Previously known by the names Byzantium and Constantinople, this is the most celebrated metropolis in the world to sit on two continents, straddling the dividing line of the Bosphorus Strait between Europe and Asia. During its long history, Istanbul has served as the capital of the Roman, Byzantine, Latin and Ottoman Empires. Its architecture reflects these many cultures, including the Hagia Sophia (Byzantine), the Blue Mosque (Ottoman), the Valens Aqueduct (Roman), the Topkapi Palace (Ottoman), and more modern Art Nouveau avenues built in the 19th and 20th centuries - many of which are UNESCO World Heritage sites. With the founding of the Republic of Turkey by Ataturk in 1923, Istanbul was overlooked and Ankara became the capital. Over the next 90 years, Istanbul has undergone great structural change, and in the 1970s the population of the city rocketed as people moved to the city to find work, turning Istanbul into the cultural, economic and financial centre of Turkey. Events there recently have again brought Istanbul to the forefront of global attention. Indeed, while writing this book, Bettany was caught with her daughters in the crossfire of Taksim Square. Bettany Hughes has been researching and writing this rich portrait of one of the world's most multi-faceted cities for over a decade. Her compelling biography of a momentous city is visceral, immediate and sensuous narrative history at its finest.

    Carlos Ninguna is seventeen. His father is a snake-handler and Carlos is his apprentice. When a man who may or may not be on the FBI's Most Wanted List moves into the apartment above them, Carlos is faced with a whole tangle of complicated decisions.Anthony Doerr is one of the country's most honored young story writers. His short stories have appeared in the Atlantic, McSweeney's, the Paris Review, and Zoetrope: All-Story, where "The Snake Handler" originally appeared. His most recent collection, Memory Wall, won the 2010 Story Prize.

    She is taught only to obey, but she always finds ways to rebel—gossiping with her sister among the fragrant roses of her mother’s walled garden, venturing to the forbidden rooftop to roughhouse with her three brothers, writing poems to impress her strict, disapproving father, and sneaking out to flirt with a teenage paramour over café glacé. It’s during the summer of 1950 that Forugh’s passion for poetry really takes flight—and that tradition seeks to clip her wings. Forced into a suffocating marriage, Forugh runs away and falls into an affair that fuels her desire to write and to achieve freedom and independence. Forugh’s poems are considered both scandalous and brilliant; she is heralded by some as a national treasure, vilified by others as a demon influenced by the West. She perseveres, finding love with a notorious filmmaker and living by her own rules—at enormous cost. But the power of her writing grows only stronger amid the upheaval of the Iranian revolution. Inspired by Forugh Farrokhzad’s verse, letters, films, and interviews—and including original translations of her poems—Jasmin Darznik has written a haunting novel, using the lens of fiction to capture the tenacity, spirit, and conflicting desires of a brave woman who represents the birth of feminism in Iran—and who continues to inspire generations of women around the world.

    The novel sweeps across India, from an island, to a valley, a city, and a snow desert to tell a love story of epic proportions. We follow a scientist who studies trees and a clairvoyant who speaks to them; a geologist working to end futile wars over a glacier; octogenarian lovers; a mother struggling to free her revolutionary son; a yeti who seeks human companionship; a turtle who transforms first into a boat and then a woman; and the ghost of an evaporated ocean as restless as the continents. Binding them all together is a vision of life as vast as the universe itself. A young writer awarded one of the most prestigious prizes in India for this novel, Shubhangi Swarup is a storyteller of extraordinary talent and insight. Richly imaginative and wryly perceptive, Latitudes of Longing offers a soaring view of humanity: our beauty and ugliness, our capacity to harm and love each other, and our mysterious and sacred relationship with nature.

    English master-gunner John Hawkwood uproots his family from their native land and journeys to this fabled city.With the city under threat by the Ottoman Turks, the Byzantine emperor is in desperate need of men like Hawkwood and the knowledge of cannon and gunpowder he brings. For a time, the Hawkwoods enjoy status and privilege in return for John’s superior abilities as an artillerist. But all good things must come to an end. When tragedy strikes, even the close relationship John shares with the emperor cannot absolve the family of their sins, and with little more than the clothes on their backs, the Hawkwoods flee Constantinople. Captured by the savage Turks, John Hawkwood swiftly changes his allegiance, and once more applies his considerable skills…this time serving the conquerors in their victorious surge across eastern Europe and Mediterranean shores.No man lives forever, but the Hawkwood line never dies. For five generations, the Hawkwood men serve their Turkish leaders faithfully as military leaders and envoys. Although showered with wealth and privilege and accorded honours commensurate with their rank, their fates lie in the often capricious hands of the Ottoman empire’s cruel leaders. Over a span of nearly one hundred and fifty years, the Hawkwoods must employ every ounce of political cunning they possess to survive the swirling intrigues and bloody massacres that dominate the world in which they live. For their wives and concubines, the uncertainties and dangers of life are no less severe: the punishment meted out to a Hawkwood man who fails his duty likewise falls upon his family.Beyond the gleaming wealth and the veneer of power lie grim spectres of betrayal and sudden death, the threat of ravishment and torture lurking behind the gilded pillars of their palaces and harems. And when the time comes to choose between Ottoman and Hawkwood, no one can say what the future might bring…Christopher Nicole was born and brought up in British Guyana and the West Indies. His output of books has been prolific and many of his novels are historical with a Caribbean background. This book was previously published under the pseudonym Alan Savage.Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    A world of speakeasies and dancing girls where a gambler or bootlegger is perfectly normal and respectable in every way. Those familiar with "Guys and Dolls" know what to expect!

