This magnificent trilogy also contains two other superb short novels. In Revenge, love causes the course of a man's life to be savagely and irrevocably altered. Nordstrom, in The Man Who Gave up his Name, is unable to relinquish his consuming obsessions with women, dancing and food.'

    Nora is an unflinching frontierswoman awaiting the return of the men in her life--her husband, who has gone in search of water for the parched household, and her elder sons, who have vanished after an explosive argument. Nora is biding her time with her youngest son, who is convinced that a mysterious beast is stalking the land around their home.Meanwhile, Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West. The way in which Lurie's death-defying trek at last intersects with Nora's plight is the surprise and suspense of this brilliant novel.Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Téa Obreht's talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely--and unforgettably--her own.

    Now Aunt Becky, the eccentric old matriarch of the clan, has bequeathed her prized possession: a legendary heirloom jug. But the name of the jug's new owner will not be revealed for one year. In the next twelve months beautiful Gay Penhallow's handsome fiancé Noel Gibson leaves her for sly and seductive Nan Penhallow; reckless Peter Penhallow and lovely Donna Dark, who have hated each other since childhood, are inexplicably brought together by the jug; Hugh and Joscelyn Dark, separated on their wedding night ten years ago for reasons never revealed, find a second chance—all watched over by the mysterious Moon Man, who has the gift of second sight. Then comes the night when Aunt Becky's wishes will be revealed...and the family is in for the biggest surprise of all.

    A god-like ocean deposits many a thing, yet it also takes away. The 1960s blaze off shore and draw the island’s inhabitants into politics, the Vietnam War, and the peace movement. Sound impossible? Not on Whalebone Island, AKA the Republic of Nothing. Where else can a dead circus elephant, a long-dead Viking, the discovery of uranium, a raven-haired castaway who may be psychic, an anarchist turned politician, and refugees fleeing from the United States all be part of everyday life? Where else is eccentricity embraced with such open arms? In this new readers’ guide edition, complete with an afterword by Neil Peart, Lesley Choyce’s novel about resilience, independence, and anarchy comes alive, leading readers to discover once again that everything is nothing and nothing is everything.

    On August 1, 1933, two young women, the famous aviatrix Grace O'Gorman and the inexperienced Willa Briggs, take off in a tiny moth biplane to break the world flight-endurance record. Their plan is to circle above the city of Toronto for twenty-five days. With each passing day, the women's ties to humanity fall away and the intensity of their connection becomes as gripping as the perils that besiege them: fatigue, weather, mechanical breakdown, and the lethal efforts of a saboteur. In this extraordinary debut, Humphreys exhibits rare control, restraint, and poetry as she develops the relationship of two unusual women through the magical passage of flight.

    The epic story of an unforgettable mountain man and his struggle to survive in the untamed wilderness of America.

    As Ramsay tells his story, it begins to seem that from boyhood, he has exerted a perhaps mystical, perhaps pernicious, influence on those around him. His apparently innocent involvement in such innocuous events as the throwing of a snowball or the teaching of card tricks to a small boy in the end prove neither innocent nor innocuous. Fifth Business stands alone as a remarkable story told by a rational man who discovers that the marvelous is only another aspect of the real.

    Alexander, orphaned as a child by a horrific tragedy, has nevertheless gained some success in the world. Even his older brother, Calum, a nearly destitute alcoholic living on Toronto's skid row, has been scarred by another tragedy. But, like all his clansman, Alexander is sustained by a family history that seems to run through his veins. And through these lovingly recounted stories-wildly comic or heartbreakingly tragic-we discover the hope against hope upon which every family must sometimes rely.

    Nineteen-year-old Irma lives in a rural Mennonite community in Mexico. She has already been cast out of her family for marrying a young Mexican ne'er-do-well she barely knows, although she remains close to her rebellious younger sister and yearns for the lost intimacy with her mother. With a husband who proves elusive and often absent, a punishing father, and a faith in God damaged beyond repair, Irma appears trapped in an untenable and desperate situation. When a celebrated Mexican filmmaker and his crew arrive from Mexico City to make a movie about the insular community in which she was raised, Irma is immediately drawn to the outsiders and is soon hired as a translator on the set. But her father, intractable and domineering, is determined to destroy the film and get rid of the interlopers. His action sets Irma on an irrevocable path toward something that feels like freedom. A novel of great humanity, written with dry wit, edgy humor, and emotional poignancy, Irma Voth is the powerful story of a young woman's quest to discover all that she may become in the unexpectedly rich and confounding world that lies beyond the stifling, observant community she knows.

    It is a Canadian summer in 1939 and Robert and Annie’s love has blossomed, even as the inevitability of the boys joining up means separation and the first of many losses. Fearing he might not return, Robert makes William promise to take care of Annie. Every arena of their lives is infiltrated by the war, from the home front to the underground of queer London to the bloody battlefields of Italy. Even in the aftermath, in the shadow of The Dreamland, these friends fight their own inner battles: to have faith in their right to love and be loved, to honour their promises and ultimately find their way “home.”

    The four actors are versatile enough to wear many costumes and play many roles. A few props, a little makeup, a costume and--voilà--applause on the rugged frontier.Johnny also arranges a special attraction for each town. While his actors bustle in and out of costumes, on and off the stage in many roles, one plays the villain in the bank. Then the actors take their curtain calls and railroad away.Who? Us? Rob a bank? But you saw all of us on stage. When could we have done that?A Pinkerton man becomes the troupe’s severest critic: He notices the news reports of stage performances one day and bank robberies the next. He follows the troupe, packing his suspicions. Finally, he sets a clever trap.Johnny Vermillion is one of the most entertaining rogues ever to turn a dishonest dollar. Any audience will love a troupe that can transform A Midsummer Night’s Dream into grand larceny.

    His wife away for the first time, Jack is at home coping with domestic crises and two adolescents while immobilized by self-doubt and questioning his worth as a historian.This is the husband's story now found in Happenstance: Two Novels in One About a Marriage in Transition, originally published on its own in 1980 as Happenstance.

    The year is 1939. Drought has turned America’s heartland into a dust bowl, and the world is on the brink of war. Jack’s father wants him to head north to Canada to sign up in the fight against Fascism. But when a pair of fast-talking swindlers named Virgil and Miss Rose blow through town, Jack falls in with them instead. Together, they go on a crime spree across the Southwest, staging a series of inventive and often hilarious cons, while sexual tension between Jack and Miss Rose grows ... Someone is being set up.

    Stubborn, querulous, self-reliant – and, at ninety, with her life nearly behind her – Hagar Shipley makes a bold last step towards freedom and independence.As her story unfolds, we are drawn into her past. We meet Hagar as a young girl growing up in a black prairie town; as the wife of a virile but unsuccessful farmer with whom her marriage was stormy; as a mother who dominates her younger son; and, finally, as an old woman isolated by an uncompromising pride and by the stern virtues she has inherited from her pioneer ancestors.Vivid, evocative, moving, The Stone Angel celebrates the triumph of the spirit, and reveals Margaret Laurence at the height of her powers as a writer of extraordinary craft and profound insight into the workings of the human heart.From the Hardcover edition.

    Into the rough plains of Utah roamed the legendary Panquitch, a great wild stallion, that had eluded the countless wranglers who sought to capture him.