the solidus, was introduced to combat inflation. It would become the standard for Byzantine and European currencies for more than a thousand years.