    He is separated from his family as they are swept up in the government’s mass deportation of Armenians into internment camps. Gradually realizing the unthinkable—that they are all being driven to their deaths—he fights, through starvation and thirst, not to lose hope. Just before killing squads slaughter his caravan during a forced desert march, Stepan manages to escape, making a perilous six-day trek to the Euphrates River carrying nothing more than two cups of water and one gold coin. In his desperate bid for survival, Stepan dons disguises, outmaneuvers gendarmes, and, when he least expects it, encounters the miraculous kindness of strangers.The Hundred-Year Walk alternates between Stepan’s saga and another journey that takes place a century later, after his family discovers his long-lost journals. Reading this rare firsthand account, his granddaughter Dawn MacKeen finds herself first drawn into the colorful bazaars before the war and then into the horrors Stepan later endured. Inspired to retrace his steps, she sets out alone to Turkey and Syria, shadowing her resourceful, resilient grandfather across a landscape still rife with tension. With his journals guiding her, she grows ever closer to the man she barely knew as a child. Their shared story is a testament to family, to home, and to the power of the human spirit to transcend the barriers of religion, ethnicity, and even time itself.

    It features Haraldr Sigurdarson, a Viking prince, who gradually learns the ways of the cosmopolitan court, and rises to heights he never dreamed of.

    Until recently it was home to Leonid Meyer, a reclusive elderly Jew who, like many of his neighbors, came here long ago to escape one of Europe's various bloodbaths. But Meyer's refuge ultimately became his coffin, the carnage crowned with a gigantic swastika. A racist murder? Inspector Ikmen has his doubts, and begins tracking down the few people who might have known the old man, including a faded prostitute, a shadowy family of Russian emigres, a dispairing rabbi, and a high-strung young Englishman in the throes of erotic obsession. The first in a stunningly atmospheric new series from a writer who has deservedly been compared with Michael Dibdin and Donna Leon.

    An aging feudal landlord's household staff, the villagers who depend on his favor, and a network of relations near and far who have sought their fortune in the cities confront the advantages and constraints of station, the dissolution of old ways, and the shock of change. Mueenuddin bares—at times humorously, at times tragically—the complexities of Pakistani class and culture and presents a vivid picture of a time and a place, of the old powers and the new, as the Pakistani feudal order is undermined and transformed.

    Colin Thubron writes about it and with great immediacy, intertwining myth, history and personal anecdote. What emerges is a tapestry from which characters and places, architectures and landscape all spring vividly to life.As a guide to the island and its survival through centuries of turmoil, JOURNEY INTO CYPRUS is invaluable. As a fine narrative of travel, it is compelling."Thubron worked hard to know Cyprus. He is a sympathetic observer, but also a candid one. He never lets sentiment or expectation get in the way of truth." (Daily Telegraph)

    The bridge holds many secrets.Two hurting women face each other on this night, destinies merging. Mistakes have been made, people have been hurt, and these two are the victims. After the many years, they are ready to give up, ready to end it all. But one thing keeps them from giving up.The bridge holds many secrets, and the city breeds scum. But together, they can heal and help.This passionate, emotional story about the power of forgiveness takes you far away, to a city you'll always remember and never forget. Follow me to the place where mercy and grace mingle, where love and pain go hand-in-hand. Follow me to the bridge.

    It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son.The man-called simply the "Walking Man" --paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net Mender, the Midwife, the Elderly Maths Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory? Is it possible, even for a fleeting moment, to call to the dead and free them from their death? Grossman's answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching death's hermetic separateness. For the reader, the solace is in their clamorous vitality, and in the gift of Grossman's storytelling - a realm where loss is not merely an absence, but a life force of its own.

    The stories are peopled by characters as bizarre as they are unforgettable: Crazy Karchar, whose unpredictability requires an army of fleas to manage it; Kazan, who cheerfully pretends to necrophilia in order to escape from prison; the monster Goggle-eye; and the heroine Chichek, who shoots, races on horseback and wrestles her lover. Geoffrey Lewis's classic translation retains the odd and oddly appealing style of the stories, with their mixture of the colloquial, the poetic and the dignified, and magnificently conveys the way in which they bring to life a wild society and its inhabitants. This edition also includes an introduction, a map and explanatory notes.

    When they are not subject to unimaginable violence, the condemned tell one another stories about the city, shaded with love and humor, to pass the time. Quiet laughter is the prisoners’ balm, delivered through parables and riddles. Gradually, the underground narrative turns into a narrative of the above-ground. Initially centered around people, the book comes to focus on the city itself. And we discover there is as much suffering and hope in the Istanbul above ground as there is in the cells underground.Despite its apparently bleak setting, this is a novel about creation, compassion, and the ultimate triumph of the imagination.